Friendship is full of revolutionary potential in the face of a profoundly anti-social capitalist system. Friends in Common explores friendship as a radical practice, capable of upending hierarchies and producing social change. Friendship can transcend social boundaries and political borders. It is vital in building communities and underpinning solidarity. But its transformative potency ensures that it is heavily policed and restrained by the state. Understanding the radical possibilities of friendship can help us rethink our approach to family, work and politics, and show us new routes to resistance and ways to open up spaces of solidarity and escape. The dissonance created by comparing societal expectations around friendship and a lonely reality, especially in the wake of an isolating global pandemic, is deeply alienating. Friends in Common shows that friendship as a political practice is foundational to strengthening revolutionary ideas and projects, and is the antidote to capitalist despair.

The pioneering anthology Home Girls features writings by Black feminists and lesbian activists on topics both provocative and profound. Since its initial publication in 1983, it has become an essential text on Black women's lives and writings. This edition features an updated lists of contributor biographies and an all-new preface that provides a fresh assessment of how Black women's lives have changed- or not- since the book was first published. Includes: For a godchild, Regina, on the occasion of her first love by Toi Derricotte The damned by Toi Derricotte Hester's song by Toi Derricotte The sisters by Alexis De Veaux Debra by Michelle T. Clinton If I could write this in fire, I would write this in fire by Michelle Cliff The blood - yes, the blood: a conversation by Cenen and Barbara Smith Something Latino was up with us by Spring Redd I used to think by Chirlane McCray The black back-ups by Kate Rushin Home by Barbara Smith Under the days: the buried life and poetry of Angelina Weld Grimké by Akasha (Gloria) Hull The black lesbian in American literature: an overview by Ann Allen Shockley Artists without art form by Renita Weems I've been thinking of Diana Sands by Patricia Jones A cultural legacy denied and discovered : black lesbians in fiction by women by Jewelle L. Gomez What it is I think she's doing anyhow: a reading of Toni Cade Bambara's The salt eaters by Akasha (Gloria) Hull Tar beach by Audre Lorde Before I dress and soar again by Donna Allegra LeRoy's birthday by Raymina Y. Mays The wedding by Beverly Smith Maria de las Rosas by Becky Birtha Miss Esther's land by Barbara A. Banks The failure to transform: homophobia in the black community by Cheryl Clarke Where will you be? by Pat Parker Among the things that use to be by Willie M. Coleman From sea to shining sea by June Jordan Women of summer by Cheryl Clarke The tired poem: last letter from a typical unemployed black professional woman by Kate Rushin Shoes are made for walking by Shirley O. Steele Billy de Lye by Deidre McCalla The Combahee River Collective statement by Combahee River Collective Black macho and black feminism by Linda C. Powell Black lesbianbyfeminist organizing: a conversation by Tania Abdulahad ... [et al.] For strong women by Michelle T. Clinton The black goddess by Kate Rushin Women's spirituality: a household act by Luisah Teish Only justice can stop a curse by Alice Walker Coalition politics: turning the century by Bernice Johnson Reagon

What if you woke up one morning and found you’d acquired another self―a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience―she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us―and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now―and an intellectual adventure story for our times.

Friendship is full of revolutionary potential in the face of a profoundly anti-social capitalist system. Friends in Common explores friendship as a radical practice, capable of upending hierarchies and producing social change. Friendship can transcend social boundaries and political borders. It is vital in building communities and underpinning solidarity. But its transformative potency ensures that it is heavily policed and restrained by the state. Understanding the radical possibilities of friendship can help us rethink our approach to family, work and politics, and show us new routes to resistance and ways to open up spaces of solidarity and escape. The dissonance created by comparing societal expectations around friendship and a lonely reality, especially in the wake of an isolating global pandemic, is deeply alienating. Friends in Common shows that friendship as a political practice is foundational to strengthening revolutionary ideas and projects, and is the antidote to capitalist despair.

In this atmospheric Appalachian gothic, the Haddesley siblings of West Virginia must unearth long-buried secrets to carve out a future when the supernatural bargain entwining their fate with their ancestral land is suddenly ruptured Since time immemorial, the Haddesley family has tended the cranberry bog. In exchange, the bog sustains them. The staunch seasons of their lives are governed by a strict covenant that is renewed each generation with the ritual sacrifice of their patriarch, and in return, the bog produces a “bog-wife.” Brought to life from vegetation, this woman is meant to carry on the family line. But when the bog fails—or refuses—to honor the bargain, the Haddesleys, a group of discordant siblings still grieving the mother who mysteriously disappeared years earlier, face an unknown future. Middle child Wenna, summoned back to the dilapidated family manor just as her marriage is collapsing, believes the Haddesleys must abandon their patrimony. Her siblings are not so easily persuaded. Eldest daughter Eda, de facto head of the household, seeks to salvage the compact by desecrating it. Younger son Percy retreats into the wilderness in a dangerous bid to summon his own bog-wife. And as youngest daughter Nora takes desperate measures to keep her warring siblings together, fledgling patriarch Charlie uncovers a disturbing secret that casts doubt over everything the family has ever believed about itself. Brimming with aching loss and the universal struggle between honoring family commitments and the drive to strike out on one’s own, The Bog Wife is a haunting invocation of the arcane power of the habits and habitats that bound us.

Per person, oranges are the most consumed fruit in the world. Across the world, no matter how remote or cold or incongruous a climate is, oranges will be there.What stories could I unravel from the orange's long ribboning peel? What new meanings could I find in its variousness, as it moves from east to west and from familiar to foreign?What begins as a curiosity into the origins of the orange soon becomes a far-reaching odyssey of citrus for Katie Goh. Katie follows the complicated history of the orange from east-to-west and west-to-east, from a luxury item of European kings and Chinese emperors, to a modest fruit people take for granted. This investigation parallels Katie’s powerful search into her own heritage. Growing up queer in a Chinese-Malaysian-Irish household in the north of Ireland, Katie felt herself at odds with the culture and politics around her. As a teenager, Katie visits her ancestral home in Longyan, China, with her family to better understand her roots, but doesn’t find the easy, digestible answers she hoped for.In her mid-twenties, when her grandmother falls ill, she ventures again to the land of her ancestors, Malaysia, where more questions of self and belonging are raised. In her travels and reflections, she navigates histories that she wants to understand, but has never truly felt a part of. Like the story of the orange, Katie finds that simple and extractable explanations—even about a seemingly simple fruit—are impossible. The story that unfolds is Katie’s incredible endeavor to flesh out these contradictions, to unpeel the layers of personhood; a reflection on identity through the cipher of the orange. Along the way, the orange becomes so much more than just a fruit—it emerges as a symbol, a metaphor, and a guide. Foreign A Personal History of the Orange is a searching, wide-ranging, seamless weaving of storytelling with research and a meditative, deeply moving encounter with the orange and the self.

A wondrous, tender novel about a young girl grappling with her role in a tragic loss—and attempting to reshape the narrative of her life—from PEN/Faulkner Award nominee Claire Oshetsky Margaret Murphy is a weaver of fantastic tales, growing up in a world where the truth is too much for one little girl to endure. Her first memory is of the day her friend Agnes died. No one blames Margaret. Not in so many words. Her mother insists to everyone who will listen that her daughter never even left the house that day. Left alone to make sense of tragedy, Margaret wills herself to forget these unbearable memories, replacing them with imagined stories full of faith and magic—that always end happily. Enter Poor Deer: a strange and formidable creature who winds her way uninvited into Margaret’s made-up tales. Poor Deer will not rest until Margaret faces the truth about her past and atones for her role in Agnes’s death. Heartrending, hopeful, and boldly imagined, Poor Deer explores the journey toward understanding the children we once were and the stories we tell ourselves to make sense of life’s most difficult moments.

What if you woke up one morning and found you’d acquired another self―a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you’d devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience―she was confronted with a doppelganger whose views she found abhorrent but whose name and public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us―and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now―and an intellectual adventure story for our times.

From the beloved author previously compared to Cormac McCarthy and Joyce Carol Oates (Washington Post), a startling and unconventional neon-pink Western of vengeance, family, and first love as two warring factions vie for control of a blood-soaked Gulf Coast It’s 2026, and Rally is thirteen years old. The long, hot Louisiana summer looms before him like a face-melting stretch of blacktop, and the country is talking civil war while his adoptive family acts more vicious than ever. Rally spends his days wondering about his dead father’s people, the Woolsacks of West Florida, who long ago led a failed rebellion to carve their own state from the swamp and sugar-sand of the coast. That family might have been his too—if his mother and a crew of vigilantes hadn’t tried to kill them all back when he was a baby. Rally lives in the shadow of guilt and in fear of the only other survivors: his uncle Rodney, now a professional gunfighter on the app DU3L, where would-be shooters square off in armed combat, and his mysterious cousin Destiny, whereabouts unknown, whose own violence brought the massacre to an end. When the Woolsacks’ legacy is co-opted by Troy Yarbrough, a far-right politician leading a movement to turn the Florida panhandle into a white Christian ethnostate, Rodney bursts into Rally’s life, taking him on a journey into the wild heart of West Florida, where they join forces with a woman known only as the Governor—part prophet, part machine, with her own blazing vision for West Florida. Soon Rally will learn what West Florida means to the Woolsacks, and the lengths they will go to protect it, all while he falls for the machine-gun-toting, ATV-riding girl next door. An explosive, genre-redefining take on family, violence, and the costs of preserving a legacy in a sun-soaked world of megachurch magnates, suburban guerillas, and robotic warriors, The Great State of West Florida is also the tender coming-of-age story of a young man caught in the wheels of something bigger than he knows.

A literary horror debut about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family’s communal care—threaten to destroy this fragile second chance at life. A thought-provoking meditation on grief, acceptance, and the monstrous sides of love and loyalty, Gerardo Sámano Córdova blends bold imagination and evocative prose with deep emotional rigor. Told in four acts that span the globe from Brooklyn to Berlin, Monstrilio offers, with uncanny clarity, a cathartic and precise portrait of being human.

Greta liked knowing people's secrets. That wasn't a problem. Until she met Big Swiss. Big Swiss. That's Greta's nickname for her - she is tall, and she is from Switzerland. Greta can see her dressed top to toe in white, that adorable gap between her two front teeth, her penetrating blue eyes. She's a including the heads of infants and dogs. Well that's how Greta imagines seeing her; they haven't actually ever met in person. Nor has Greta actually ever been to Switzerland. Greta and Big Swiss are not in the same room, or even the same building. Greta is miles away, sitting at a desk in her own house, wearing only headphones, fingerless gloves, a kimono, and legwarmers, transcribing this disembodied voice. What Greta doesn't know is that she's about to bump into Big Swiss in the local dog park. A new - and not entirely honest - relationship is going to be born. A relationship that will transform both of their lives.

A literary horror debut about a boy who transforms into a monster, a monster who tries to be a man, and the people who love him in every form he takes Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses—though curbed by his biological and chosen family’s communal care—threaten to destroy this fragile second chance at life. A thought-provoking meditation on grief, acceptance, and the monstrous sides of love and loyalty, Gerardo Sámano Córdova blends bold imagination and evocative prose with deep emotional rigor. Told in four acts that span the globe from Brooklyn to Berlin, Monstrilio offers, with uncanny clarity, a cathartic and precise portrait of being human.

Greta liked knowing people's secrets. That wasn't a problem. Until she met Big Swiss. Big Swiss. That's Greta's nickname for her - she is tall, and she is from Switzerland. Greta can see her dressed top to toe in white, that adorable gap between her two front teeth, her penetrating blue eyes. She's a including the heads of infants and dogs. Well that's how Greta imagines seeing her; they haven't actually ever met in person. Nor has Greta actually ever been to Switzerland. Greta and Big Swiss are not in the same room, or even the same building. Greta is miles away, sitting at a desk in her own house, wearing only headphones, fingerless gloves, a kimono, and legwarmers, transcribing this disembodied voice. What Greta doesn't know is that she's about to bump into Big Swiss in the local dog park. A new - and not entirely honest - relationship is going to be born. A relationship that will transform both of their lives.

An enchanting novel about a witch who has a second chance to get her magical powers—and her life—back on track, from the national bestselling author of The Very Secret Society of Irregular Witches . Sera Swan was once one of the most powerful witches in Britain. Then she resurrected her great-aunt Jasmine from the (very recently) dead, lost most of her magic, befriended a semi-villainous talking fox, and was exiled from her magical Guild. Now she ( slightly reluctantly and just a bit grumpily) helps Aunt Jasmine run an inn in Lancashire, where she deals with her quirky guests' shenanigans, tries to keep the talking fox in check, and longs for the magical future she lost. When she learns about an old spellbook that holds the secret to restoring her power, she turns to Luke Larsen, a gorgeous historian who might just be able to help her unlock the book’s mysteries. Luke, who has his own reasons for staying at the inn, never planned on getting involved in the madcap goings-on around him and certainly had no intention of letting certain grumpy innkeepers past his icy walls, so no one is more surprised than he is when he not only agrees to help, but also finds himself thawing . Running an inn, reclaiming lost magic, and staying one step ahead of the watchful Guild is a lot for anyone, but Sera is about to discover that she doesn’t have to do it alone... and that the weird, wonderful family she’s made might be the best magic of all.

Since its U.S. debut almost fifty years ago, this brilliant text has set a new standard for historical scholarship of Latin America. It is also an outstanding political economy, a social and cultural narrative of the highest quality, and perhaps the finest description of primitive capital accumulation since Marx. Rather than chronology, geography, or political successions, Eduardo Galeano has organized the various facets of Latin American history according to the patterns of five centuries of exploitation. Thus he is concerned with gold and silver, cacao and cotton, rubber and coffee, fruit, hides and wool, petroleum, iron, nickel, manganese, copper, aluminum ore, nitrates, and tin. These are the veins which he traces through the body of the entire continent, up to the Rio Grande and throughout the Caribbean, and all the way to their open ends where they empty into the coffers of wealth in the United States and Europe. Weaving fact and imagery into a rich tapestry, Galeano fuses scientific analysis with the passions of a plundered and suffering people. An immense gathering of materials is framed with a vigorous style that never falters in its command of themes. All readers interested in great historical, economic, political, and social writing will find a singular analytical achievement, and an overwhelming narrative that makes history speak, unforgettably. This classic is now further honored by Isabel Allende’s inspiring introduction. Universally recognized as one of the most important writers of our time, Allende once again contributes her talents to literature, to political principles, and to enlightenment.