She erased their past. He’s betting on their future. When Landon receives a letter from Rose—the woman he once planned forever with—he learns their love story is over. She’s undergone a radical memory-erasing treatment, leaving behind her grief, her past… and him. But Landon can’t bear to lose the love of his life. If she fell for him once, couldn’t she fall for him again? Now living in Edinburgh, Rose’s world is a blank canvas, and she’s dating someone new. When Landon reenters her life as a stranger, they become fast friends, their lives entwining once more. But what Rose doesn’t know is that this new friend carries the weight of everything they once shared: their firsts, their marriage, and the heartbreak they barely survived. And when she starts exhibiting strange symptoms, it becomes clear their history isn’t gone—it’s just buried. And remembering could come at a devastating cost. Told in alternating timelines—his from the present, hers from the past—The Good Parts is an achingly poignant story about the people we become across a lifetime, and the quiet grace of learning to let go while holding on to what’s worth keeping.

Twenty-five years ago in Seaside, Washington, a charming drifter named Sam met three inseparable teenage girls at the local amusement park. Days later, one of them was found dead, her body surfacing in a flooded cranberry bog not far from where she was murdered. Barb and Nicolette were shocked to learn that the man they all met at Wonderland was the Carnival Killer. After he's arrested for the murders of five young women – one of whom was their best friend, Lorelei – Nicolette moved to the city to pursue her dreams of being famous. Barb stayed behind in Seaside, eventually becoming a reporter for the local paper. Their past safely behind them, they’ve both moved on with their lives. But when the Carnival Killer recants his confession and a new body washes ashore on the eve of Wonderland’s grand reopening, the secrets that Barb and Nicolette have worked so hard to bury begin to resurface, threatening to destroy everything in their carefully constructed lives.

A darkly comic and warm-hearted novel about an old man on a cross-country mission to reunite with his high school crush—bringing together his adult daughter, two orphaned kids, and a cat who can predict death—from the beloved author of Rabbit Cake and Unlikely Animals At sixty-three years old, million-dollar lottery winner PJ Halliday would be the luckiest man in Pondville, Massachusetts, if it weren’t for the tragedies of his life: the sudden death of his eldest daughter and the way his marriage fell apart after that. Since then, PJ spends both his money and his time at the bar, and he probably doesn’t have much time left—he’s had three heart attacks already. But when PJ reads an obituary of his old romantic rival, he realizes his high school sweetheart, Michelle Cobb, is finally single again. Filled with a new enthusiasm for life, PJ decides he’s going to drive across the country to the Tender Hearts Retirement Community in Arizona to win Michelle back. Before PJ can hit the road, tragedy strikes Pondville, leaving PJ the sudden guardian of his estranged brother’s grandchildren. Anyone else would be deterred from the planned trip, but PJ figures the orphaned kids might benefit from getting out of town. PJ also figures he can ask Sophie, his adult daughter, adrift in her 20s, to come along to babysit. And there’s one more surprise addition to the roster: Pancakes, a former nursing home therapy cat with a knack of predicting death, who recently turned up outside PJ’s home. This could be the second chance PJ has long hoped for—a second shot at love and parenting—but does he have the strength to do both those things again? It’s very possible his heart can’t take it.

I’m out for revenge. After careful planning, I gave the man who messed with my family a taste of his own medicine. I thought it’d end there. It didn’t. Landon King is a genius artist, a posh rich boy, and my worst nightmare. He’s decided that I’m the new addition to his chess game. Too bad for him, I’m no pawn. If he hits, I hit back, twice as hard and with the same hostility. He says he’ll ruin me. Little does he know that ruination goes both ways. This book is a dark unconventional romance and contains themes that aren't to everyone's liking. Please check the author's note for content warnings before reading.

Their love was supposed to last forever. But when life delivered blow after devastating blow, Yasmen and Josiah Wade found that love alone couldn’t solve or save everything. It couldn’t save their marriage. Yasmen wasn’t prepared for how her life fell apart, but she is finally starting to find joy again. She and Josiah have found a new rhythm, co-parenting their two kids and running a thriving business together. Yet like magnets, they’re always drawn back to each other, and now they’re beginning to wonder if they’re truly ready to let go of everything they once had. Soon, one stolen kiss leads to another…and then more. It's hot. It's illicit. It's all good—until old wounds reopen. Is it too late for them to find forever? Or could they even be better, the second time around?

When a teenager vanishes from her Adirondack summer camp, two worlds collide Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found. As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.

Flatscreen tells the story of Eli Schwartz as he endures the loss of his home, the indifference of his parents, the success of his older brother, and the cruel and frequent dismissal of the opposite sex. He is a loser par excellence—pasty, soft, and high—who struggles to become a new person in a world where nothing is new. Into this scene of apathy rolls Seymour J. Kahn. Former star of the small screen and current paraplegic sex addict, Kahn has purchased Eli’s old family home. The two begin a dangerous friendship, one that distracts from their circumstances but speeds their descent into utter debasement and, inevitably, YouTube stardom. By story’s end, through unlikely acts of courage and kindness, roles will be reversed, reputations resurrected, and charges (hopefully) dropped. Adam Wilson writes mischief that moves the heart, and Flatscreen marks the wondrous debut of a truth-telling comic voice.

In love we find out who we want to be. In war we find out who we are. FRANCE, 1939 In the quiet village of Carriveau, Vianne Mauriac says good-bye to her husband, Antoine, as he heads for the Front. She doesn’t believe that the Nazis will invade France…but invade they do, in droves of marching soldiers, in caravans of trucks and tanks, in planes that fill the skies and drop bombs upon the innocent. When a German captain requisitions Vianne’s home, she and her daughter must live with the enemy or lose everything. Without food or money or hope, as danger escalates all around them, she is forced to make one impossible choice after another to keep her family alive. Vianne’s sister, Isabelle, is a rebellious eighteen-year-old, searching for purpose with all the reckless passion of youth. While thousands of Parisians march into the unknown terrors of war, she meets Gaëtan, a partisan who believes the French can fight the Nazis from within France, and she falls in love as only the young can…completely. But when he betrays her, Isabelle joins the Resistance and never looks back, risking her life time and again to save others.

When a teenager vanishes from her Adirondack summer camp, two worlds collide Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found. As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.

As Howard Taubman outlines the play: "At the outset Quentin emerges, moves forward and seats himself on the edge of the stage and begins to talk, like a man confiding in a friend. In the background are key figures in his life, and they move in and out of his narrative. The narration shades into scenes, little and big. They are revelations and illuminations. They remind Quentin of an awkward young girl whom he made proud of herself. They bring the tortured image of his mother's death and another of his mother's fury with his father, who lost all in trying to save a floundering business. They crisscross through his relations with a number of women the first wife who wanted to be a separate person, the second who drove him into a separateness and a possible third who knew, as a German raised in a furnace of concentration camps, that 'survival can be hard to bear.' These intertwining images bring back the memories of inquisition when men were asked to name names of those who had joined with them in a communism that they mistook for a better future AFTER THE FALL is a pain-wracked drama; it is also Mr. Miller's maturest For to sit in Mr. Miller's theater is to be in an adult world concerned with a search that cuts to the bone."