Cormac McCarthy

This compelling novel has as its protagonist Cornelius Suttree, living alone and in exile in a disintegrating houseboat on the wrong side of the Tennessee River close by Knoxville. He stays at the edge of an outcast community inhabited by eccentrics, criminals and the poverty-stricken. Rising above the physical and human squalor around him, his detachment and wry humour enable him to survive dereliction and destitution with dignity.

1980, PASS CHRISTIAN, MISSISSIPPI: It is three in the morning when Bobby Western zips the jacket of his wetsuit and plunges from the Coast Guard tender into darkness. His divelight illuminates the sunken jet, nine bodies still buckled in their seats, hair floating, eyes devoid of speculation. Missing from the crash site are the pilot’s flightbag, the plane’s black box, and the tenth passenger. But how? A collateral witness to machinations that can only bring him harm, Western is shadowed in body and spirit—by men with badges; by the ghost of his father, inventor of the bomb that melted glass and flesh in Hiroshima; and by his sister, the love and ruin of his soul. Traversing the American South, from the garrulous barrooms of New Orleans to an abandoned oil rig off the Florida coast, The Passenger is a breathtaking novel of morality and science, the legacy of sin, and the madness that is human consciousness.

Teenager John Grady Cole, the last of a long line of Texas ranchers, has nothing left to stay for. Across the border Mexico beckons—beautiful and desolate, rugged and cruelly civilized. With neighbor Rawlins, and scruffy boy, he rides toward an idyllic, sometimes comic adventure, to a place where dreams are paid for in blood.

Blood Meridian is an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, it traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.

Alternate Cover Edition for ISBN 9780375706677 In his blistering new novel, Cormac McCarthy returns to the Texas-Mexico border, the setting of his famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell–can contain.As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

NEW YORK TIMES BEST SELLER. The Pulitzer Prize–winning author of The Road returns with the second volume of The Passenger Stella Maris is an intimate portrait of grief and longing, as a young woman in a psychiatric facility seeks to understand her own existence. 1972, BLACK RIVER FALLS, Alicia Western, twenty years old, with forty thousand dollars in a plastic bag, admits herself to the hospital. A doctoral candidate in mathematics at the University of Chicago, Alicia has been diagnosed with paranoid schizophrenia, and she does not want to talk about her brother, Bobby. Instead, she contemplates the nature of madness, the human insistence on one common experience of the world; she recalls a childhood where, by the age of seven, her own grandmother feared for her; she surveys the intersection of physics and philosophy; and she introduces her cohorts, her chimeras, the hallucinations that only she can see. All the while, she grieves for Bobby, not quite dead, not quite hers. Told entirely through the transcripts of Alicia’s psychiatric sessions, Stella Maris is a searching, rigorous, intellectually challenging coda to The Passenger, a philosophical inquiry that questions our notions of God, truth, and existence.

The concluding volume of the Border trilogy. In this magnificent new novel, the National Book Award-winning author of All the Pretty Horses and The Crossing fashions a darkly beautiful elegy for the American frontier. It is 1952 and John Grady Cole and Billy Parham are working as ranch hands in New Mexico, not far from the proving grounds of Alamogordo and the cities of El Paso and Juarez. Their life is made up of trail drives and horse auctions and stories told by campfire light. They value that life all the more because they know it is about to change forever. The change comes when John Grady falls in love with a beautiful, ill-starred Mexican prostitute and sets in motion a chain of events as violent as they are unstoppable. Haunting in its beauty, filled with sorrow, humor, and awe, Cities of the Plain is a genuine American epic.

Set in a small, remote community in rural Tennessee in the years between the two world wars, "The Orchard Keeper" is an early classic from one of America's finest and most celebrated authors. It tells of John Wesley Rattner, a young boy, and Marion Sylder, an outlaw and bootlegger who, unbeknownst to either of them, has killed the boy's father. Cormac McCarthy's debut novel is a magnificent evocation of an American landscape, and of a lost American time. "The feeling for the land and seasons is so intense as to be part of the story and there are scenes one will never forget ...A complicated and evocative exposition of the transience of life" - "Harper's". "A true American original" - "Newsweek".

A startling encounter on a New York subway platform leads two strangers to a run-down tenement where a life or death decision must be made. In that small apartment, Black and White, as the two men are known, begin a conversation that leads each back through his own history, mining the origins of two fundamentally opposing world views. White is a professor whose seemingly enviable existence of relative ease has left him nonetheless in despair. Black, an ex-con and ex-addict, is the more hopeful of the men though he is just as desperate to convince White of the power of faith as White is desperate to deny it. Their aim is no less than this: to discover the meaning of life. Deft, spare, and full of artful tension, The Sunset Limited is a beautifully crafted, consistently thought-provoking, and deceptively intimate work by one of the most insightful writers of our time.

A woman bears her brother's child, a boy. The brother leaves the baby in the woods and tells her he died of natural causes. Discovering her brother's lie, she sets forth alone to find her son. Brother and sister wander through a countryside being scourged by three terrifying strangers, toward an apocalyptic resolution.

Following All the Pretty Horses in Cormac McCarthy's Border Trilogy is a novel whose force of language is matched only by its breadth of experience and depth of thought. In the bootheel of New Mexico hard on the frontier, Billy and Boyd Parham are just boys in the years before the Second World War, but on the cusp of unimaginable events. First comes a trespassing Indian and the dream of wolves running wild amongst the cattle lately brought onto the plain by settlers - this when all the wisdom of trappers has disappeared along with the trappers themselves. So Billy sets forth at the age of sixteen on an unwitting journey into the souls of boys, animals and men. Having trapped a she-wolf he would restore to the mountains of Mexico, he is long gone and returns to find everything he left behind transformed utterly in his absence. Except his kid brother, Boyd, with whom he strikes out yet again to reclaim what is theirs - thus crossing into "that antique gaze from whence there could be no way back forever." What they find instead, is an extraordinary panoply of fiestas and circuses, dogs, horses and hawks, pilgrims and revolutionaries, grand haciendas and forlorn cantinas, bandits, gypsies and roving tribes, a young girl alone on the road, a mystery in the mountain wilds, and a myth in the making. And in this wider world they fight a war as rageful as the one neither, in the end, will join up for back home. One brother finds his destiny, while the other arrives only at his fate. An essential novel by any measure, and the transfixing middle passage of Cormac McCarthy's ongoing trilogy, The Crossing is luminous and appalling, a book that touches, stops,and starts the heart and mind at once.

Falsely accused of rape, Lester Ballard – a violent, dispossessed man who haunts the hill country of East Tennessee – is released from jail and allowed to roam at will, preying on the population with his strange lusts. His everyday actions are transformed into stunning scenes of the comic and the grotesque. And as the story hurtles toward its unforgettable conclusion, McCarthy depicts the most sordid aspects of life with dignity, humor, and characteristic lyrical brilliance.

The wrath of God lies sleeping. It was hid a million years before men were and only men have power to wake it. Hell aint half full. Set in the anarchic world opened up by America’s westward expansion, Blood Meridian by Cormac McCarthy is an epic and potent account of the barbarous violence that man visits upon man. Through the hostile landscape of the Texas–Mexico border wanders the Kid, a fourteen year-old Tennessean who is quickly swept up in the relentless tide of blood. But the apparent chaos is not without its order: while Americans hunt Indians – collecting scalps as their bloody trophies – they too are stalked as prey. Since its first publication in 1985, Blood Meridian has been read as both a brilliant subversion of the Western novel and a blazing example of that form. Powerful, mesmerizing and savagely beautiful, it is established as one of the most important works in American fiction of the last century.

Dans les années 1850, un gamin de quatorze ans part au Texas rejoindre une bande de chasseurs payés pour exterminer les Indiens. Au milieu du désert, la loi n'existe plus. À ce jeu de massacre, seuls survivent ceux qui parviennent à éveiller la plus profonde et la plus intime sauvagerie... Avec cet anti-western basé sur des faits réels, l'auteur nous livre l'un de ses plus grands romans : noir, lyrique et violent.

Un uomo e un bambino viaggiano attraverso le rovine di un mondo ridotto a cenere in direzione dell'oceano, dove forse i raggi raffreddati di un sole ormai livido cederanno un po' di tepore e qualche barlume di vita. Trascinano con sé sulla strada tutto ciò che nel nuovo equilibrio delle cose ha ancora valore: un carrello del supermercato con quel po' di cibo che riescono a rimediare, un telo di plastica per ripararsi dalla pioggia gelida e una pistola con cui difendersi dalle bande di predoni che battono le strade decisi a sopravvivere a ogni costo. E poi il bene più prezioso: se stessi e il loro reciproco amore.

Estamos en los territorios de la frontera entre México y USA a mitad del siglo XIX. La autoridades mexicanas y del Estado de Texas forman una expedición paramilitar para acabar con el mayor número de indios posible. Es el llamado Grupo Glanton, que tiene como líder espiritual al llamado juez Holden, un ser violento y cruel: un hombre calvo como una bola de billar, albino, sin barba, sin pestañas, ni cejas. Holden Nunca duerme, le gusta bailar y tocar el violín. Viola, asesina y afirma que nunca morirá. En un momento determinado los carniceros de Glanton pasan de asesinar indios y arrancarles la cabellera a exterminar a los mexicanos que les pagaban. Empieza así la ley de la selva. Además del juez el otro protagonista es el Chico, que a sus quince años, recibe un disparo por la espalda pero milagrosamente sobrevive... Las vidas de los dos protagonistas se cruzarán sin remedio. McCarthy es una de las voces más ásperas y potentes de la narrativa norteamericana actual, una voz que recoge la herencia de William Faulkner.