Librarian's Note: For an alternate cover edition of the same ISBN, click here. "Another world is colliding with this one," said the toad. "All the monsters are coming back." "Why?" said Tiffany. "There's no one to stop them." There was silence for a moment. Then Tiffany said, "There's me." Armed only with a frying pan and her common sense, Tiffany Aching, a young witch-to-be, is all that stands between the monsters of Fairyland and the warm, green Chalk country that is her home. Forced into Fairyland to seek her kidnapped brother, Tiffany allies herself with the Chalk's local Nac Mac Feegle - aka the Wee Free Men - a clan of sheep-stealing, sword-wielding, six-inch-high blue men who are as fierce as they are funny. Together they battle through an eerie and ever-shifting landscape, fighting brutal flying fairies, dream-spinning dromes, and grimhounds - black dogs with eyes of fire and teeth of razors - before ultimately confronting the Queen of the Elves, absolute ruler of a world in which reality intertwines with nightmare. And in the final showdown, Tiffany must face her cruel power alone... In a riveting narrative that is equal parts suspense and humor, Carnegie Medalist Terry Pratchett returns to his internationally popular Discworld with a breathtaking tale certain to leave fans, new and old, enthralled.

This "masterful treatment of one of the most complex periods of American history" (New Republic) made history when it was originally published in 1988. It redefined how Reconstruction was viewed by historians and people everywhere in its chronicling of how Americans -- black and white -- responded to the unprecedented changes unleashed by the war and the end of slavery. This "smart book of enormous strengths" (Boston Globe) has since gone on to become the classic work on the wrenching post-Civil War period -- an era whose legacy reverberates still today in the United States.

Sly, surprising, and razor-sharp, Natural Beauty follows a young musician into an elite, beauty-obsessed world where perfection comes at a staggering cost. Our narrator produces a sound from the piano no one else at the Conservatory can. She employs a technique she learned from her parents—also talented musicians—who fled China in the wake of the Cultural Revolution. But when an accident leaves her parents debilitated, she abandons her future for a job at a high-end beauty and wellness store in New York City. Holistik is known for its remarkable products and procedures—from remoras that suck out cheap Botox to eyelash extensions made of spider silk—and her new job affords her entry into a world of privilege and a long-awaited sense of belonging. She becomes transfixed by Helen, the niece of Holistik’s charismatic owner, and the two strike up a friendship that hazily veers into more. All the while, our narrator is plied with products that slim her thighs, smooth her skin, and lighten her hair. But beneath these creams and tinctures lies something sinister. A piercing, darkly funny debut, Natural Beauty explores questions of consumerism, self-worth, race, and identity—and leaves readers with a shocking and unsettling truth.

Working at the local processing plant, Marcos is in the business of slaughtering humans —though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.

Irina obsessively takes explicit photographs of the average-looking men she persuades to model for her, scouted from the streets of Newcastle. Placed on sabbatical from her dead-end bar job, she is offered an exhibition at a fashionable London gallery, promising to revive her career in the art world and offering an escape from her rut of drugs, alcohol, and extreme cinema. The news triggers a self-destructive tailspin, centred around Irina’s relationship with her obsessive best friend, and a shy young man from her local supermarket who has attracted her attention… Boy Parts is the incendiary debut novel from Eliza Clark, a pitch-black comedy both shocking and hilarious, fearlessly exploring the taboo regions of sexuality and gender roles in the twenty-first century.

A provocative, razor-sharp, and timely debut novel about a beloved English professor facing a slew of accusations against her professor husband by former students—a situation that becomes more complicated when she herself develops an obsession of her own... “When I was a child, I loved old men, and I could tell that they also loved me.” And so we are introduced to our deliciously incisive narrator: a popular English professor whose charismatic husband at the same small liberal arts college is under investigation for his inappropriate relationships with his former students. The couple have long had a mutual understanding when it comes to their extra-marital pursuits, but with these new allegations, life has become far less comfortable for them both. And when our narrator becomes increasingly infatuated with Vladimir, a celebrated, married young novelist who’s just arrived on campus, their tinder box world comes dangerously close to exploding. With this bold, edgy, and uncommonly assured debut, author Julia May Jonas takes us into charged territory, where the boundaries of morality bump up against the impulses of the human heart. Propulsive, darkly funny, and wildly entertaining, Vladimir perfectly captures the personal and political minefield of our current moment, exposing the nuances and the grey area between power and desire.

In this hilariously savage, poignant novel by acclaimed author Katherine Min, a grieving daughter’s revenge on the man who caused her mother’s death sets off a series of unexpected reckonings. On a cold, gloomy night, twenty-three-year-old Kyoko stands in the rain with a knife in her hoodie’s pocket. Her target is Daniel, who seduced Kyoko’s mother then callously dropped her, leading to her death. But tonight, there will be repercussions. Following the unsuspecting Daniel home, Kyoko manages to get a rash kidnapping plot off the ground . . . and then nothing goes as planned. The Fetishist is the story of three people—Kyoko, a Japanese American punk-rock singer full of rage and grief; Daniel, a philandering violinist forced to confront the wreckage of his past; and Alma, the love of Daniel’s life, a Korean American cello prodigy long adored for her beauty, passion, and talent, but who spends her final days examining if she was ever, truly, loved. An exuberant, provocative story that confronts race, complicity, visibility, and ideals of femininity, The Fetishist was written before the celebrated author’s untimely death in 2019. Startlingly prescient, as wise and powerful as it is utterly delightful, this novel cements Katherine Min’s legacy as a writer with a singular voice for our times.

A centaur seeks illicit surgery in an alien bodily modification club. Two medieval monks react to their transformation and demonic pregnancy in very different ways. A resourceful trans teen destroys sports bigots through the power of pluckiness...and abundant body horror. A stellar cathedral crosses galaxies to dump the corpse of God into a star before the mission devolves into a panoply of psychedelic orgies. A doxxed teen falls victim to violent assault and dishes out some harrowing retribution of their own. Over thirty Trans and Gender Nonconforming creators unite to voice their rage, and the rules of conventional Horror go out the f$%&ing window in this collection featuring murderous pleasure-bots; proselytizing zombies; acid-filled alien cops; science run amok; sorcerers, ghouls, cannibals...and that barely scratches the grave-dirt. YOUR BODY IS NOT YOUR BODY Table of Contents Introduction by M. Belanger The Flensing Lens—LC von Hessen Tonsilstonespunksplatter666!—Rain Corbyn High Maintenance—S.A. Chant The Infinite Being—F. Tullia Catulla Brother Maternitas—Viktor Athelstan The Same Thing That Happened to Sam—M. Lopes da Silva Ballad of the Pest—Meagan Hotz Playing House—Ziggy Schutz Hybrid—Rose Sable Cholesterol-Monoxide—W.N. Derring-Judith Why We Keep Exploding—Hailey Piper We've Been Trying to Reach You—Charles Maria Tor Lost in Reincarnation—Devaki Devay Because My Mother Tells Me So—Dayna Ingram Seaflowers—Ori Jay Fencing Chestplate—Avi Burton Gender Envy—Gabriel Valentine Rest, my head.—Cosmin-Mihai Bîrsan The Divine Carcass—Bitter Karella Chironoplasty—Joe Koch #MOTHERMAYHEM—Jei D. Marcade The Lives of Scavengers—Rhiannon Rasmussen The Simulacrum—Max Turner The Roots They Pull—Taylor J. Pitts Stench—Vincent Endwell The Pearl Diver—Bri Crozier Tiny Magic—G.E. Woods Cover art Mx Morgan G Robles Featuring illustrations Harrison Webb Lex Lillian Hochwender Becca Snow Rieroo Cori Walters William Taylor