An irresistible and poignant novel about the upper echelons of Berlin society, a grand literary celebration, and the afterparty that upends the night and carries a group of guests deeper into the city.Naema, an elderly princess dedicated to her pet causes, is in a struck by a malady that maroons her in Montreux, she’s unable to host an exclusive gala dinner in Berlin to honor the author Masud al-Huzeil for his lifetime achievement in Arabic literature. Not only is she unable to attend, RSVPs have been slow to materialize, and she’s reduced to begging the ancient award-winner to find some attendees at the last minute. Masud invites his old friend Demian, a native Berliner, who in turn invites his two best the troubled innocent Livia, and an American publisher, Toto, who will do anything for a free meal.But Toto doesn’t come alone. In tow are his much younger internet date—she’s stood him up often enough to be nicknamed “the Flake”—and Demian’s 15-year-old daughter, Nicole. Not to mention the cop who’s been trailing Nicole since she left the red-light district. Presiding over the affair is Naema's infinitely rich, endlessly disaffected grandson, Prince Radi, whose catastrophic pass at Nicole culminates in an epic midnight food run that changes all their lives.With sophistication and tenderness, Nell Zink weaves a vividly colored tapestry of a milieu at odds with itself, taking her trademark ambiguity, daring and humor to new heights.

A young gay man upends the lives of a powerful art-world couple in this steamy novel of self-discovery. It’s 2001, and twenty-four-year-old Gordon―handsome, sensitive, and eager for direction―takes a bus from Minnesota to New York City because it’s the only place for a young gay man to go. As he begins to settle into the city’s punishing rhythm, he gets a job walking rich Manhattanites’ dogs. But it isn’t until he stumbles into the West Village brownstone of two of his clients, the powerful gallery owners Phillip and Nicola, that Gordon learns how much the world has hidden from him―and what he’s capable of doing in order to get it for himself. A lush, heart-quickening novel about family and art, sex and class, and the terror of self-discovery, Thomas Grattan’s In Tongues chronicles Gordon’s perilous pursuit of belonging from the Midwest to New York and, later, to Europe and Mexico City. As he floats further into Phillip and Nicola’s exclusive universe, and as lines blur between employee, muse, lover, and mentor, Gordon’s charm, manipulation, and growing ambition begin to escape his own control, in turn threatening to unravel the lives, and lies, of those around him. Anchored by winsome lyricism, glinting intellect, and a main character whose yearnings and mistakes come to feel like our own, In Tongues crackles with fierce longing and pointed emotion, further confirming Grattan as a rare chronicler of young adulthood’s joys and devastations.

In between the space of time when Ezra lights themself on fire and when Ezra dies the world of this book flashes before their eyes. Everyone Ezra's ever loved, every place they've felt queer and at home, or queer and out of place, reveals itself in an instant. Unfolding in fragments of memory, Ezra dissolves into the family, religion, desire, losses, pains and joys that made them into the person that's decided on this final act of protest. Told in lyric fragments that span both lifetimes and geography, Yr Dead is a queer, Jewish, diasporic coming of age story that questions how our historical memory shapes our political and emotional present. Visceral, propulsive, and at turns fluorescently beautiful and fluorescently tragic, Yr Dead is the electric debut novel from award-winning writer Sam Sax, one of our most dynamic and imaginative writers.

“I had to judge a story contest of 600+ anonymous stories and I read each one and without hesitation Jen George’s story was my favourite. I’m so happy this collection exists. I feel drunk with love for these stories. They’re so funny and weird and true.”—Sheila Heti “With a weird, beautiful energy, George explores the challenges of woman-being: singlehood, self-doubt, motherhood, the dismaying fact of aging, the (dis)ability to love. A modern-day Jane Bowles, George engages these mysteries in prose that is funny, charming, dark, and insightful.” —Deb Olin Unferth Five stories—several as long as novellas—introduce the world to Jen George, a writer whose furiously imaginative new voice calls to mind Donald Barthelme and Leonora Carrington no less than Kathy Acker and Chris Kraus. In “Guidance/The Party,” an ethereal alcoholic “Guide” in robes and flowing hair appears to help a thirty-three-year-old woman prepare a party for her belated adulthood; “Take Care of Me Forever” tragically lambasts the medical profession as a ship of fools afloat in loneliness and narcissism; “Instruction” chronicles a season in an unconventional art school called The Warehouse, where students divide their time between orgies, art critiques, and burying dead racehorses. Combining slapstick, surrealism, erotica, and social criticism, Jen George’s sprawling creative energy belies the secret precision and unexpected tenderness of everything she writes.

Ten years after leaving high-power jobs to raise their children, four New York friends enter their forties while struggling with the differences between their past ideals and their present realities, a situation that become turbulent when one of them meets a successful working mother of three who seems to have it all. 40,000 first printing.

Something terrible has happened. In a mysterious apartment filled with ghosts, our unnamed narrator attempts to explain this to her child - how do I talk about this? she wonders. The truth must become something beautiful. We must begin with a fairy tale. And so she begins to construct a beautiful fairy tale for her child - one that begins with a strange baby boy whose nails grow too fast and whose skin smells of soil. As he grows from a boy into a man, a plague seems to follow him everywhere. Tragedy strikes in cycles - and wife after wife, death after death, plague after plague, every woman he touches becomes a ghost. These ghosts call out desperately to our narrator as she tries to explain, in the very real world, exactly what has happened to her. And they all agree on one thing, an inescapable truth about this man, this powerful lord who has loved them and led them each to ruin: If you leave, you die. But if you die, you stay.A debut novel as emotionally poignant as it is fiercely smart, Sour Cherry is an arresting debut examining toxic masculinity through its chorus of women - deconstructing the idea of what makes someone a monster.

The long-awaited new novel from the author of global sensation Tender Is the Flesh: a thrilling work of literary horror about a woman cloistered in a secretive, violent religious order, while outside the world has fallen into chaos. From her cell in a mysterious convent, a woman writes the story of her life in whatever she can find—discarded ink, dirt, and even her own blood. A lower member of the Sacred Sisterhood, deemed an unworthy, she dreams of ascending to the ranks of the Enlightened at the center of the convent and of pleasing the foreboding Superior Sister. Outside, the world is plagued by catastrophe—cities are submerged underwater, electricity and the internet are nonexistent, and bands of survivors fight and forage in a cruel, barren landscape. Inside, the narrator is controlled, punished, but safe. But when a stranger makes her way past the convent walls, joining the ranks of the unworthy, she forces the narrator to consider her long-buried past—and what she may be overlooking about the Enlightened. As the two women grow closer, the narrator is increasingly haunted by questions about her own past, the environmental future, and her present life inside the convent. How did she get to the Sacred Sisterhood? Why can’t she remember her life before? And what really happens when a woman is chosen as one of the Enlightened? A searing, dystopian tale about climate crisis, ideological extremism, and the tidal pull of our most violent, exploitative instincts, this is another unforgettable novel from a master of feminist horror.

American Psycho meets The Devil Wears Prada: outrageous body horror for the goop generation A 29-year-old copywriter realizes that beauty is possible—at a terrible cost—in this surreal, satirical send-up of NYC It-girl culture. From Sophia Bannion’s first day on the Storytelling team at HEBE (hee-bee), a luxury skincare/wellness company based in New York’s trendy SoHo neighborhood and named after the Greek goddess of youth, it’s clear something is deeply amiss. But Sophia, pushing thirty, has plenty of skeletons in her closet next to the designer knockoffs and doesn’t care. Though she leads an outwardly charmed life, she aches for a deeper meaning to her flat existence—and a cure for her brutal nail-biting habit. She finds it all and more at HEBE, and with Tree Whitestone, HEBE’s charismatic founder and CEO. Soon, Sophia is addicted to her HEBE lifestyle—especially youthjuice, the fatty, soothing moisturizer Tree has asked Sophia to test. But when cracks in HEBE’s infrastructure start to worsen—and Sophia learns the gruesome secret ingredient at the heart of youthjuice—she has to decide how far she’s willing to go to stay beautiful forever. Glittering with ominous flashes of Sophia’s coming-of-rage story, former beauty editor E.K. Sathue’s horror debut is as incisive as it is stomach-churning in its portrayal of all-consuming female friendship and the beauty industry’s short attention span. youthjuice does to skincare influencers what Bret Easton Ellis did to yuppies. You’ll never moisturize the same way again.

At the end of the Second World War, Cyril Conroy combines luck and a single canny investment to begin an enormous real estate empire, propelling his family from poverty to enormous wealth. His first order of business is to buy the Dutch House, a lavish estate in the suburbs outside of Philadelphia. Meant as a surprise for his wife, the house sets in motion the undoing of everyone he loves. The story is told by Cyril’s son Danny, as he and his older sister, the brilliantly acerbic and self-assured Maeve, are exiled from the house where they grew up by their stepmother. The two wealthy siblings are thrown back into the poverty their parents had escaped from and find that all they have to count on is one another. It is this unshakable bond between them that both saves their lives and thwarts their futures. Set over the course of five decades, The Dutch House is a dark fairy tale about two smart people who cannot overcome their past. Despite every outward sign of success, Danny and Maeve are only truly comfortable when they’re together. Throughout their lives, they return to the well-worn story of what they’ve lost with humor and rage. But when at last they’re forced to confront the people who left them behind, the relationship between an indulged brother and his ever-protective sister is finally tested.

Ten years after leaving high-power jobs to raise their children, four New York friends enter their forties while struggling with the differences between their past ideals and their present realities, a situation that become turbulent when one of them meets a successful working mother of three who seems to have it all. 40,000 first printing.

“I had to judge a story contest of 600+ anonymous stories and I read each one and without hesitation Jen George’s story was my favourite. I’m so happy this collection exists. I feel drunk with love for these stories. They’re so funny and weird and true.”—Sheila Heti “With a weird, beautiful energy, George explores the challenges of woman-being: singlehood, self-doubt, motherhood, the dismaying fact of aging, the (dis)ability to love. A modern-day Jane Bowles, George engages these mysteries in prose that is funny, charming, dark, and insightful.” —Deb Olin Unferth Five stories—several as long as novellas—introduce the world to Jen George, a writer whose furiously imaginative new voice calls to mind Donald Barthelme and Leonora Carrington no less than Kathy Acker and Chris Kraus. In “Guidance/The Party,” an ethereal alcoholic “Guide” in robes and flowing hair appears to help a thirty-three-year-old woman prepare a party for her belated adulthood; “Take Care of Me Forever” tragically lambasts the medical profession as a ship of fools afloat in loneliness and narcissism; “Instruction” chronicles a season in an unconventional art school called The Warehouse, where students divide their time between orgies, art critiques, and burying dead racehorses. Combining slapstick, surrealism, erotica, and social criticism, Jen George’s sprawling creative energy belies the secret precision and unexpected tenderness of everything she writes.