Once Upon A Time, there was a wicked girl. She lost everything that mattered, causing darkness to unfurl. Impulsive and intelligent, she helped her family name grow strong. But then one day a man without a heart came along. An undercover agent, meant to spy and bring back tips. Following down her hidden path of faded yellow bricks. She hated him, he wanted her; she was too good to be true. But a woman can be great... and terrible too. Wretched is a dark contemporary romance and the third complete standalone in The Never After Series: A collection of fractured fairy tales inspired by our favorite villains. It is not fantasy and it is not a retelling. Reader discretion is advised.

“Violent, smart, gruesome and wildly original, this novel pulls readers into a horrific world of murder and cannibalism while also critiquing misogyny, exploring Asian fetishization and stereotypes, sharing what it’s like to navigate two cultures and telling a touching story of a family in turmoil.” —New York Times Book Review Crying in H-Mart meets My Sister, the Serial Killer in this feminist psychological horror about the making of a female serial killer from a Korean-American perspective. Ji-won’s life tumbles into disarray in the wake of her appa’s extramarital affair and subsequent departure. Her mother, distraught. Her younger sister, hurt and confused. Her college freshman grades, failing. Her dreams, horrifying… yet enticing. In them, Ji-won walks through bloody rooms full of eyes. Succulent blue eyes. Salivatingly blue eyes. Eyes the same shape and shade as George’s, who is Umma’s obnoxious new boyfriend. George has already overstayed his welcome in her family’s claustrophobic apartment. He brags about his puffed-up consulting job, ogles Asian waitresses while dining out, and acts condescending toward Ji-won and her sister as if he deserves all of Umma’s fawning adoration. No, George doesn’t deserve anything from her family. Ji-won will make sure of that. For no matter how many victims accumulate around her campus or how many people she must deceive and manipulate, Ji-won’s hunger and her rage deserve to be sated. A brilliantly inventive, subversive novel about a young woman unraveling, Monika Kim’s The Eyes Are the Best Part is a story of a family falling apart and trying to find their way back to each other, marking a bold new voice in horror that will leave readers mesmerized and craving more.

Book three in the No.1 New York Times bestselling Into Darkness series, following the dark rom-com sensations Lights Out and Caught Up . The game is on for these enemies-to-lovers with laugh-out-loud banter and scorching-hot brat play. I hate that woman. Tyler Neumann has spent years looking for his father, and not because he wants to meet the man. No, he wants to destroy him. And he'll manipulate whoever he can to exact his revenge. Including Stella McCormick. She's everything Tyler hates. Her wealth and privilege have protected her for her entire life, and Tyler thinks it's time she finally paid the price. Whether she's ready to or not. I hate that man. Stella might not believe in love at first sight, but loathing at first sight - no question. From the moment she sets eyes on Tyler in her tattoo parlor, she knows he's the devil planning to make her life hell. Forced to play the part of his girlfriend and invite him into her family's glittering circles, Stella quickly clocks Tyler's ulterior motives. But love and hate are two sides of the same coin, and soon she doesn't know which is being blackmailed by a man who wants to ruin her, or that they can't seem to keep their hands off each other. Game On is an enemies-to-lovers dark romance with morally grey characters. Some themes and scenes may be disturbing to readers. Please check the content warning at the beginning of the book. Enemies-to-lovers Forced proximity Fake dating Rom-com Morally gray MMC Black cat FMC Blackmail Kidnapping Power imbalance Age gap Betrayal and redemption Dark past Revenge

Book three in the No.1 New York Times bestselling Into Darkness series, following the dark rom-com sensations Lights Out and Caught Up . The game is on for these enemies-to-lovers with laugh-out-loud banter and scorching-hot brat play. I hate that woman. Tyler Neumann has spent years looking for his father, and not because he wants to meet the man. No, he wants to destroy him. And he'll manipulate whoever he can to exact his revenge. Including Stella McCormick. She's everything Tyler hates. Her wealth and privilege have protected her for her entire life, and Tyler thinks it's time she finally paid the price. Whether she's ready to or not. I hate that man. Stella might not believe in love at first sight, but loathing at first sight - no question. From the moment she sets eyes on Tyler in her tattoo parlor, she knows he's the devil planning to make her life hell. Forced to play the part of his girlfriend and invite him into her family's glittering circles, Stella quickly clocks Tyler's ulterior motives. But love and hate are two sides of the same coin, and soon she doesn't know which is being blackmailed by a man who wants to ruin her, or that they can't seem to keep their hands off each other. Game On is an enemies-to-lovers dark romance with morally grey characters. Some themes and scenes may be disturbing to readers. Please check the content warning at the beginning of the book. Enemies-to-lovers Forced proximity Fake dating Rom-com Morally gray MMC Black cat FMC Blackmail Kidnapping Power imbalance Age gap Betrayal and redemption Dark past Revenge

Returning to Russia from a sanitarium in Switzerland, the Christ-like epileptic Prince Myshkin finds himself enmeshed in a tangle of love, torn between two women—the notorious kept woman Nastasya and the pure Aglaia—both involved, in turn, with the corrupt, money-hungry Ganya. In the end, Myshkin’s honesty, goodness, and integrity are shown to be unequal to the moral emptiness of those around him. In her revision of the Garnett translation, Anna Brailovsky has corrected inaccuracies wrought by Garnett’s drastic anglicization of the novel, restoring as much as possible the syntactical structure of the original story.