Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

The long-awaited new novel from the author of global sensation Tender Is the Flesh: a thrilling work of literary horror about a woman cloistered in a secretive, violent religious order, while outside the world has fallen into chaos. From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe. But when a stranger makes her way past the convent walls, joining the ranks of the unworthy, she forces the narrator to consider her long-buried past—and what she may be overlooking about the Enlightened. As the two women grow closer, the narrator is increasingly haunted by questions about her own past, the environmental future, and her present life inside the convent. How did she get to the Sacred Sisterhood? Why can’t she remember her life before? And what really happens when a woman is chosen as one of the Enlightened? A searing, dystopian tale about climate crisis, ideological extremism, and the tidal pull of our most violent, exploitative instincts, this is another unforgettable novel from a master of feminist horror.

Cujo is a huge Saint Bernard dog, the best friend Brett Camber has ever had. Then one day Cujo chases a rabbit into a bolt hole. Except it isn't a rabbit warren any more. It is a cave inhabited by rabid bats. And Cujo falls sick. Very sick. What happens to Cujo, how he becomes a horrifying vortex inexorably drawing in all the people around him, makes for one of the most heatt-stopping novels Stephen King has written.

The #1 national bestseller about a woman who escapes an abusive marriage is “one of Stephen King’s most engrossing horror novels. Relentlessly paced and brilliantly orchestrated...fueled by an air of danger immediate and overwhelming” (Publishers Weekly). Rosie Daniels leaves her husband, Norman, after fourteen years in an abusive marriage. She is determined to lose herself in a place where he won’t find her. She’ll worry about all the rest later. Alone in a strange city, she begins to make a new life, and good things finally start to happen. Meeting Bill is one; and getting an apartment is another. Still, it’s hard for Rosie not to keep looking over her shoulder, and with good reason. Norman is a cop, with the instincts of a predator. He’s very good at finding people, even if he is losing his mind. Fixed on revenge, Norman Daniels becomes a force of relentless terror and savageness, a man almost mythic in his monstrosity. For Rosie to survive, she must enter her own myth and become a woman she never knew she could be: Rose Madder. “Riveting, engrossing...packed with suspense” (People), Stephen King infuses this novel with an edge-of-your-seat, chilling atmosphere. Rose Madder is “an eerie, remarkably mature and moving novel” (The Washington Post).

In the predawn hours, in a distressed American city, hundreds of unemployed men and women line up for the opening of a job fair. They are tired and cold and desperate. Emerging from the fog, invisible until it is too late, a lone driver plows through the crowd in a stolen Mercedes, running over the innocent, backing up, and charging again. Eight people are killed; fifteen are wounded. The killer escapes. Months later, an ex-cop named Bill Hodges, still haunted by the unsolved crime, contemplates suicide. When he gets a crazed letter from "the perk," claiming credit for the murders, Hodges wakes up from his depressed and vacant retirement, fearing another even more diabolical attack and hell-bent on preventing it. Brady Hartfield lives with his alcoholic mother in the house where he was born. He loved the feel of death under the wheels of the Mercedes, and he wants that rush again. Only Bill Hodges, with a couple of eccentric and mismatched allies, can apprehend the killer before he strikes again. And they have no time to lose, because Brady's next mission, if it succeeds, will kill or maim thousands. Mr. Mercedes is a war between good and evil from the master of suspense whose insight into the mind of this obsessed, insane killer is chilling and unforgettable. --front flap

Wake up, genius. The genius is John Rothstein, an iconic author who created a famous character, Jimmy Gold, but who hasn’t published a book for decades. Morris Bellamy is livid, not just because Rothstein has stopped providing books, but because the nonconformist Jimmy Gold has sold out for a career in advertising. Morris kills Rothstein and empties his safe of cash, yes, but the real treasure is a trove of notebooks containing at least one more Gold novel. Morris hides the money and the notebooks, and then he is locked away for another crime. Decades later, a boy named Pete Saubers finds the treasure, and now it is Pete and his family that Bill Hodges, Holly Gibney, and Jerome Robinson must rescue from the ever-more deranged and vengeful Morris when he’s released from prison after thirty-five years. Not since Misery has King played with the notion of a reader whose obsession with a writer gets dangerous. Finders Keepers is spectacular, heart-pounding suspense, but it is also King writing about how literature shapes a life—for good, for bad, forever.

The spectacular finale to the New York Times bestselling trilogy that began with Mr. Mercedes (winner of the Edgar Award) and Finders Keepers—In End of Watch, the diabolical “Mercedes Killer” drives his enemies to suicide, and if Bill Hodges and Holly Gibney don’t figure out a way to stop him, they’ll be victims themselves. In Room 217 of the Lakes Region Traumatic Brain Injury Clinic, something has awakened. Something evil. Brady Hartsfield, perpetrator of the Mercedes Massacre, where eight people were killed and many more were badly injured, has been in the clinic for five years, in a vegetative state. According to his doctors, anything approaching a complete recovery is unlikely. But behind the drool and stare, Brady is awake, and in possession of deadly new powers that allow him to wreak unimaginable havoc without ever leaving his hospital room. Retired police detective Bill Hodges, the unlikely hero of Mr. Mercedes and Finders Keepers, now runs an investigation agency with his partner, Holly Gibney—the woman who delivered the blow to Hartsfield’s head that put him on the brain injury ward. When Bill and Holly are called to a suicide scene with ties to the Mercedes Massacre, they find themselves pulled into their most dangerous case yet, one that will put their lives at risk, as well as those of Bill’s heroic young friend Jerome Robinson and his teenage sister, Barbara. Brady Hartsfield is back, and planning revenge not just on Hodges and his friends, but on an entire city. In End of Watch, Stephen King brings the Hodges trilogy to a sublimely terrifying conclusion, combining the detective fiction of Mr. Mercedes and Finders Keepers with the heart-pounding, supernatural suspense that has been his bestselling trademark. The result is an unnerving look at human vulnerability and chilling suspense. No one does it better than King.

In the middle of the night, in a house on a quiet street in suburban Minneapolis, intruders silently murder Luke Ellis’s parents and load him into a black SUV. The operation takes less than two minutes. Luke will wake up at The Institute, in a room that looks just like his own, except there’s no window. And outside his door are other doors, behind which are other kids with special talents—telekinesis and telepathy—who got to this place the same way Luke did: Kalisha, Nick, George, Iris, and ten-year-old Avery Dixon. They are all in Front Half. Others, Luke learns, graduated to Back Half, “like the roach motel,” Kalisha says. “You check in, but you don’t check out.” In this most sinister of institutions, the director, Mrs. Sigsby, and her staff are ruthlessly dedicated to extracting from these children the force of their extranormal gifts. There are no scruples here. If you go along, you get tokens for the vending machines. If you don’t, punishment is brutal. As each new victim disappears to Back Half, Luke becomes more and more desperate to get out and get help. But no one has ever escaped from the Institute. As psychically terrifying as Firestarter, and with the spectacular kid power of It, The Institute is Stephen King's gut-wrenchingly dramatic story of good versus evil in a world where the good guys don't always win. --front flap

Readers adore Stephen King’s novels, and his novellas are their own dark treat, briefer but just as impactful and enduring as his longer fiction. Many of his novellas have been made into iconic films, including “The Body” (Stand By Me) and “Rita Hayworth and Shawshank Redemption” (Shawshank Redemption). Four brilliant new tales in If It Bleeds are sure to prove as iconic as their predecessors. Once again, King’s remarkable range is on full display. In the title story, reader favorite Holly Gibney (from the Mr. Mercedes trilogy and The Outsider) must face her fears, and possibly another outsider—this time on her own. In “Mr. Harrigan’s Phone” an intergenerational friendship has a disturbing afterlife. “The Life of Chuck” explores, beautifully, how each of us contains multitudes. And in “Rat,” a struggling writer must contend with the darker side of ambition. If these novellas show King’s range, they also prove that certain themes endure. One of King’s great concerns is evil, and in If It Bleeds, there’s plenty of it. There is also evil’s opposite, which in King’s fiction often manifests as friendship. Holly is reminded that friendship is not only life-affirming but can be life-saving. Young Craig befriends Mr. Harrigan, and the sweetness of this late-in-life connection is its own reward.

Mike Klingenberg isn’t exactly what you’d call one of the cool kids at his school. For one, he doesn’t have many friends. (Okay, zero friends.) And everyone laughs when he has to read his essays out loud in class. (Not in a good way.) And he’s never, ever invited to parties—especially not the party of the year, thrown by the gorgeous Tatiana. Andre Tschichatschow, a.k.a. Tschick (not even the teachers can pronounce his name), is new in school, and a whole different kind of unpopular. He always looks like he’s just been in a fight, he sleeps through nearly every class, and his clothes are a tragedy. But one day Tschick shows up at Mike’s house out of the blue. Turns out he wasn’t invited to Tatiana’s party either, and he’s ready to do something about it. Forget the popular kids: Together, Mike and Tschick are heading out on a road trip across Germany. No parents, no map, no destination. Will they get hopelessly lost in the middle of nowhere? Probably. Will they make bad decisions, meet some crazy people, and get into trouble? Definitely. But will anyone ever call them boring again? Not a chance.