A hopeless romantic meets a demoralized radio host in this cozy, Sleepless in Seattle-inspired love story from beloved author B.K. Borison. Aiden Valentine has a secret: he's fallen out of love with love. And as the host of Baltimore's romance hotline, that's a bit of a problem. But when a young girl calls in to the station asking for dating advice for her mom, the interview goes viral, thrusting Aiden and Heartstrings into the limelight. Lucie Stone thought she was doing just fine. She has a good job; an incredible family; and a smart, slightly devious kid. But when all of Baltimore is suddenly scrutinizing her love life-or lack thereof—she begins to question if she's as happy as she thought. Maybe a little more romance wouldn't be such a bad thing. Everyone wants Lucie to find her happy ending... even the handsome, temperamental man calling the shots. But when sparks start to fly behind the scenes, Lucie must make the final call between the radio-sponsored happily ever after or the man in the headphones next to her.

She’s rewriting his love story. But can she rewrite her own? Emma Wheeler desperately longs to be a screenwriter. She’s spent her life studying, obsessing over, and writing romantic comedies―good ones! That win contests! But she’s also been the sole caretaker for her kind-hearted dad, who needs full-time care. Now, when she gets a chance to re-write a script for famous screenwriter Charlie Yates―The Charlie Yates! Her personal writing god!―it’s a break too big to pass up. Emma’s younger sister steps in for caretaking duties, and Emma moves to L.A. for six weeks for the writing gig of a lifetime. But what is it they say? Don’t meet your heroes? Charlie Yates doesn’t want to write with anyone―much less “a failed, nobody screenwriter.” Worse, the romantic comedy he’s written is so terrible it might actually bring on the apocalypse. Plus! He doesn’t even care about the script―it’s just a means to get a different one green-lit. Oh, and he thinks love is an emotional Ponzi scheme. But Emma’s not going down without a fight. She will stand up for herself, and for rom-coms, and for love itself. She will convince him that love stories matter―even if she has to kiss him senseless to do it. But . . . what if that kiss is accidentally amazing? What if real life turns out to be so much . . . more real than fiction? What if the love story they’re writing breaks all Emma’s rules―and comes true?

Todo vale en el amor y en el rol. ¡Y en el escenario! Riley sueña con convertirse en directora de Broadway, y el primer paso para lograrlo es salvar el musical de su instituto. Pero no será fácil: como «cogió prestado» el coche familiar, ahora está castigada a trabajar en la tienda de juegos de mesa de su padre. No puede permitirse perder el tiempo en ese antro, así que hace un trato con Nathan, el otro dependiente, que es huraño, un pedazo de friki... y tiene un punto débil: Sophia, una de sus compañeras de la partida de rol a la que siempre están jugando. A cambio de que Nathan le eche una mano con el engreído Paul, su ex, Riley fingirá ligar con él delante de Sophia para ponerla celosa. Aunque tendrá que recurrir a todo su talento interpretativo para conseguir que Nathan parezca mínimamente deseable. Desde luego, a Riley no puede gustarle menos...