The Magnus Archives is a horror story written by Jonathan Sims, directed by Alexander J. Newall and distributed by Rusty Quill. Sims narrates the stories in-character as the main character, Jonathan Sims, the newly-appointed head archivist of the fictional Magnus Institute; an institution based in London centred on research into the paranormal. With each chapter released as a podcast episode, The Magnus Archive is structured as a series of statements recorded or written and then recorded for internal research use within The Magnus Institute. At the beginning of each statement, the statement-taker (mainly Jon, the head archivist) provides a brief description of the statement and the name of the statement-maker. Those who give or record statements in the Magnus Institute tend to lapse into a trance-like state not unlike reliving the event. The second season of the critically acclaimed series.

Something darker than the devil stalks the North Carolina woods in Wolf Worm, a new gothic masterpiece from New York Times bestselling author T. Kingfisher. The year is 1899 and Sonia Wilson is a scientific illustrator without work, prospects, or hope. When the reclusive Dr. Halder offers her a position illustrating his vast collection of insects, Sonia jumps at the chance to move to his North Carolina manor house and put her talents to use. But soon enough she finds that there are darker things at work than the Carolina woods. What happened to her predecessor, Halder’s wife? Why are animals acting so strangely, and what is behind the peculiar local whispers about “blood thiefs?” With the aid of the housekeeper and a local healer, Sonia discovers that Halder’s entomological studies have taken him down a dark road full of parasitic maggots that burrow into human flesh, and that his monstrous experiments may grow to encompass his newest illustrator as well.

A small-time scrapper and his pet robot will fight their way out of the junk-heap in a tournament that will either make them richer than gods or rip them apart in the first book of Django Wexler’s lightning paced progression fantasy adventure for fans of Cradle and Dungeon Crawler Carl. Taj lives in a junkheap, scavenging scrap to keep his family fed and dodging the monsters who live among the wreckage. His only edge is a smart-ass construct named Star he built himself. Taj dreams of winning big with Star in the construct fighting circuits, but victory always seems just beyond his reach and the debt collectors are at the door. His world changes forever when someone there makes him an offer that seems too good to be true: a chance to fight in the Ascent, the ultimate fighting tournament, for a prize beyond his wildest fantasies. But things that seem too good to be true usually are, and Taj finds his new benefactor comes with plenty of new enemies. As he ventures beyond the only world he’s ever known, he discovers it’s not just his money on the line in the Ascent—it’s his life. When you start at the very bottom, the only way out is up …

Gods rule this planet. Demons stalk its canyons while Kings beg for mercy. Can three mere humans rewrite its destiny? The otherworldly religious conflict of Dune, the cosmic strangeness of Gideon the Ninth, and the heart-pounding action of Red Rising converge in this horror-tinged epic science fantasy debut. Ysira Naktis was a human sacrifice, marked for death. Unlike the thousands ‘harvested’ each year, though, she did the unthinkable. She survived—and what she brought back with her could change the fate of worlds. When Ysira’s estranged son is chosen to become the vessel of a god-killing demon, she is faced with a choice: allow him to harness cosmic power at an unspeakable cost, or doom millions to save him. She finds an unlikely ally in Brother Jacen Kheris, once a gifted exorcist, now a guilt-ridden addict, desperate for purpose. From a demon-haunted canyon to a starbound satellite, they must battle their way through cultists, aliens, and the gods themselves. The truths they unearth are deeper and more sinister than anything they could have imagined. In this cinematic thrill ride, Jesse Aragon plunges us into a world as intricate and inventive as it is brutal.

A century ago, the Sentience Wars tore the galaxy apart and nearly ended the entire concept of intelligent space-faring life. In the aftermath, a curious tradition was invented—something to cheer up everyone who was left and bring the shattered worlds together in the spirit of peace, unity, and understanding. Once every cycle, the civilizations gather for the Metagalactic Grand Prix—part gladiatorial contest, part beauty pageant, part concert extravaganza, and part continuation of the wars of the past. Instead of competing in orbital combat, the powerful species that survived face off in a competition of song, dance, or whatever can be physically performed in an intergalactic talent show. The stakes are high for this new game, and everyone is forced to compete. This year, though, humankind has discovered the enormous universe. And while they expected to discover a grand drama of diplomacy, gunships, wormholes, and stoic councils of aliens, they have instead found glitter, lipstick, and electric guitars. Mankind will not get to fight for its destiny—they must sing. A band of human musicians, dancers, and roadies have been chosen to represent Earth on the greatest stage in the galaxy. And the fate of their species lies in their ability to rock.

The Spellshop meets Night at the Museum in this cosy fantasy debut from the author of Foul Days and Monstrous Nights. An archaeology student cursed with bad luck accepts an internship at the mysterious Museum of Witchcraft, hoping it will be the chance she needs to break her curse, only to find her lucky break quickly turning into a series of disasters.