For fans of Phoebe Waller-Bridge and Miranda July–and the darker edge of Breaking Bad and Uncut Gems–comes a whip-smart, irresistible debut novel about a college senior who has 48 hours to sell her recently deceased mother's surprise stash of rare pills, or suffer the consequences. Arvy Keening is just trying to get through the week. Tantalizingly close to leaving her college years at Westheimer University behind, all she has to do is pass her finals, pack up her life, and ship off to San Francisco for a prestigious Big Pharma internship. The problem? Arvy just found 200 hits of Molly in her dead mother’s closet. And when two drug dealers come to collect what they are owed, they reveal that the pills are not Molly, but Mona – a rare pharmaceutical that induces intense orgasms. The dealers give Arvy an Sell 200 Monas in 48 hours or die. To aid in her seemingly impossible quest, Arvy recruits Wolf, Westheimer's resident drug dealer who also happens to be infuriatingly charming and distractingly sexy. In a race against the clock, Arvy and Wolf barrel through their college town, leaving a series of erotic shenanigans in their wake; appealing to horny co-eds, lonely barflies, and a mysterious sorority whose sisters have their own ideas for Mona’s potential uses. But if Mona has a knack for unleashing visceral reactions in the body, what will it unlock in Arvy, who has been repressing grief over her mother’s death for weeks? Unashamedly brash, bold, and blistering, 200 Monas is a truly one-of-a-kind listen, a playful and honest examination of sexuality and grief, and a sharp, searing love letter on how to release all that’s inside you.

It's something parents do every morning: Rachel Klein drops her daughter at the bus stop and heads into her day. But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.

On a creepy island where everyone has a strange obsession with the year 1994, a newcomer arrives, hoping to learn the truth about her son's death--but finds herself pulled deeper and deeper into the bizarrely insular community and their complicated rules... Clifford Island. When Willow Stone finds these words written on the floor of her deceased son's bedroom, she's perplexed. She's never heard of it before, but soon learns it's a tiny island off of Wisconsin's Door County peninsula, 200 miles from Willow's home. Why would her son write this on his floor? Determined to find answers, Willow sets out for the island. After a few days on Clifford, Willow realizes: this place is not normal. Everyone seems to be stuck in a particular day in 1994: they wear outdated clothing, avoid modern technology, and, perhaps most mystifyingly, watch the OJ Simpson car chase every evening. When she asks questions, people are evasive, but she learns one thing: close your curtains at night. High schooler Lily Becker has lived on Clifford her entire life, and she is sick of the island's twisted mythology and adhering to the rules. She's been to the mainland, and everyone is normal there, so why is Clifford so weird? Lily is determined to prove that the islanders' beliefs are a sham. But are they? Five weeks after Willow arrives on the island, she disappears. Willow's brother Harper comes to Clifford searching for his sister, and when he learns the truth--that this island is far more sinister than anyone could have imagined--he is determined to blow the whole thing open. If he can get out alive...

It's something parents do every morning: Rachel Klein drops her daughter at the bus stop and heads into her day. But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.

On a creepy island where everyone has a strange obsession with the year 1994, a newcomer arrives, hoping to learn the truth about her son's death--but finds herself pulled deeper and deeper into the bizarrely insular community and their complicated rules... Clifford Island. When Willow Stone finds these words written on the floor of her deceased son's bedroom, she's perplexed. She's never heard of it before, but soon learns it's a tiny island off of Wisconsin's Door County peninsula, 200 miles from Willow's home. Why would her son write this on his floor? Determined to find answers, Willow sets out for the island. After a few days on Clifford, Willow realizes: this place is not normal. Everyone seems to be stuck in a particular day in 1994: they wear outdated clothing, avoid modern technology, and, perhaps most mystifyingly, watch the OJ Simpson car chase every evening. When she asks questions, people are evasive, but she learns one thing: close your curtains at night. High schooler Lily Becker has lived on Clifford her entire life, and she is sick of the island's twisted mythology and adhering to the rules. She's been to the mainland, and everyone is normal there, so why is Clifford so weird? Lily is determined to prove that the islanders' beliefs are a sham. But are they? Five weeks after Willow arrives on the island, she disappears. Willow's brother Harper comes to Clifford searching for his sister, and when he learns the truth--that this island is far more sinister than anyone could have imagined--he is determined to blow the whole thing open. If he can get out alive...

Go gay. Go sad. Go dark. A washed-up author will stop at nothing to claw her way back to relevancy—even if it means appropriating a young gay man’s tragic story. Mallory Maddox is buried under seven years of writer’s block. With her status as a literary sensation fizzling, she’ll do anything she can to resurrect her career. Inspiration needs to strike—and fast. Enter Leo. He’s a struggling addict sleeping under bridges and trading sex for survival. He’s vulnerable. He’s enigmatic. He’s exactly what Mallory has been looking for. Mallory needs Leo if she wants another bestseller. The world needs Leo’s story right now, and Mallory believes she deserves to tell it. Really, it’s her story—she’s the one who wrote it, after all. But as secrets threaten to unravel more than just her career, Mallory must decide how far she will go to pen the perfect story. A razor-sharp satirical thriller, Fruit Fly will appeal to fans of R. F. Kuang’s Yellowface and Yomi Adegoke’s The List.

A provocative and thoroughly feminist “cult classic” (The New Yorker) about a smart, sensitive, yet deeply troubled young woman fighting to live on her own terms. I am glad I have the radiance. This time I am wiser. No one will know… The radiance drifts blue circles around my head. If I wanted to I could float up and through them. I am weightless. My brain is cool like rippling waves. Conflict does not exist. For a moment I cannot see—the lights are large orange flowers. Ellen has two lives. A single artist living alone on New York’s Upper West Side in the 1970s, she periodically descends into episodes she describes as “radiances.” While under the influence of the radiance, she becomes Princess Esmeralda, and West 72nd Street the kingdom over which she rules. Life as Esmeralda is a colorful, glorious, liberating experience for Ellen, and despite the chaos and stigma these episodes can bring, she relishes the respite from the confines of the everyday. And yet those around her, particularly the men in her life, are threatened by her incarnation as Esmeralda and the freedom it gives her. In what would turn to be her final published work, originally released in 1979, Elaine Kraf tackles a dark and disturbing subject in an utterly original, witty, and inventive manner. Provocative at the time of its publication and thoroughly iconoclastic, The Princess of 72nd Street is a remarkable portrait of an unforgettable woman.

The acclaimed, prize-winning #1 New York Times bestselling writer returns with a moving, luminous novel that reminds us of the sweetness and impermanence of life and the power of connection to defy time. When Daphne Fuller and her husband Jonathan visit the Metropolitan Museum of Art, they notice an older, white-haired gentleman following them. The man turns out to be Eddie Triplett, her former stepfather, who had been married to her mother for a little more than year when Daphne was nine. Now fifty-three, Daphne hasn’t seen Eddie for many years, not since the fateful event that changed the direction of both their lives. Meeting again, time falls away; while their relationship was brief, it had a profound impact on them both, and now that they are reunited, they have no intention of ever being separated again. Whistler is a story about two adults looking back over the choices they made, and the choices that were made for them. It’s a story about bravery, memory, the often small yet consequential moments that define our lives, and the endless stream of loss that in time comes for us all. Beautiful in its simplicity, it is ultimately about how love endures, and how the feeling of being known by one other person, even for a short period of time, can change everything.

A hilarious, surreal, and devastating journey into the mind of Reality Kahn, a young woman on a quest to be the greatest girlfriend of all time. It was decreed from the moment she was born. Twenty-three-year-old Reality Kahn would embark on a quest so great, so bold. She would become the greatest girlfriend of all time. She would be a zine maker, an aspiring notary, the greatest waterslide commercial actress on the Eastern Seaboard. She would receive messages from the beyond in the form of advice from the esteemed and ancient ladies magazine, Girlfriend Weekly. When she attends a party in Gowanus at a punk venue known as “Paradise,” Reality meets Ariel, who will become her boyfriend. She bravely works for his everlasting affection and joins a clinical trial created by Dr. Zweig Altmann to help her become a more perfect girlfriend. She stars in a new commercial. She learns how to become an indelible host. But Reality will also learn that sheer will and determination, and a very open heart, are not always enough to make true love manifest. At turns laugh-out-loud funny, tragic, and jarring, Reality’s quest grows ever complicated as the men in her Ariel, her waterpark commercial agent Jethro, and Dr. Altmann himself prove treacherous. Paradise Logic is a thrilling, psychosexual breakdown of our obsession with authentic true love, asking whether that is even possible in a patriarchal world, and announces Sophie Kemp as a wholly original, transformative, and brilliant new voice in fiction.

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

A hilarious, surreal, and devastating journey into the mind of Reality Kahn, a young woman on a quest to be the greatest girlfriend of all time. It was decreed from the moment she was born. Twenty-three-year-old Reality Kahn would embark on a quest so great, so bold. She would become the greatest girlfriend of all time. She would be a zine maker, an aspiring notary, the greatest waterslide commercial actress on the Eastern Seaboard. She would receive messages from the beyond in the form of advice from the esteemed and ancient ladies magazine, Girlfriend Weekly. When she attends a party in Gowanus at a punk venue known as “Paradise,” Reality meets Ariel, who will become her boyfriend. She bravely works for his everlasting affection and joins a clinical trial created by Dr. Zweig Altmann to help her become a more perfect girlfriend. She stars in a new commercial. She learns how to become an indelible host. But Reality will also learn that sheer will and determination, and a very open heart, are not always enough to make true love manifest. At turns laugh-out-loud funny, tragic, and jarring, Reality’s quest grows ever complicated as the men in her Ariel, her waterpark commercial agent Jethro, and Dr. Altmann himself prove treacherous. Paradise Logic is a thrilling, psychosexual breakdown of our obsession with authentic true love, asking whether that is even possible in a patriarchal world, and announces Sophie Kemp as a wholly original, transformative, and brilliant new voice in fiction.

Intimate, captivating, never-before-seen true stories from the edge of modern sex and dating, compiled by Alyssa Shelasky, in the style of her wildly popular New York Magazine column—with an introduction from Esther Perel, renowned psychotherapist and NYT bestselling author of Mating in CaptivityPolyamory is hardly a new cultural touchstone, yet as it continues to enter the mainstream dating world, its realities often remain opaque. What does the everyday life of someone with multiple partners actually look like? How do you navigate the daily logistics and the competing schedules? How do you deal with jealousy? In this candid, groundbreaking compilation of anonymous accounts, told by real people navigating sex and dating outside the bounds of traditional monogamy, Alyssa Shelasky pulls back the curtain. A 67-year-old woman keeps a collection of well-endowed lovers in various corners of the world; a restaurant owner is jolted back to life when she gets illicit messages from a married man; a Brooklynite plans a porn brunch for her birthday, reveling in the fact that she finally feels at ease in her body.Some diarists are just beginning to question their relationship with monogamy, others have been polyamorous for a long-time. Some accounts are graphic and dishy, while others focus on the search for lasting connections that feel genuinely liberatory. Every single one is strikingly honest and authentic, revealing expansive tales of love, lust, longing and desire.

Intimate, captivating, never-before-seen true stories from the edge of modern sex and dating, compiled by Alyssa Shelasky, in the style of her wildly popular New York Magazine column—with an introduction from Esther Perel, renowned psychotherapist and NYT bestselling author of Mating in CaptivityPolyamory is hardly a new cultural touchstone, yet as it continues to enter the mainstream dating world, its realities often remain opaque. What does the everyday life of someone with multiple partners actually look like? How do you navigate the daily logistics and the competing schedules? How do you deal with jealousy? In this candid, groundbreaking compilation of anonymous accounts, told by real people navigating sex and dating outside the bounds of traditional monogamy, Alyssa Shelasky pulls back the curtain. A 67-year-old woman keeps a collection of well-endowed lovers in various corners of the world; a restaurant owner is jolted back to life when she gets illicit messages from a married man; a Brooklynite plans a porn brunch for her birthday, reveling in the fact that she finally feels at ease in her body.Some diarists are just beginning to question their relationship with monogamy, others have been polyamorous for a long-time. Some accounts are graphic and dishy, while others focus on the search for lasting connections that feel genuinely liberatory. Every single one is strikingly honest and authentic, revealing expansive tales of love, lust, longing and desire.

The acclaimed, prize-winning #1 New York Times bestselling writer returns with a moving, luminous novel that reminds us of the sweetness and impermanence of life and the power of connection to defy time. When Daphne Fuller and her husband Jonathan visit the Metropolitan Museum of Art, they notice an older, white-haired gentleman following them. The man turns out to be Eddie Triplett, her former stepfather, who had been married to her mother for a little more than year when Daphne was nine. Now fifty-three, Daphne hasn’t seen Eddie for many years, not since the fateful event that changed the direction of both their lives. Meeting again, time falls away; while their relationship was brief, it had a profound impact on them both, and now that they are reunited, they have no intention of ever being separated again. Whistler is a story about two adults looking back over the choices they made, and the choices that were made for them. It’s a story about bravery, memory, the often small yet consequential moments that define our lives, and the endless stream of loss that in time comes for us all. Beautiful in its simplicity, it is ultimately about how love endures, and how the feeling of being known by one other person, even for a short period of time, can change everything.