Challenging every preconception about storytelling and prose style, mixing wry humor and riveting emotional depth, Kawakami is today one of Japan’s most important and best-selling writers. She exploded onto the cultural scene first as a musician, then as a poet and popular blogger, and is now an award-winning novelist. Breasts and Eggs paints a portrait of contemporary womanhood in Japan and recounts the intimate journeys of three women as they confront oppressive mores and their own uncertainties on the road to finding peace and futures they can truly call their own. It tells the story of three women: the thirty-year-old Natsu, her older sister, Makiko, and Makiko’s daughter, Midoriko. Makiko has traveled to Tokyo in search of an affordable breast enhancement procedure. She is accompanied by Midoriko, who has recently grown silent, finding herself unable to voice the vague yet overwhelming pressures associated with growing up. Her silence proves a catalyst for each woman to confront her fears and frustrations. On another hot summer’s day ten years later, Natsu, on a journey back to her native city, struggles with her own indeterminate identity as she confronts anxieties about growing old alone and childless.

In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible a young foreign man who appears outside her window.One of these people is a ghost, and one of these stories is a lie.Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

National Magazine Award winner and author of the New York Times Notable Demon Camp, Jen Percy returns with a devastating exploration of womanhood and survival in this groundbreaking work of narrative nonfiction.What does it mean to endure as a woman? Percy, who has written extensively on trauma responses and PTSD, revisits these subjects using her personal experience, including sexual assault, to examine a broader social and cultural history of trauma. Beginning with her childhood in rural Oregon, Percy dissects the moments that shaped her girlhood. She learns from her mother, who teaches her wilderness survival strategies (and who eventually joins a cult), and she interrogates the biological basis for “freezing,” or tonic immobility, that is instinctual for humans in moments of physical danger. Percy’s writing chronicles women venturing into fantasies, cults, and hypnosis in order to cope with suffering and abuse.This is a book about women forced to play dead, and others fighting for their lives. It follows women in bunkers preparing for the apocalypse when the apocalypse might be embodied by the person darkening their door and women imprisoned for killing their attackers, all in an effort to better understand how people get stuck in inescapable circumstances—of domestic abuse, sexual assault, and vigilantism. Percy depicts the thrilling grit it takes to escape such evil and overcome moments of paralysis when women are so often conditioned by the myth of “fight or flight.”In electrifying prose, reminiscent of Joan Didion and Robert Kolker, Percy combines personal and cultural history, psychology, and reportage to deliver an astonishing examination of the malignant forces women face in the everyday, and the depths forged by the American character to confront them.

In this lyrical, wildly inventive horror novel interwoven with Japanese mythology, two people living centuries apart discover a door between their worlds.October, 2026: Lee Turner doesn’t remember how or why he killed his college roommate. The details are blurred and bloody. All he knows is he has to flee New York and go to the one place that might offer refuge—his father’s new home in Japan, a house hidden by sword ferns and wild ginger. But something is terribly wrong with the no animals will come near it, the bedroom window isn't always a window, and a woman with a sword appears in the yard when night falls.October, 1877: Sen is a young samurai in exile, hiding from the imperial soldiers in a house behind the sword ferns. A monster came home from war wearing her father’s face, but Sen would do anything to please him, even turn her sword on her own mother. She knows the soldiers will soon slaughter her whole family when she sees a terrible a young foreign man who appears outside her window.One of these people is a ghost, and one of these stories is a lie.Something is hiding beneath the house of sword ferns, and Lee and Sen will soon wish they never unburied it.

Thrown in prison for a crime he has not committed, Edmond Dantès is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and he becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration. Dumas’ epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment, was a huge popular success when it was first serialized in the 1840s. Robin Buss’s lively English translation is complete and unabridged, and remains faithful to the style of Dumas’s original. This edition includes an introduction, explanatory notes and suggestions for further reading.

Thrown in prison for a crime he has not committed, Edmond Dantès is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and he becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration. Dumas’ epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment, was a huge popular success when it was first serialized in the 1840s. Robin Buss’s lively English translation is complete and unabridged, and remains faithful to the style of Dumas’s original. This edition includes an introduction, explanatory notes and suggestions for further reading.

A tender coming-of-age novel about a young woman haunted by her sister’s death, who starts to believe that her beloved sibling has returned to her—in the form of a ghost fish, for fans of Sweetbitter and Our Wives Under the Sea. Alison is mired in loneliness and grief. Freshly twenty-three and mourning the loss of her younger sister, who has drowned at sea, she’s moved out of her hometown and into a cramped apartment on New York’s Lower East Side. Now she’s living the cliché, barely making rent as a restaurant hostess and avoiding her roommates, while watching the bright, busy passersby from her bubble of grief. She doesn’t need originality; she just needs to be alive. So why does she feel she isn’t truly living? Until late one night, when she rounds the corner and sees a shape in the air—a ghost. And how strange, it looks like a fish. What is it? Alison knows, without hesitation: it is her beloved sister, finally returned to her side. Safe in a pickle jar filled with water, the ghost fish goes wherever Alison does: in an alcove at the restaurant; in a tote bag on the subway; in her room at night as her roommates chatter outside. She knows she has to keep her safe from the world, the way she didn’t before. She knows that, together, they will never be lonely again. But as Alison’s new life in New York begins to grow, and as she navigates the murky waters of dating, friendship, and desire, she must ask: what if her sister is keeping her away from a life outwardly lived? With tenderness and heart, stretching from New York, New York to Key West, Florida, Ghost Fish is a meditation on grief, loneliness, and the strange, kaleidoscopic ways we help ourselves—and those we love— through it.

A tender coming-of-age novel about a young woman haunted by her sister’s death, who starts to believe that her beloved sibling has returned to her—in the form of a ghost fish, for fans of Sweetbitter and Our Wives Under the Sea. Alison is mired in loneliness and grief. Freshly twenty-three and mourning the loss of her younger sister, who has drowned at sea, she’s moved out of her hometown and into a cramped apartment on New York’s Lower East Side. Now she’s living the cliché, barely making rent as a restaurant hostess and avoiding her roommates, while watching the bright, busy passersby from her bubble of grief. She doesn’t need originality; she just needs to be alive. So why does she feel she isn’t truly living? Until late one night, when she rounds the corner and sees a shape in the air—a ghost. And how strange, it looks like a fish. What is it? Alison knows, without hesitation: it is her beloved sister, finally returned to her side. Safe in a pickle jar filled with water, the ghost fish goes wherever Alison does: in an alcove at the restaurant; in a tote bag on the subway; in her room at night as her roommates chatter outside. She knows she has to keep her safe from the world, the way she didn’t before. She knows that, together, they will never be lonely again. But as Alison’s new life in New York begins to grow, and as she navigates the murky waters of dating, friendship, and desire, she must ask: what if her sister is keeping her away from a life outwardly lived? With tenderness and heart, stretching from New York, New York to Key West, Florida, Ghost Fish is a meditation on grief, loneliness, and the strange, kaleidoscopic ways we help ourselves—and those we love— through it.

What does it mean to lose yourself – and is that something you should be aiming for? A young woman with little interest in games takes up a job in Frankfurt at a famous gaming company, naively set on reinvention. On her morning commute, in the familiar clutches of tedium and self-loathing, she encounters a nice-eyed stranger who returns her forgotten umbrella and finds herself catapulted into a dizzying, year-long whirlwind of obsession – not just with this endlessly attractive spectre, but also with the feverish karaoke trips from which she draws the ultimate solace. With astonishing existential acuity, Polly Barton's formidable debut novel renders the paradoxes of modern life in all its complexity, in deliriously self-conscious prose that is at once propulsive, titillating and bitingly funny. Echoing with the sounds of Whitney Houston and The Cure, reaching for the sublime in dark, sweaty boxes, What Am I, A Deer? is an exhilarating exploration of authenticity, fantasy, romance and intoxication. 

What does it mean to lose yourself – and is that something you should be aiming for? A young woman with little interest in games takes up a job in Frankfurt at a famous gaming company, naively set on reinvention. On her morning commute, in the familiar clutches of tedium and self-loathing, she encounters a nice-eyed stranger who returns her forgotten umbrella and finds herself catapulted into a dizzying, year-long whirlwind of obsession – not just with this endlessly attractive spectre, but also with the feverish karaoke trips from which she draws the ultimate solace. With astonishing existential acuity, Polly Barton's formidable debut novel renders the paradoxes of modern life in all its complexity, in deliriously self-conscious prose that is at once propulsive, titillating and bitingly funny. Echoing with the sounds of Whitney Houston and The Cure, reaching for the sublime in dark, sweaty boxes, What Am I, A Deer? is an exhilarating exploration of authenticity, fantasy, romance and intoxication. 

The Hacienda by Isabel Cañas meets “Sister Wives” in a deliciously chilling, darkly romantic, historical gothic horror with a feminist slant, as a young Mormon woman is haunted by a malevolent presence in the decrepit Salt Lake City mansion she shares with her new husband and his other wives… Hazel Russon’s life in 1879 Utah territory is defined by three the Mormon church, polygamy, and the men who control both. She knows she’s supposed to suppress her sinful dreams of a monogamous life with her sweetheart, and her desire for the freedom to play her beloved piano. Every Mormon woman’s duty is to live obediently and meekly, devoted to her husband and her calling as a sister wife. Her eternal salvation depends upon it. Commanded to become the fourth wife of a man she’s never met, Hazel is relieved that Jacob Manwaring is attentive and handsome. However, she is shocked to discover that instead of living separately as is custom, all of Jacob’s wives and children live in the same house—a large, dilapidated manor that inexplicably fills Hazel with dread.  Despite Jacob’s tenderness, Hazel senses dark secrets and resentments among her sister wives. She hears strange music, sees blood oozing from the very walls, and glimpses apparitions that grow more terrifying every day. And as her nightmares worsen, Hazel can’t be sure if she has more to fear from the living—including her mysterious husband—or from a sinister presence that seems to animate the house itself . . . Drawing on little-known Mormon folklore and the author’s own polygamous ancestors, this fascinating, suspense-filled historical novel debut is by turns darkly romantic, spine-tingling, and wholly unforgettable.

The Hacienda by Isabel Cañas meets “Sister Wives” in a deliciously chilling, darkly romantic, historical gothic horror with a feminist slant, as a young Mormon woman is haunted by a malevolent presence in the decrepit Salt Lake City mansion she shares with her new husband and his other wives… Hazel Russon’s life in 1879 Utah territory is defined by three the Mormon church, polygamy, and the men who control both. She knows she’s supposed to suppress her sinful dreams of a monogamous life with her sweetheart, and her desire for the freedom to play her beloved piano. Every Mormon woman’s duty is to live obediently and meekly, devoted to her husband and her calling as a sister wife. Her eternal salvation depends upon it. Commanded to become the fourth wife of a man she’s never met, Hazel is relieved that Jacob Manwaring is attentive and handsome. However, she is shocked to discover that instead of living separately as is custom, all of Jacob’s wives and children live in the same house—a large, dilapidated manor that inexplicably fills Hazel with dread.  Despite Jacob’s tenderness, Hazel senses dark secrets and resentments among her sister wives. She hears strange music, sees blood oozing from the very walls, and glimpses apparitions that grow more terrifying every day. And as her nightmares worsen, Hazel can’t be sure if she has more to fear from the living—including her mysterious husband—or from a sinister presence that seems to animate the house itself . . . Drawing on little-known Mormon folklore and the author’s own polygamous ancestors, this fascinating, suspense-filled historical novel debut is by turns darkly romantic, spine-tingling, and wholly unforgettable.

Following a tight-knit, eccentric Jewish family, the Rosenbergs, over four decades, Unfinished Acts of Wild Creation combines the madness of motherhood with the manic absurdity of grief in a stunning tale for fans of Allegra Goodman and Rebecca Makkai. The night after fleeing her mother’s funeral, cellist Louise Rakoff meets aspiring therapist Leon Rosenberg at a Rosh Hashanah dinner in 1974. Over the next two decades, they build a marriage and a family based on honesty, argument, and a shared appreciation of the absurd. But that rock-solid foundation crumbles when Louise is diagnosed with a rare degenerative disease—the same one responsible for her mother's slow, agonizing passing. Determined to spare Leon and their daughter Lydia from her messy decline, Louise makes the simultaneously selfish and altruistic decision to leave her family and die on her own terms. Her disappearance forces the Rosenbergs to grapple with how to find meaning in the face of mortality—a manic and mystical quest that sends them careening across the globe, colliding into tattoo artists, Chasidic Jews, playworkers, and witches. And finally, back into each other. Bursting with humor and heartbreak, and inspired by Yahm's own experience as a disabled author facing the existential terror of parenting while ill, Unfinished Acts of Wild Creation leaps into the trials of motherhood, the impossibility of adolescence, the hopelessness of grief, and all the wild beauty and hilarity that makes life worth living anyway.