An unlikely group of rebels are ready to burn down the empire in the first book in a new speculative trilogy that explores gender, sexuality, and oppression within an empire teetering on the brink of rebellion Told from multiple POVs: a young heiress, an undercover spy, a bastard brother and a fugitive who has history with all three, Sargassa equal parts political intrigue, queer romance, and revolution Selah Kleios is twenty-two years old and suddenly one of the most important women in the empires. The role of Imperial Historian is her birthright, something she’s been preparing for since birth—but she was supposed to have more time to learn the role from her father, the previous Historian. In the wake of her father’s sudden and shocking assassination, Selah finds herself custodian of more than just the Imperial Archives, the towering central library that safeguards all collective knowledge of the Roman Imperium and its client empires. There’s also the question of the two puzzling classified items her father left in her care—an ancient atlas filled with landscapes that don’t exist, and a carved piece of stone that seems to do nothing at all. Soon, though, it becomes clear that the Iveroa Stone is more than just a slab of rock. With the reappearance of an old lost love who’s been blackmailed into stealing it for an unknown entity, Selah finds herself in a race to uncover the mysteries the Stone holds. But she isn’t the only one with an interest in it—she’ll have to contend with the deputy chief of police, an undercover spy, and her own beloved half brother along the way. What begins as an act of atonement and devotion ultimately pulls her into the crosshairs of deep state conspiracy, the stirrings of an underground independence movement, and questions that threaten to shake the foundational legitimacy of Roma Sargassa’s past, present, and future.

Sister, Maiden, Monster is a visceral story set in the aftermath of our planet’s disastrous transformation and told through the eyes of three women trying to survive the nightmare, from Bram Stoker Award-winning author Lucy A. Snyder. To survive they must evolve. A virus tears across the globe, transforming its victims in nightmarish ways. As the world collapses, dark forces pull a small group of women together. Erin, once quiet and closeted, acquires an appetite for a woman and her brain. Why does forbidden fruit taste so good? Savannah, a professional BDSM switch, discovers a new turn-on: committing brutal murders for her eldritch masters. Mareva, plagued with chronic tumors, is too horrified to acknowledge her divine role in the coming apocalypse, and as her growths multiply, so too does her desperation. Inspired by her Bram Stoker Award-winning story “Magdala Amygdala,” Lucy A. Snyder delivers a cosmic tale about the planet’s disastrous transformation ... and what we become after.

Both a forceful polemic and a practical guide, Abolish Rent takes aim at one of the foremost engines of inequality and injustice. Rent is a wealth transfer from the poorest to the richest, the most vulnerable to the least, a monthly tribute that drives millions to debt, despair, and into the streets. In the context of a permanent housing crisis and governments in the pocket of real estate interests, Abolish Rent reorients the politics of housing around tenants political actors who can, through organizing, direct action, and collective bargaining, bring about a housing system that meets their needs. Abolish Rent is the first book-length engagement with the resurgent tenant movement. Authors Tracy Rosenthal and Leonardo Vilchis—cofounders of Los Angles’s many thousand member tenant union—offer a deeply-reported account centering poor and working class tenants who are fighting back, staying put, and remaking the city in the process. They take us to trilingual strategy meetings, raucous marches against gentrification, and daring eviction defenses where immigrants put their lives on the line. If rent abolition is our aim, tenant power must be the means—built through everyday resistance in our buildings and on our blocks. This is the revolutionary project we need to make our housing, our cities, and the world our home.

From the award-winning author of The Twisted Ones comes a gripping and atmospheric retelling of Edgar Allan Poe's classic "The Fall of the House of Usher." When Alex Easton, a retired soldier, receives word that their childhood friend Madeline Usher is dying, they race to the ancestral home of the Ushers in the remote countryside of Ruravia. What they find there is a nightmare of fungal growths and possessed wildlife, surrounding a dark, pulsing lake. Madeline sleepwalks and speaks in strange voices at night, and her brother Roderick is consumed with a mysterious malady of the nerves. Aided by a redoubtable British mycologist and a baffled American doctor, Alex must unravel the secret of the House of Usher before it consumes them all.

Murderbot—the sardonic, almost-homicidal, media-loving android created by Martha Wells—has proven to be one of the most popular characters in 21 st century science fiction. Everything that makes this protagonist (it would be wrong to call Murderbot a hero) beloved of fans is on display in Compulsory. While trying to watch episode 44 of The Rise and Fall of Sanctuary Moon, Murderbot is—again, what is it with humans?—distracted by something that is technically outside its purview. A miner is suddenly in danger following a pointless (to Murderbot’s way of thinking) argument, and the choice is to risk discovery and leap into action, which would require hitting the pause button during a very exciting part of SanctuaryMoon, or to follow orders and stay still. This is a tougher choice than it seems. But then, when has Murderbot ever been faced with an easy choice? A shorter version of this story originally appeared in Wired magazine.

In this deeply researched and fast-moving narrative, Kendi chronicles the entire story of anti-Black racist ideas and their staggering power over the course of American history. Stamped from the Beginning uses the lives of five major American intellectuals to offer a window into the contentious debates between assimilationists and segregationists and between racists and anti-racists. From Puritan minister Cotton Mather to Thomas Jefferson, from fiery abolitionist William Lloyd Garrison to brilliant scholar W. E. B. Du Bois to legendary anti-prison activist Angela Davis, Kendi shows how and why some of our leading pro-slavery and pro–civil rights thinkers have challenged or helped cement racist ideas in America. As Kendi illustrates, racist thinking did not arise from ignorance or hatred. Racist ideas were created and popularized in an effort to defend deeply entrenched discriminatory policies and to rationalize the nation’s racial inequities in everything from wealth to health. While racist ideas are easily produced and easily consumed, they can also be discredited. In shedding much-needed light on the murky history of racist ideas, Stamped from the Beginning offers tools to expose them—and in the process, reason to hope.

New Recommended for ages 18+ In a world overrun by an unprecedented outbreak, two young women find themselves on opposite sides of the struggle for survival. Saff, a determined new doctor in the first year of her internship, had clawed her way out of a tumultuous past, only to be dragged back into it when the zombie outbreak hits. Forced to join her estranged father and his band of raiders, she’s confronted with the harsh reality that desperation can make monsters out of anyone—even her. Maddie, on the other hand, lived a surprisingly easy life after the zombies first appeared, safe behind the walls of the community at her parent’s lake house. That is, until they’re attacked, and she’s ripped away from everything she’s known. Now, she’ll do anything to make it back to her family. And when Saff’s father dies, she finally has the chance she’s been waiting for. The chance to escape. But only if she can steal the medication she desperately needs and survive long enough to get to safety. With both girls fighting their way to stay alive day by day, in a world where every circumstance is against them, they realize that maybe travelling together can help them both get what they need. But Maddie doesn’t know Saff’s secret. She doesn’t know where she came from—what she was. And Saff will do anything, especially lie, to get the medication she needs. The absolute last thing she needs is to fall for some smart ass rich girl who will get in the way of that.

How to Read Now explores the politics and ethics of reading, and insists that we are capable of something better: a more engaged relationship not just with our fiction and our art, but with our buried and entangled histories. Smart, funny, galvanizing, and sometimes profane, Castillo attacks the stale questions and less-than-critical proclamations that masquerade as vital discussion: reimagining the cartography of the classics, building a moral case against the settler colonialism of lauded writers like Joan Didion, taking aim at Nobel Prize winners and toppling indie filmmakers, and celebrating glorious moments in everything from popular TV like The Watchmen to the films of Wong Kar-wai and the work of contemporary poets like Tommy Pico. At once a deeply personal and searching history of one woman's reading life, and a wide-ranging and urgent intervention into our globalized conversations about why reading matters today, How to Read Now empowers us to embrace a more complicated, embodied form of reading, inviting us to acknowledge complicated truths, ignite surprising connections, imagine a more daring solidarity, and create space for a riskier intimacy--within ourselves, and with each other.

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?

A four act play with only two characters, Pedro, incarcerated, and the Captain, who is his torturer.