He’s a paladin of a dead god, tracking a supernatural killer across a continent. She’s a nun from a secretive order, on the trail of the raiders who burned her convent and kidnapped her sisters. When their paths cross at the point of a sword, Istvhan and Clara will be pitched headlong into each other’s quests, facing off against enemies both living and dead. But Clara has a secret that could jeopardize the growing trust between them, a secret that will lead them to the gladiatorial pits of a corrupt city, and beyond...

In this inimitable, beloved classic—graceful, lucid and lyrical—Anne Morrow Lindbergh shares her meditations on youth and age; love and marriage; peace, solitude and contentment as she set them down during a brief vacation by the sea. Drawing inspiration from the shells on the shore, Lindbergh’s musings on the shape of a woman’s life bring new understanding to both men and women at any stage of life. A mother of five, an acclaimed writer and a pioneering aviator, Lindbergh casts an unsentimental eye on the trappings of modernity that threaten to overwhelm us: the time-saving gadgets that complicate rather than simplify, the multiple commitments that take us from our families. And by recording her thoughts during a brief escape from everyday demands, she helps readers find a space for contemplation and creativity within their own lives.With great wisdom and insight Lindbergh describes the shifting shapes of relationships and marriage, presenting a vision of life as it is lived in an enduring and evolving partnership. A groundbreaking, best-selling work when it was originally published in 1955, Gift from the Sea continues to be discovered by new generations of readers. With a new introduction by Lindbergh’s daughter Reeve, this fiftieth-anniversary edition will give those who are revisiting the book and those who are coming upon it for the first time fresh insight into the life of this remarkable woman.The sea and the beach are elements that have been woven throughout Anne Morrow Lindbergh’s life. She spent her childhood summers with her family on a Maine island. After her marriage to Charles Lindbergh in 1929, she accompanied him on his survey flights around the North Atlantic to launch the first transoceanic airlines. The Lindberghs eventually established a permanent home on the Connecticut coast, where they lived quietly, wrote books and raised their family.After the children left home for lives of their own, the Lindberghs traveled extensively to Africa and the Pacific for environmental research.

Thousands of miles away from the small township of 'Salem's Lot, two terrified people, a man and a boy, still share the secrets of those clapboard houses and tree-lined streets. They must return to 'Salem's Lot for a final confrontation with the unspeakable evil that lives on in the town.

A darkly comic short story, a fable about the all too real impact that we humans have on the environment Fox 8 has always been known as the daydreamer in his pack, the one his fellow foxes regarded with a knowing snort and a roll of the eyes. That is, until Fox 8 develops a unique skill: He teaches himself to speak "Yuman" by hiding in the bushes outside a house and listening to children's bedtime stories. The power of language fuels his abundant curiosity about people—even after "danjer" arrives in the form of a new shopping mall that cuts off his food supply, sending Fox 8 on a harrowing quest to help save his pack.

An astonishing and immersive new novel, Pod takes the reader into the depths of the ocean—and into the world of its fascinating inhabitants—through the eyes of the beautiful Ea, a spinner dolphin.Laline Paull returns with an immersive and transformative new novel of an ocean world—its extraordinary creatures, mysteries, and mythologies—that is increasingly haunted by the cruelty and ignorance of the human race. Ea has always felt like an outsider. As a spinner dolphin who has recently come of age, she's now expected to join in the elaborate rituals that unite her pod. But Ea suffers from a type of deafness that prevents her from mastering the art of spinning. When catastrophe befalls her family and Ea knows she is partly to blame, she decides to make the ultimate sacrifice and leave the pod. As Ea ventures into the vast, she discovers dangers everywhere, from lurking predators to strange objects floating in the water. Not to mention the ocean itself seems to be changing; creatures are mutating, demonic noises pierce the depths, whole species of fish disappear into the sky above. Just as she is coming to terms with her solitude, a chance encounter with a group of arrogant bottlenoses will irrevocably alter the course of her life. In her terrifying, propulsive novel, Laline Paull explores the true meaning of family, belonging, sacrifice—the harmony and tragedy of the pod—within an ocean that is no longer the sanctuary it once was, and which reflects a world all too recognizable to our own.

From best-selling Brazilian crime novelist Patrícia Melo comes a genre-defying tale of women in the Amazon and their reckoning with brutal oppression―by turns poetic, humorous, dark, and inspiring. The Simple Art of Killing a Woman vividly conjures the epidemic of femicide in Brazil, the power women can hold in the face of overwhelming male violence, the resilience of community despite state-sponsored degradation, and the potential of the jungle to save us all. To escape her newly aggressive lover, a young lawyer accepts an assignment in the Amazonian border town of Cruzeiro do Sul. There, she meets Carla, a local prosecutor, and Marcos, the son of an indigenous woman, and learns about the rampant attacks on the region’s women, which have grown so commonplace that the cases quickly fill her large notebook. What she finds in the jungle is not only persistent racism, patriarchy, and deforestation, but a deep longing for answers to her enigmatic past. Through the ritual use of ayahuasca, she meets a chorus of Icamiabas , warrior women bent on vengeance―and gradually, she recovers the details of her own mother’s early death. The Simple Art of Killing a Woman resists it is a series of prose poems lamenting the real-life women murdered by so many men in Brazil; a personal search for history, truth, and belonging; and a modern, exacting, and sometimes fantastical take on very old problems that, despite our better selves, dog us the world over.

“Esther Yi’s every paragraph is revelatory, unexpected, with an intense capacity to see the world anew, such that we are empowered again in the matter of astonishment.” —Rick Moody, author of Hotels of North AmericaFrom the author of the acclaimed debut novel Y/N comes a daring collection of fiction about alienation, sex, and spiritual inquiry.The cityscape of To God is in decay. One won’t find any fancy flaneurs here. As for happiness? Out of the question. Instead, one encounters drifters with nowhere to go and nothing to do, boxers with dreams of making it big (they won’t), artists who never get a chance to make art, women who frighten the men they love, and children who are more adult than the adults. Nothing goes right for these people—but what does going right mean anyway? After all, in the world of To God, it’s the loser who wins, the faceless who expresses, the atheist who truly believes, and the geriatric who’s reborn . . .At the heart of To God is a formidable voice, a beam of light that cuts through the entire collection to rearrange and reincarnate the world wherever it falls. Navigating the daily vicissitudes of work, love, and ideology, this voice How do I know myself, and how do I know others? What does it feel like to know at all? What if I believe in nothing? Then what makes me live? Responsive to and born out of absence, this voice experiments with a body, a personality, a set of relationships. Absence fuels the imagination, a kind of unbridled prayer, and this ritual becomes a stairway that the reader is invited to ascend, armed with an ever intensifying question to God, until the entire material world recedes out of view—only to reappear with greater urgency than before, openly necrotic and broken, itself a plane of mystery we can never call home, and its stakes all the more real for it.At the atomic level of language, the infrastructural level of genre play, and the cosmic level of existential threat, Esther Yi’s vision radiates, illuminating the increasingly confused coordinates of contemporary life, its absurd contradictions, and our growing disconnectedness not only from each other but from our own selves.

“Esther Yi’s every paragraph is revelatory, unexpected, with an intense capacity to see the world anew, such that we are empowered again in the matter of astonishment.” —Rick Moody, author of Hotels of North AmericaFrom the author of the acclaimed debut novel Y/N comes a daring collection of fiction about alienation, sex, and spiritual inquiry.The cityscape of To God is in decay. One won’t find any fancy flaneurs here. As for happiness? Out of the question. Instead, one encounters drifters with nowhere to go and nothing to do, boxers with dreams of making it big (they won’t), artists who never get a chance to make art, women who frighten the men they love, and children who are more adult than the adults. Nothing goes right for these people—but what does going right mean anyway? After all, in the world of To God, it’s the loser who wins, the faceless who expresses, the atheist who truly believes, and the geriatric who’s reborn . . .At the heart of To God is a formidable voice, a beam of light that cuts through the entire collection to rearrange and reincarnate the world wherever it falls. Navigating the daily vicissitudes of work, love, and ideology, this voice How do I know myself, and how do I know others? What does it feel like to know at all? What if I believe in nothing? Then what makes me live? Responsive to and born out of absence, this voice experiments with a body, a personality, a set of relationships. Absence fuels the imagination, a kind of unbridled prayer, and this ritual becomes a stairway that the reader is invited to ascend, armed with an ever intensifying question to God, until the entire material world recedes out of view—only to reappear with greater urgency than before, openly necrotic and broken, itself a plane of mystery we can never call home, and its stakes all the more real for it.At the atomic level of language, the infrastructural level of genre play, and the cosmic level of existential threat, Esther Yi’s vision radiates, illuminating the increasingly confused coordinates of contemporary life, its absurd contradictions, and our growing disconnectedness not only from each other but from our own selves.

Quinn Maybrook just wants to make it until graduation. She might not make it to morning. Quinn and her father moved to tiny, boring Kettle Springs to find a fresh start. But ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half. On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can. Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.

Stephen's god died on the longest day of the year… Three years later, Stephen is a broken paladin, living only for the chance to be useful before he dies. But all that changes when he encounters a fugitive named Grace in an alley and witnesses an assassination attempt gone wrong. Now the pair must navigate a web of treachery, beset on all sides by spies and poisoners, while a cryptic killer stalks one step behind… From the Hugo and Nebula Award winning author of Swordheart and The Twisted Ones comes a saga of murder, magic, and love on the far side of despair.