From a dazzling new talent, a sensual and spellbinding novel about one summer that shatters the balance between three best friends, forcing them to confront the line between friendship and desireFifteen-year-old Mina’s whole world is her two best friends, but after an unexpected kiss, the established dynamics of their trio quickly unravel. Everything that was once shared openly, from clothes to secrets, now feels impossibly fragile. Loyalties shift and tensions simmer across the long days of this pivotal summer, where the girls have nowhere new to go and everything new to feel.Looking back, an adult Mina traces the undercurrents of longing that shaped her first experience of desire. The rituals of girlhood—gossip, selfies, sleepovers, and videogames—become threads in a delicate, volatile web of intimacy, in which everything feels achingly fleeting and permanently etched. Loving one person, Mina learns, can change the way we love everyone else—including ourselves. Bold, vulnerable, and sharply observant, Girl’s Girl is a sundrenched and dewy snapshot of modern girl culture set in the blaze of one suburban Midwest summer.

Meet one of the most unforgettable new protagonists in Phoebe Berman. She has one month to lose her virginity before she turns thirty—if her own anxiety doesn’t slow her down. A charmingly authentic and heartwarming debut novel from podcaster and comedian Brooke Averick.Is it possible to find true love when going on a date makes you want to throw up?Phoebe Berman fears the one thing she wants the love, and everything that comes along with it. Thanks to an extremely unfortunate first kiss attempt, crippling intimacy anxiety has plagued her since she was a teen. With just a month to go before she turns thirty, Phoebe is still a virgin. Phoebe has so much going for a dream teaching job, a supportive and hilarious group of best friends, and all the romance novels a girl could want at her fingertips—but she can’t help but beat herself up over the one thing she can’t quite seem to figure out. Determined to change this, she drafts up the ultimate "Guide to Losing My Virginity" checklist with the hope of finally getting laid.Suddenly, she goes from a relatively boring (basically non-existent) dating life to juggling three romantic prospects at once. There's the gorgeous new fourth grade teacher at her school, a former high school classmate that resurfaces through Words with Friends, and there will always be her roommate, who might just be the best friends-to-lovers situation of her dreams.Phoebe’s love life quickly takes a turn in a way she never anticipated. But between the love “square” she’s gotten herself into and the stomachaches and cold sweats that surface whenever she gears up for a potential date, things are complicated. And Phoebe doesn’t do complicated. Phoebe Berman’s Gonna Lose It is a brutally honest and painfully relatable story for anyone who’s ever felt stuck between coming of age and coming apart.

In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, “like towing a wrecked car across town at midnight.” It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you—as a twenty-five-year-old—are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it—even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her—because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again—if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame—from selling the pilot of Girls to the present—in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain—and begins to control your every move—being famous doesn’t stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, “like towing a wrecked car across town at midnight.” It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you—as a twenty-five-year-old—are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it—even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her—because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again—if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame—from selling the pilot of Girls to the present—in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain—and begins to control your every move—being famous doesn’t stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.