With the lucidity of a poet and the precision of a journalist, Sarah Aziza embarks on a quest to understand her family legacy, tracing three generations of diasporic Palestinians—from Gaza to the Midwest to New York City, and beyondIn October 2019, Sarah Aziza, daughter and granddaughter of Gazan refugees, is hospitalized for an eating disorder. This brush with death becomes a rupture which brings both her personal and ancestral past into vivid presence. The hauntings begin in the hospital cafeteria, when a cup of apricot yogurt stirs the taste of Sarah's childhood, summoning the familiar voice of her deceased Palestinian grandmother. In the months following, as she responds to a series of ghostly dreams, Sarah unearths family secrets that force her to confront the ways her own trauma and anorexia echo generations of Palestinian displacement and erasure—and how her fight to recover builds on a century of defiant survival, and love.As silences break, heartbreak opens onto possibility. Sarah begins to grasp the ways her legacies echo and inform one another—through tragedy, and through love. She begins to resist the forces of assimilation, denial, and patriarchy, learning to assert herself in new ways that honor both her ancestors and herself.Weaving timelines, languages, and genres, The Hollow Half probes the contradictions and contingencies that create “history.” This stunning debut memoir ends in a cri de coeur for a world in which every body has a right to contain multitudes.

One woman, the performance of a lifetime. Or two. A mesmerizing Mobius strip of a novel that asks who we are to the people we love.Two people meet for lunch in a Manhattan restaurant. She’s an elegant and accomplished actress in rehearsals for an upcoming premiere. He’s attractive, troubling, and young—young enough to be her son. Who is he to her – and who is she to him? In this compulsively readable, brilliantly constructed novel, two competing narratives unspool, rewriting our understanding of the roles we play every day – partner, parent, creator, muse – and the truths every performance masks, especially from those who think they know us best.Taut, hypnotic, Audition is Katie Kitamura at her virtuosic best.

An artist of color becomes obsessed with a white model in a novel with the glamor of Clarice Lispector and the viscerality of Han Kang. At an otherwise forgettable party in Los Angeles, a queer Korean American painter spots a woman who instantly controls the gorgeous and distant and utterly white, the center of everyone’s attention. Haunted into adulthood by her Korean father’s abandonment of his family, as well as the specter of her beguiling, abusive white mother, the painter finds herself caught in a perfect trap. She wants Hanne, or wants to be her, or to sully her, or destroy her, or consume her, or some confusion of all the above. Since she’s an artist, she will use art to get closer to Hanne, beginning a series of paintings with her new muse as model. As for Hanne, what does she want? Her whiteness seems sometimes as cruel as a new sheet of paper. When the paintings of Hanne become a hit, resulting in the artist’s first sold-out show, she resolves to bring her new muse with her to Berlin, to continue their work, and her seduction. But, just when the painter is on the verge of her long sought-after breakthrough, a petition started by a Black performance artist begins making the rounds in the art community, calling for the boycott of major museums and art galleries for their imperialist and racist practices. Torn between her desire to support the petition, to be a success, and to possess Hanne, the painter and her reality become more unstable and disorienting, unwilling to cut loose any one of her warring ambitions, yet unable to accommodate them all. Is it any wonder so many artists self-destruct so spectacularly? Is it perhaps just a bit exciting to think she could too? Your Love Is Not Good stuffs queer explosive into the cracks between identity and aspiration, between desire and art, and revels in the raining debris.

The Marriage Plot meets The Idiot in this brilliant debut, which tells the story of a young Muslim scholar stuck in the mire of adjunct professorship in Los Angeles who decides to give up her career in academia and marry rich, committing herself to 100 dates in the course of a single summer. By midsummer reality hits, taking her—and her project—to Tehran. The unnamed Iranian-Indian American narrator of Liquid, A Love Story has always believed herself to be the smartest person in the room. And from an early age, she and her best friend—a poet-turned-marketer named Adam—have turned their noses up at other peoples’ riches. But two years after earning a PhD from UCLA, the narrator is no closer to the middle-class comfort promised to her by the prestige of her fancy, scholarship-funded education and the successes of her immigrant parents. Jokingly, Adam suggests she just marry rich. But our protagonist, whose PhD thesis compared Eastern and Western views of marriage in film and literature, takes the idea seriously. She makes a spreadsheet and outlines a 100 dates with people of all genders and a marriage proposal in hand by the official start of the fall semester. What follows is a whirlwind summer packed with martinis sans vermouth with the lazy scion of an Eastside construction empire; board games with a butch producer who owns a house in the hills and a newly dented Porsche; a Venmo request from a “socialist” trust fund babe; and an evening spent dodging the halitosis of a maxillofacial surgeon from Orange County. Only a tragedy in Tehran and an overdue familial reckoning can alter the narrator’s increasingly manic trajectory and force her to confront the contradictions of her life in Los Angeles. And as doubts begin to creep in about her marriage project, it suddenly seems possible that the eligible prospect she’s been looking for has been beneath her nose the entire time. For fans of Kaveh Akbar and Elif Batuman, Liquid, A Love Story delivers a modern tale of romance, loss, and belonging like no other. Mariam Rahmani’s gorgeous high-wire satire explodes off the page with verve and originality in this riveting spin on the classic romantic comedy.

A PR relationship between a pop superstar and a pro-athlete bad boy turns into so much more in this swoony romance from the acclaimed author of When I Think of You.Ella Simone’s popstar life is what dreams are made of. Her eight year marriage to renowned music producer, Elliot Majors, has helped garner the hits, awards, and adoring fans to prove it. But when Ella tires of Elliot's many infidelities, she decides to fight for her independence despite the ironclad prenup that threatens her career. To help her case, Ella is under strict orders to stick to The no headlines, no rumors, no rocking the boat. But this strategy is thrown a curveball after an awards show wardrobe snafu and quick rescue by Miles Westbrook, MLB’s most eligible player, sends the tabloids into a frenzy. Amid tricky divorce proceedings, Ella’s magnetic connection with the charismatic pitcher might just be her downfall.Now the pressure is on to turn a scandal into an opportunity and give their teams what they a picture-perfect performance that will shore up both Ella and Miles' reputations. But as the lines between reality and PR begin to blur, Ella will either stick to the choreographed life she knows so well, or surrender to a love that could set her free.

Cross the jet bridge with Linda, a frequent flyer with a dangerous obsession, in this hilarious and provocative debut novel by the acclaimed author of Out ThereI glimpsed many fine planes resting at their gates. A beefy Boeing 777 pulled back from F4, pivoting on his slender ankles, with surprising grace for such a big fellow. I spotted an old friend who went by the tail number N78823, an Embraer 175. I’d accompanied him to Salt Lake City a few months ago, and found him to be a playful lover, teasing me with a round of turbulence as we descended. To outside observers, Linda’s life might seem drab. Weekdays, she earns $20 an hour moderating comments for a video-sharing platform, then rides the bus home to the windowless room she rents in a garage on the outskirts of San Francisco. But on the last Friday of each month, she indulges her true taking BART to SFO for a round-trip flight to a regional hub. Linda's secret is that she's sexually attracted to Their intelligent windscreens, sleek fuselages and powerful engines make her feel a way that no human lover ever could. She believes her destiny is to someday “marry” one of her suitors by dying in a plane crash, a catastrophic event that would unite Linda with her soulmate plane for eternity.Linda is used to hiding her true nature, but when her coworker, Karina, invites her to a quarterly Vision Board Brunch, Linda sees a chance both to get closer to her work friend, and to nudge the universe on behalf of her destiny. However, as the vision boards seem to manifest items more quickly—and more literally—than Linda had expected, the carefully balanced elements of her life begin to spin out of her control, and she must choose between maintaining the trappings of normalcy or launching herself headlong toward her greatest dream.A subversive, unforgettable tale of the distances some will travel for true love, Sky Daddy examines desire, fate, and the longing to be accepted for who we truly are.

From the devious author of Mrs. March comes a gruesome and gleeful new novel that probes the psyche of a bloodthirsty governess. Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines, and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan. Whether creeping across the moonlit lawns in her undergarments or gently tormenting the house staff, Winifred struggles at every turn to stifle the horrid compulsions of her past. When her chillingly dark imagination breaches the feeble boundary of reality on Christmas morning, Winifred is finally ready to deliver on her generous gifts. Wielding her signature sardonic wit and a penchant for the gorgeously macabre, Virginia Feito returns with a vengeance in Victorian Psycho.

Mónica Ojeda se ha convertido en una de las voces más exitosas y leídas de la nueva generación literaria latinoamericana. No descubrimos nada si decimos que estamos ante una escritora que sin duda se va a convertir en unas de las voces indispensables de los próximos años en nuestro idioma. Páginas de Espuma publica su primer libro de cuentos, Las voladoras, una potentísima propuesta cuya coherencia interna, solvente y madura, reivindicativa y militante, nos retrata dos mundos, dos planos de la misma realidad, el mundo de arriba y el de abajo, entre los que se mueven la esencia y la sangre de la mujer, de las mujeres víctimas, de las mujeres violadas, pero también de la mujer luchadora, la mujer sabia, la mujer mágica. Frente a ellas, los hombres, caballos desbocados unas veces, furiosos otras. Y todo bajo un manto telúrico de ascensión a un mundo legendario y mítico en mestizaje con un estilo único, arraigado en la oscuridad, la poesía, el simbolismo más audaces. Un libro indispensable.

Año 5540 del calendario andino. Noa decide escaparse de su Guayaquil natal con su mejor amiga, Nicole, para asistir al Ruido Solar, un macrofestival popular que anualmente congrega, durante ocho días y siete noches, a miles de jóvenes —entre músicos, bailarines, poetas y chamanes— a los pies de uno de los numerosos volcanes de los Andes. Atrás quedan las familias y la violencia de las ciudades, y se despliega un paisaje alucinado que tiembla al ritmo de la música y las erupciones volcánicas bajo un cielo surcado por meteoritos. Para Noa esta será la primera parada antes de ir al reencuentro del padre que la abandonó cuando era una niña y que desde hace años habita los bosques altos, un territorio donde también se esconden los desaparecidos, aquellos que una vez subieron al Ruido y nunca regresaron a sus hogares. Sostenida por una lírica extraordinaria, una estética deslumbrante y un brutal sentido del ritmo, Chamanes eléctricos en la fiesta del sol es un gran viaje místico al corazón primitivo de la música y de la danza; un viaje lisérgico y emocional que es a la vez la búsqueda de un padre y de un sentido de pertenencia en un mundo que solo conoce la pérdida y el desamparo.

An artist of color becomes obsessed with a white model in a novel with the glamor of Clarice Lispector and the viscerality of Han Kang. At an otherwise forgettable party in Los Angeles, a queer Korean American painter spots a woman who instantly controls the gorgeous and distant and utterly white, the center of everyone’s attention. Haunted into adulthood by her Korean father’s abandonment of his family, as well as the specter of her beguiling, abusive white mother, the painter finds herself caught in a perfect trap. She wants Hanne, or wants to be her, or to sully her, or destroy her, or consume her, or some confusion of all the above. Since she’s an artist, she will use art to get closer to Hanne, beginning a series of paintings with her new muse as model. As for Hanne, what does she want? Her whiteness seems sometimes as cruel as a new sheet of paper. When the paintings of Hanne become a hit, resulting in the artist’s first sold-out show, she resolves to bring her new muse with her to Berlin, to continue their work, and her seduction. But, just when the painter is on the verge of her long sought-after breakthrough, a petition started by a Black performance artist begins making the rounds in the art community, calling for the boycott of major museums and art galleries for their imperialist and racist practices. Torn between her desire to support the petition, to be a success, and to possess Hanne, the painter and her reality become more unstable and disorienting, unwilling to cut loose any one of her warring ambitions, yet unable to accommodate them all. Is it any wonder so many artists self-destruct so spectacularly? Is it perhaps just a bit exciting to think she could too? Your Love Is Not Good stuffs queer explosive into the cracks between identity and aspiration, between desire and art, and revels in the raining debris.

Mientras leo, tengo la sensación que me da la literatura que más me gusta: la de estar mirando a través de una ventana y ver de pronto sobre el cristal, como un espectro, mi propio reflejo. Este libro nos presenta a una Elena Garro que quizá solo conocieron sus amigas más íntimas. Una Elena humana y, por lo tanto, falible y multifacética. Para trazar este magnífico retrato, Jazmina Barrera hila con rigor científico y sentido del humor una colección personal en torno a la escritora: fragmentos de sus obras, diarios, cartas y entrevistas se trenzan con citas de documentales, algunas carpetas de los Elena Garro Papers del archivo de Princeton, y hasta con sesiones de tarot, I Ching y astrología. La reina de espadas resalta la peculiar forma de habitar el mundo de Elena Garro y su capacidad para dotarlo de nuevos sentidos a través de los temas que la obsesionaron: el tiempo, la catástrofe, los gatos, la lucha campesina, las puestas en escena y los viajes. Aquí no hay certezas ni juicios: solo el vaivén de una personalidad camaleónica en la mirada apasionada, feminista e inteligente de una investigadora que se transforma conforme avanzan sus pesquisas. La observación aguda que caracteriza la pluma de Jazmina Barrera se alía con su infinita curiosidad y con su prodigiosa memoria para regalarnos una serie de instantáneas de una gran escritora del siglo XX. Y, al hacerlo, demuestra pertenecer a ese mismo linaje.

A wickedly funny and audacious debut novel following an academic who flees from heartbreak and lands in Iraq with an insane job offer—only to be forced to do the work of confronting herself.When Dr. Nadia Amin, a long-suffering academic, publishes an article on the possibility of rehabilitating ISIS brides, the United Nations comes calling, offering an opportunity to lead a deradicalization program for the ISIS-affiliated women held in Iraqi refugee camps. Looking for a way out of London after a painful, unexpected breakup, Nadia leaps at the chance.In Iraq, Nadia quickly realizes she’s in over her head. Her direct reports are hostile and unenthused about taking orders from an obvious UN novice, and the murmurs of deradicalization being inherently unethical and possibly illegal threaten to end Nadia’s UN career before it even begins.Frustrated by her situation and the unrelenting heat, Nadia decides to visit the camp with her sullen team, composed of Goody Two-shoes Sherri who never passes up an opportunity to remind Nadia of her objections; and Pierre, a snippy Frenchman who has no qualms about perpetually scrolling through Grindr.At the camp, after a clumsy introductory session with the ISIS women, Nadia meets Sara, one of the younger refugees, whose accent immediately gives her away as a fellow East Londoner. From their first interaction, Nadia feels inexplicably drawn to the rude girl in the diamanté headscarf. She leaves the camp determined to get Sara home.But the system Nadia finds herself trapped in is a quagmire of inaction and corruption. One accomplishment barely makes a dent in Nadia’s ultimate goal of freeing Sara . . . and the other women, too, of course. And so, Nadia makes an impossible decision leading to ramifications she could have never imagined.A triumph of dark humor, Fundamentally asks bold questions: Who can tell someone what to believe? And how do you save someone who doesn’t want to be saved?

A baroque work of intimate myth exploring one woman's interdimensional search for beauty and embodiment, through kaleidoscopic renderings of hospital corridors, brutal breakups, and passionate romance. The Fifth Wound is a phantasmagorical roman à clef about passion as a way of life. In one dimension, this is a love story--Aurora & Ezekiel--a separation and a reunion. In another, we witness a tale of multiple traumatic encounters with transphobic violence. And on yet another plane, a story of ecstatic visionary experience swirls, shatters, and sparkles. Featuring time travel, medieval nuns, knifings, and t4t romance, The Fifth Wound indulges the blur between fantasy and reality. Its winding sentences open like portals, inviting the reader into the intimacy of embodiment--both its pain and its pleasures.

From the devious author of Mrs. March comes a gruesome and gleeful new novel that probes the psyche of a bloodthirsty governess. Winifred Notty arrives at Ensor House prepared to play the perfect Victorian governess—she’ll dutifully tutor her charges, Drusilla and Andrew, tell them bedtime stories, and only joke about eating children. But the longer Winifred spends within the estate’s dreary confines, and the more she learns of the perversions and pathetic preoccupations of the Pounds family, the more trouble she has sticking to her plan. Whether creeping across the moonlit lawns in her undergarments or gently tormenting the house staff, Winifred struggles at every turn to stifle the horrid compulsions of her past. When her chillingly dark imagination breaches the feeble boundary of reality on Christmas morning, Winifred is finally ready to deliver on her generous gifts. Wielding her signature sardonic wit and a penchant for the gorgeously macabre, Virginia Feito returns with a vengeance in Victorian Psycho.