Cannibalism is unquestionably one of the oldest and deepest-seated taboos. Even in an age when almost nothing is sacred, religious, moral and social prohibitions surround the topic. But even as our minds recoil at the mention of actual acts of cannibalism there is some dark fascination with the subject. Appalling crimes of humans eating other humans are blown into major news stories and gory movies: both Hitchcock's "Psycho" and "The Texas Chainsaw Massacre" were based on the crimes of Ed Gein, who is profiled, along with others, in this book. In "Eat Thy Neighbour," the authors put the subject of cannibalism into its social and historical perspective. They present a lively and informative account of cannibalism, and cannibals, from the earliest known incidents to the present day. They include cases of ritual cannibalism in early and primitive societies such the inhabitants of Papua New Guinea; cases where famine, poverty, disease or war has left no alternative; cases in mythology, legend, literature, and fairytales like "Hansel and Gretel"; and cases of individuals from the Middle Ages to the present - Mrs Lovett and Sweeny Todd, Jeffrey Dahmer, and Armin Meiwes, the recent German cannibal who found his victim via the internet.

In the midst of the woods stands a house called Lichen Hall. This place is shrouded in folklore—old stories of ghosts, of witches, of a child who was not quite a child. Now the woods are creeping closer, and something has been unleashed. Pearl Gorham arrives in 1965, one of a string of young women sent to Lichen Hall to give birth. And she soon suspects the proprietors are hiding something. Then she meets the mysterious mother and young boy who live in the grounds—and together they begin to unpick the secrets of this place. As the truth comes to the surface and the darkness moves in, Pearl must rethink everything she knew—and risk what she holds most dear.

Author of sales sensation If We Were Villains returns with a story about a ragtag group of night shift workers who meet in the local cemetery to unearth the secrets lurking in an open grave. Every night, in the college’s ancient cemetery, five people cross paths as they work the late shift: a bartender, a rideshare driver, a hotel receptionist, the steward of the derelict church that looms over them, and the editor-in-chief of the college paper, always in search of a story. One dark October evening in the defunct churchyard, they find a hole that wasn’t there before. A fresh, open grave where no grave should be. But who dug it, and for whom? Before they go their separate ways, the gravedigger returns. As they trail him through the night, they realize he may be the key to a string of strange happenings around town that have made headlines for the last few weeks—and that they may be closer to the mystery than they thought. Atmospheric and eerie, with the ensemble cast her fans love and a delightfully familiar academic backdrop, Graveyard Shift is a modern Gothic tale in If We Were Villains author M. L. Rio’s inimitable style.

When Mouse’s dad asks her to clean out her dead grandmother's house, she says yes. After all, how bad could it be? Answer: pretty bad. Grandma was a hoarder, and her house is stuffed with useless rubbish. That would be horrific enough, but there’s more—Mouse stumbles across her step-grandfather’s journal, which at first seems to be filled with nonsensical rants…until Mouse encounters some of the terrifying things he described for herself. Alone in the woods with her dog, Mouse finds herself face to face with a series of impossible terrors—because sometimes the things that go bump in the night are real, and they’re looking for you. And if she doesn’t face them head on, she might not survive to tell the tale.

Victims all describe hearing a voice before they die gruesomely. Sometimes it’s singing an old Taiwanese song, sometimes it’s in Japanese, and sometimes it’s an anguished call for help from a loved one. Can Wu Shih-Sheng, a degenerate taxi driver in Taipei, hunt down the source of the voice that killed his wife before he becomes the next victim? Whisper is a plot-driven, Taiwanese horror story. As well as being a chilling read, Chang Yu-Ko cleverly combines Taiwanese folklore, the Japanese occupation of Taiwan, and the long-term mistreatment of the country’s aboriginal people into a story of how the past can still kill.

A young musician finds himself locked inside a gas station bathroom in the middle of the night by an unseen assailant, caught between the horrors on the other side of the door and the horrors rapidly skittering down the walls inside.

There's something wrong with Ashburn House... The ancient building has been the subject of rumours for close to a century. Its owner, Edith, refused to let guests inside and rarely visited the nearby town. Following Edith's death, her sole surviving relative, Adrienne, inherits the property. Adrienne's only possessions are a suitcase of luggage, twenty dollars, and her pet cat. Ashburn House is a lifeline she can't afford to refuse. Adrienne doesn't believe in ghosts, but it's hard to ignore the unease that grows as she explores her new home. Strange messages have been etched into the wallpaper, an old grave is hidden in the forest behind the house, and eerie portraits in the upstairs hall seem to watch her every movement. As she uncovers more of the house's secrets, Adrienne begins to believe the whispered rumours about Ashburn may hold more truth than she ever suspected. The building has a bleak and grisly past, and as she chases the threads of a decades-old mystery, Adrienne realises she's become the prey to something deeply unnatural and intensely resentful. Only one thing is Ashburn's dead are not at rest.

This is the entire series put into one book. They took too much. Left too little. I had nothing to lose...until him. ***************** I didn't expect him. I didn't want to fall in love. But I can't let him go. Logan Bennett makes the world a safer place. He's brilliant. He's a hero. He locks away the sick and depraved. But while he's saving lives, I'm taking them. Collecting the debts that are owed to me. Ten years ago, they took from me. They left me for dead. They should have made sure I stayed dead. Now I'm taking from them. One name at a time. I've trained for too long. I've been patient. I can't stop now. Revenge is best served cold... They never see me coming, until I paint their walls red. Logan doesn't know how they hurt me. He doesn't know about the screams they ignored. He doesn't know how twisted that town really is. He just knows people are dying. He doesn't know he's in love with their killer. No one suspects a dead girl. And Logan doesn't suspect the girl in his bed. They're looking for a monster. Not a girl who loves red. Not a girl in love. I'm a faceless nightmare. At least until I tell them the story they've pretended never happened. But in the end, will Logan choose them? Or will we watch them burn together?

The follow-up to T. Kingfisher’s bestselling gothic novella, What Moves the Dead . Retired soldier Alex Easton returns in a horrifying new adventure. After their terrifying ordeal at the Usher manor, Alex Easton feels as if they just survived another war. All they crave is rest, routine, and sunshine, but instead, as a favor to Angus and Miss Potter, they find themself heading to their family hunting lodge, deep in the cold, damp forests of their home country, Gallacia. In theory, one can find relaxation in even the coldest and dampest of Gallacian autumns, but when Easton arrives, they find the caretaker dead, the lodge in disarray, and the grounds troubled by a strange, uncanny silence. The villagers whisper that a breath-stealing monster from folklore has taken up residence in Easton’s home. Easton knows better than to put too much stock in local superstitions, but they can tell that something is not quite right in their home. . . or in their dreams.