A twisty thriller about a young woman trying to solve her own murder. In seven days Jet Mason will be dead. Jet is the daughter of one of the wealthiest families in Woodstock, Vermont. Twenty-seven years old, she’s still waiting for her life to begin. I’ll do it later, she always says. She has time. Until Halloween night, when Jet is violently attacked by an unseen intruder. She suffers a catastrophic head injury. The doctor is certain that within a week, the injury will trigger a deadly aneurysm. Jet has never thought of herself as having enemies. But now she looks at everyone in a new light: her family, her former best friend turned sister-in-law, her ex-boyfriend. She has at most seven days, and as her condition deteriorates she has only her childhood friend Billy for help. But nevertheless, she’s absolutely determined to finally finish something: Jet is going to solve her own murder.

With the lucidity of a poet and the precision of a journalist, Sarah Aziza embarks on a quest to understand her family legacy, tracing three generations of diasporic Palestinians—from Gaza to the Midwest to New York City, and beyondIn October 2019, Sarah Aziza, daughter and granddaughter of Gazan refugees, is hospitalized for an eating disorder. This brush with death becomes a rupture which brings both her personal and ancestral past into vivid presence. The hauntings begin in the hospital cafeteria, when a cup of apricot yogurt stirs the taste of Sarah's childhood, summoning the familiar voice of her deceased Palestinian grandmother. In the months following, as she responds to a series of ghostly dreams, Sarah unearths family secrets that force her to confront the ways her own trauma and anorexia echo generations of Palestinian displacement and erasure—and how her fight to recover builds on a century of defiant survival, and love.As silences break, heartbreak opens onto possibility. Sarah begins to grasp the ways her legacies echo and inform one another—through tragedy, and through love. She begins to resist the forces of assimilation, denial, and patriarchy, learning to assert herself in new ways that honor both her ancestors and herself.Weaving timelines, languages, and genres, The Hollow Half probes the contradictions and contingencies that create “history.” This stunning debut memoir ends in a cri de coeur for a world in which every body has a right to contain multitudes.

Pulitzer finalist Shoshana Walter exposes the country’s failed response to the opioid crisis, and the malfeasance, corruption, and snake oil which blight the drug rehabilitation industry.Our country’s leaders all seem to People who suffer from addiction need treatment. Today, more people have access to treatment than ever before. So why isn’t it working? The answer is that in America—where anyone can get addicted—only certain people get a real chance to recover. Despite record numbers of overdose deaths, our default response is still to punish, while rehabs across the United States fail to incorporate scientifically proven strategies and exploit patients. We’ve heard a great deal about the opioid crisis foisted on America by Big Pharma, but we’ve heard too little about the other half of this epidemic—the reason why so many remain mired in addiction. Until now. In this book, you’ll find the stories of four people who represent the failures of the rehab-industrial complex, and the ways our treatment system often prevents recovery. April is a black mom in Philadelphia, who witnessed firsthand how the government’s punitive response to the crack epidemic impeded her own mother’s recovery—and then her own. Chris, a young middle-class white man from Louisiana, received more opportunities in his addiction than April, including the chance to go to treatment instead of prison. Yet the only program the judge permitted was one that forced him to perform unpaid back-breaking labor at for-profit companies. Wendy is a mother from a wealthy suburb of Los Angeles, whose son died in a sober living home. She began investigating for-profit treatment programs—yet law enforcement and regulators routinely ignored her warnings, allowing rehab patients to die, again and again. Larry is a surgeon who himself struggled with addiction, who would eventually become one of the first Suboxone prescribers in the nation, drawing the scrutiny of the Drug Enforcement Administration. Together, these four stories illustrate the pitfalls of a system that not only fails to meet the needs of people with addiction, but actively benefits from maintaining their lower status. They also offer insight into how we might fix that system and save lives.

An insanely competitive housing market. A desperate buyer on the edge. In Marisa Kashino’s darkly hilarious debut novel, Best Offer Wins, the white picket fence becomes the ultimate symbol of success—and obsession. How far would you go for the house of your dreams? Eighteen months and 11 lost bidding wars into house-hunting in the overheated Washington, DC suburbs, 37-year-old publicist Margo Miyake gets a tip about the perfect house, in the perfect neighborhood, slated to come up for sale in one month. Desperate to escape the cramped apartment she shares with her husband Ian—and in turn, get their marriage, plan to have a baby, and whole life back on track—Margo becomes obsessed with buying the house before it’s publicly listed and the masses descend (with unbeatable, all-cash offers in hand). A little stalking? Harmless. A bit of trespassing? Necessary. As Margo infiltrates the homeowners’ lives, her tactics grow increasingly unhinged—but just when she thinks she’s won them over, she hits a snag in her plan. Undeterred, Margo will prove again and again that there’s no boundary she won’t cross to seize the dream life she’s been chasing. The most unsettling part? You’ll root for her, even as you gasp in disbelief. Dark, biting, and laugh-out-loud funny, Best Offer Wins is a propulsive debut and a razor-sharp exploration of class, ambition, and the modern housing crisis.

Mariam is only fifteen when she is sent to Kabul to marry the troubled and bitter Rasheed, who is thirty years her senior. Nearly two decades later, in a climate of growing unrest, tragedy strikes fifteen-year-old Laila, who must leave her home and join Mariam's unhappy household. Laila and Mariam are to find consolation in each other, their friendship to grow as deep as the bond between sisters, as strong as the ties between mother and daughter. With the passing of time comes Taliban rule over Afghanistan, the streets of Kabul loud with the sound of gunfire and bombs, life a desperate struggle against starvation, brutality and fear, the women's endurance tested beyond their worst imaginings. Yet love can move people to act in unexpected ways, lead them to overcome the most daunting obstacles with a startling heroism. In the end it is love that triumphs over death and destruction. A Thousand Splendid Suns is a portrait of a wounded country and a story of family and friendship, of an unforgiving time, an unlikely bond, and an indestructible love.

Lia Lee was born in 1982 to a family of recent Hmong immigrants, and soon developed symptoms of epilepsy. By 1988 she was living at home but was brain dead after a tragic cycle of misunderstanding, over-medication, and culture clash: "What the doctors viewed as clinical efficiency the Hmong viewed as frosty arrogance." The Spirit Catches You and You Fall Down is a tragedy of Shakespearean dimensions, written with the deepest of human feeling. Sherwin Nuland said of the account, "There are no villains in Fadiman's tale, just as there are no heroes. People are presented as she saw them, in their humility and their frailty—and their nobility.

The Empathy Exams of health a personal, literary, and cultural examination of hypochondria from Kafka to Seinfeld. A free-wheeling philosophical essay, Hypochondria combines incisive contemporary cultural critique, colourful literary history, and the author’s own experience of chronic health anxiety to ask what we might learn from the hypochondriac’s discomforting experience of their body. Hypochondria is unashamedly capacious in its range of references, from the writings of hypochondriacs such as Franz Kafka and Charlotte Brontë to novel yet accessible readings of theorists such as Lauren Berlant and Maurice Blanchot. Whether he is discussing Seinfeld, John Donne, Robert Burton, Susan Sontag, FitBits, sleep 'hygiene,' or the so-called narcissism epidemic, Rees treats his topic with a mixture of humour and seriousness while revealing himself to be an astute reader of all sorts of texts – not sparing even himself with his own astute and irreverent takes on this popular ailment. An exercise in what Freud calls 'evenly suspended attention,' Hypochondria demonstrates the rewards – and perils – of reading (too) closely the common but typically overlooked aspects of our lives.

One summer. Two rivals. A plot twist they didn't see coming.... Nora Stephens’ life is books—she’s read them all—and she is not that type of heroine. Not the plucky one, not the laidback dream girl, and especially not the sweetheart. In fact, the only people Nora is a heroine for are her clients, for whom she lands enormous deals as a cutthroat literary agent, and her beloved little sister Libby. Which is why she agrees to go to Sunshine Falls, North Carolina for the month of August when Libby begs her for a sisters’ trip away—with visions of a small-town transformation for Nora, who she’s convinced needs to become the heroine in her own story. But instead of picnics in meadows, or run-ins with a handsome country doctor or bulging-forearmed bartender, Nora keeps bumping into Charlie Lastra, a bookish brooding editor from back in the city. It would be a meet-cute if not for the fact that they’ve met many times and it’s never been cute. If Nora knows she’s not an ideal heroine, Charlie knows he’s nobody’s hero, but as they are thrown together again and again—in a series of coincidences no editor worth their salt would allow—what they discover might just unravel the carefully crafted stories they’ve written about themselves.

Dept. of Speculation is a portrait of a marriage. It is also a beguiling rumination on the mysteries of intimacy, trust, faith, knowledge, and the condition of universal shipwreck that unites us all. Jenny Offill's heroine, referred to in these pages as simply "the wife," once exchanged love letters with her husband postmarked Dept. of Speculation, their code name for all the uncertainty that inheres in life and in the strangely fluid confines of a long relationship. As they confront an array of common catastrophes - a colicky baby, a faltering marriage, stalled ambitions - the wife analyzes her predicament, invoking everything from Keats and Kafka to the thought experiments of the Stoics to the lessons of doomed Russian cosmonauts. She muses on the consuming, capacious experience of maternal love, and the near total destruction of the self that ensues from it as she confronts the friction between domestic life and the seductions and demands of art. With cool precision, in language that shimmers with rage and wit and fierce longing, Jenny Offill has crafted an exquisitely suspenseful love story that has the velocity of a train hurtling through the night at top speed. Exceptionally lean and compact, Dept. of Speculation is a novel to be devoured in a single sitting, though its bracing emotional insights and piercing meditations on despair and love will linger long after the last page.

For fans of Sally Rooney and Torrey Peters, a taut and profoundly moving debut that follows a cast of intricately linked characters during a heatwave in London as simmering tensions and secrets come to a head over one life-changing weekend. London, 2019. It’s the hottest June on record, and a whale is stuck in the Thames River. In the streets of the city, four old acquaintances want more from life than they’ve been given. On the summer solstice, the longest day of the year, their paths will intersect at a party that will change their lives forever… Maggie, a once-hopeful artist turned waitress, is pregnant and preparing to move back to her hometown with her boyfriend and father-to-be Ed, leaving the city she loves and the life she imagined for herself. Ed, coasting through life as a barely competent bike courier, is ready for a new start with Maggie and their baby, if only to finally leave behind his secret past of hooking up with strange men in train station bathrooms—and his secret past with Maggie’s best friend, Phil. Phil, who sleepwalks through his office job and lives for the weekends, is on the brink of achieving his first real relationship with his roommate Keith. The two live in an illegal warehouse commune with other quirky creatives and idealists—the site of the party to end all parties. As the temperature continues to climb, Maggie, Ed, and Phil will have to confront their shared pasts, current desires, and limits of their future lives together before the weekend is over. Strikingly heartfelt, sexually charged, and disarmingly comic, Oisín McKenna’s addictive, page-turning debut is a mesmerizing dive into the soul of a city and a critical look at the political, emotional, and financial hurdles facing young adults trying to build lives there and often living for their evenings and weekends.

Luster meets The Idiot in this riveting debut novel about a volatile friendship between two outsiders who escape their bleak childhoods and enter the glamorous early '90s art world in New York City, where only one of them can make it. Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation. Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.

Luster meets The Idiot in this riveting debut novel about a volatile friendship between two outsiders who escape their bleak childhoods and enter the glamorous early '90s art world in New York City, where only one of them can make it. Ruth, an only child of recent immigrants to New England, lives in an emotionally cold home and attends the local Catholic girl’s school on a scholarship. Maria, a beautiful orphan whose Panamanian mother dies by suicide and is taken care of by an ill, unloving aunt, is one of the only other students attending the school on a scholarship. Ruth is drawn forcefully into Maria’s orbit, and they fall into an easy, yet intense, friendship. Her devotion to her charming and bright new friend opens up her previously sheltered world. While Maria, charismatic and aware of her ability to influence others, eases into her full self, embracing her sexuality and her desire to be an artist, Ruth is mostly content to follow her around: to college and then into the early-nineties art world of New York City. There, ambition and competition threaten to rupture their friendship, while strong and unspoken forces pull them together over the years. Whereas Maria finds early success in New York City as an artist, Ruth stumbles along the fringes of the art world, pulled toward a quieter life of work and marriage. As their lives converge and diverge, they meet in one final and fateful confrontation. Ruth and Maria's decades-long friendship interrogates the nature of intimacy, desire, class and time. What does it mean to be an artist and to be true to oneself? What does it mean to give up on an obsession? Marking the arrival of a sensational new literary talent, Lonely Crowds challenges us to reckon honestly with our own ambitions and the lives we hope to lead.