Area X has been cut off from the rest of the world for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; the second expedition ended in mass suicide, the third in a hail of gunfire as its members turned on one another. The members of the eleventh expedition returned as shadows of their former selves, and within weeks, all had died of cancer. In Annihilation, the first volume of Jeff VanderMeer's Southern Reach Trilogy, we join the twelfth expedition. The group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain, record all observations of their surroundings and of one another, and, above all, avoid being contaminated by Area X itself. They arrive expecting the unexpected, and Area X delivers—but it’s the surprises that came across the border with them and the secrets the expedition members are keeping from one another that change everything.

With the awakening of fire-breathing dragons, Among the Burning Flowers sees the first sparks of danger that threaten to consume the world in The Priory of the Orange Tree. Take your first steps into the epic. Yscalin, land of sunshine and lavender, will soon be ablaze. It has been centuries since the Draconic Army took wing, almost extinguishing humankind. Marosa Vetalda is a prisoner in her own home, controlled by her cold father, King Sigoso. Over the mountains, her betrothed, Aubrecht Lievelyn, rules Mentendon in all but name. Together, they intend to usher in a better world. A better world seems impossibly distant to Estina Melaugo, who hunts the Draconic beasts that have slept across the world for centuries. And now the great wyrm Fýredel is stirring, and Yscalin will be the first to fall . . . A story of human resilience in the face of dire circumstances, Among the Burning Flowers leads readers through the gripping and tragic circumstances that pave the way for the opening of the million-copy bestseller The Priory of The Orange Tree. Richly illustrated with magical artwork by Rovina Cai (@rovinacai).

A definitive and surprising exploration of the history of Black horror films, after the rising success of Get Out , Candyman , and Lovecraft Country from creators behind the acclaimed documentary, Horror Noire. The Black Guy Dies First explores the Black journey in modern horror cinema, from the fodder epitomized by Spider Baby to the Oscar-​winning cinematic heights of Get Out and beyond. This eye-opening book delves into the themes, tropes, and traits that have come to characterize Black roles in horror since 1968, a year in which race made national headlines in iconic moments from the enactment of the 1968 Civil Rights Act and Martin Luther King Jr.’s assassination in April. This timely book is a must-read for cinema and horror fans alike.

An explosive book examining the rise of secretive, extremist communities who despise women. In this ground-breaking investigation, Laura Bates traces the roots of misogyny across a complex spider's web of groups extending from Men's Rights Activists and Pick up Artists to "Men Going their Own Way" trolls and the Incel movement, in the name of which some men have committed terrorist acts. Drawing parallels with other extremist movements around the world, Bates seeks to understand what attracts men to the movement, how it grooms and radicalizes boys, how it operates, and what can be done to stop it. Most urgently of all, she traces the pathways this extreme ideology has taken from the darkest corners of the internet to emerge covertly in our mainstream media, our playgrounds, and our parliament. Going undercover online and off, Bates provides the first, comprehensive look at this hitherto under-the-radar phenomenon, including fascinating interviews with trolls, former incels, the academics studying this movement, and the men fighting back.

From Atlantic critic and Pulitzer Prize finalist Sophie Gilbert, a blazing critique of how early-aughts pop culture turned women and girls against each other—and themselves—with disastrous consequencesWhat happened to feminism in the 21st century? This question feels increasingly urgent after a period of reactionary cultural and legislative backlash, when widespread uncertainty about the movement’s power, focus, and currency threatens decades of progress. Sophie Gilbert, a staff writer at The Atlantic and finalist for the Pulitzer Prize in criticism, provides one answer, identifying an inflection point in the late 1990s and early 2000s when the energy of third-wave and “riot girrrl” feminism collapsed into a regressive period of hyper-objectification, sexualization, and infantilization. Gilbert mines the darker side of nostalgia, training her keen analytic eye on the most revealing cultural objects of the era, across music, film, television, fashion, tabloid journalism, and more. And what she recounts is harrowing, from the leering aesthetic of American Apparel ads and explicit music videos to a burgeoning internet culture vicious towards women in the spotlight and damaging for those who weren’t. Gilbert tracks many of the period’s dominant themes back to the explosion of internet porn, tracing its widespread influence as it began to pervade our collective consciousness. Gilbert paints a devastating picture of an era when a distinctly American confluence of excess, materialism, and power-worship collided with the culture’s reactionary, puritanical, and chauvinistic currents. Amid a collective reconsideration of the way women are treated in public, Girl on Girl is a blistering indictment of the matrix of misogyny that undergirded the cultural production of the early twenty-first century, and how it continues to shape our world today.

With the awakening of fire-breathing dragons, Among the Burning Flowers sees the first sparks of danger that threaten to consume the world in The Priory of the Orange Tree. Take your first steps into the epic. Yscalin, land of sunshine and lavender, will soon be ablaze. It has been centuries since the Draconic Army took wing, almost extinguishing humankind. Marosa Vetalda is a prisoner in her own home, controlled by her cold father, King Sigoso. Over the mountains, her betrothed, Aubrecht Lievelyn, rules Mentendon in all but name. Together, they intend to usher in a better world. A better world seems impossibly distant to Estina Melaugo, who hunts the Draconic beasts that have slept across the world for centuries. And now the great wyrm Fýredel is stirring, and Yscalin will be the first to fall . . . A story of human resilience in the face of dire circumstances, Among the Burning Flowers leads readers through the gripping and tragic circumstances that pave the way for the opening of the million-copy bestseller The Priory of The Orange Tree. Richly illustrated with magical artwork by Rovina Cai (@rovinacai).

Two writers compete for the chance to tell the larger-than-life story of a woman with more than a couple of plot twists up her sleeve in this dazzling and sweeping new novel from Emily Henry. Alice Scott is an eternal optimist still dreaming of her big writing break. Hayden Anderson is a Pulitzer-prize winning human thundercloud. And they’re both on balmy Little Crescent Island for the same reason: To write the biography of a woman no one has seen in years--or at least to meet with the octogenarian who claims to be the Margaret Ives. Tragic heiress, former tabloid princess, and daughter of one of the most storied (and scandalous) families of the 20th Century. When Margaret invites them both for a one-month trial period, after which she’ll choose the person who’ll tell her story, there are three things keeping Alice’s head in the game. One: Alice genuinely likes people, which means people usually like Alice—and she has a whole month to win the legendary woman over. Two: She’s ready for this job and the chance to impress her perennially unimpressed family with a Serious Publication Three: Hayden Anderson, who should have no reason to be concerned about losing this book, is glowering at her in a shaken-to-the core way that suggests he sees her as competition. But the problem is, Margaret is only giving each of them pieces of her story. Pieces they can’t swap to put together because of an ironclad NDA and an inconvenient yearning pulsing between them every time they’re in the same room. And it’s becoming abundantly clear that their story—just like the tale Margaret’s spinning—could be a mystery, tragedy, or love ballad…depending on who’s telling it.