The Academy always comes first . . . which makes marriage to its most formidable adversary an exceedingly inconvenient arrangement.Well removed from London’s more curious eyes, the Benevolent Academy for the Betterment of Young Ladies strives toward one clandestine to distract, disrupt, and discredit men in power who would seek to harm the advancement of women—by appropriate means, of course.When intrepid newspaper editor Miles Quincy starts to question the school’s intentions, the Academy appoints Penelope “Nell” Trewlove, one of their brightest graduates, to put this nuisance to rest. An easy enough mission, she supposes. Or it would be, if Miles wasn’t so fascinating—too fascinating to resist—and if Nell’s visit to London didn’t perfectly coincide with the murder of one of Miles’s reporters. When the inexorable claws of fate trap Nell and Miles in a compromising situation, they agree to an arrangement that will save their reputations while enabling them to investigate the story that led to a man’s death, as well as the surprising chemistry between them . . .

“A raucous novel, narrated in deadpan voice-over by Ramesh, a self-described ‘lower lower middle class’ 24-year-old scammer. . . . His perspective is a delight. . . . a tartly entertaining novel, a potential summer blockbuster.” —New York Times Book Review A fresh look at modern-day India hailed as "a monstrously funny and unpredictable wild ride" by Kevin Kwan, New York Times bestselling author of the Crazy Rich Asians trilogy The first kidnapping wasn’t my fault. The others—those were definitely me. Brilliant yet poor, Ramesh Kumar grew up working at his father’s tea stall in the Old City of Delhi. Now, he makes a lucrative living taking tests for the sons of India's elite—a situation that becomes complicated when one of his clients, the sweet but hapless eighteen-year-old Rudi Saxena, places first in the All Indias, the national university entrance exams, thanks to him. Ramesh sees an opportunity—perhaps even an obligation—to cash in on Rudi’s newfound celebrity, not knowing that Rudi’s role on a game show will lead to unexpected love, followed by wild trouble when both young men are kidnapped.  But Ramesh outwits the criminals who’ve abducted them, turning the tables and becoming a kidnapper himself. As he leads Rudi through a maze of crimes both large and small, their dizzying journey reveals an India in all its complexity, beauty, and squalor, moving from the bottom rungs to the circles inhabited by the ultra-rich and everywhere in between. A caper, social satire, and love story rolled into one, How to Kidnap the Rich is a wild ride told by a mesmerizing new talent with an electric voice.

I have killed several people (some brutally, others calmly) and yet I currently languish in jail for a murder I did not commit. When I think about what I actually did, I feel somewhat sad that nobody will ever know about the complex operation that I undertook. Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of 28, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing. When Grace Bernard discovers her absentee millionaire father has rejected her dying mother’s pleas for help, she vows revenge, and sets about to kill every member of his family. Readers have a front row seat as Grace picks off the family one by one – and the result is as and gruesome as it is entertaining in this wickedly dark romp about class, family, love… and murder. But then Grace is imprisoned for a murder she didn’t commit. Outrageously funny, compulsive and subversive, perfect for fans of Killing Eve and My Sister, the Serial Killer.

A charming, deeply moving novel about second chances, unlikely friendships, and the life-changing power of sharing stories. Our Reasons meet us in the morning and whisper to us at night. Mine is an innocent, unsuspecting, eternally sixty-one-year-old woman named Lorraine Daigle… Violet Powell, a twenty-two-year-old from rural Abbott Falls, Maine, is being released from prison after serving twenty-two months for a drunk-driving crash that killed a local kindergarten teacher. Harriet Larson, a retired English teacher who runs the prison book club, is facing the unsettling prospect of an empty nest. Frank Daigle, a retired machinist, hasn’t yet come to grips with the complications of his marriage to the woman Violet killed. When the three encounter each other one morning in a bookstore in Portland—Violet to buy the novel she was reading in the prison book club before her release, Harriet to choose the next title for the women who remain, and Frank to dispatch his duties as the store handyman—their lives begin to intersect in transformative ways. How to Read a Book  is an unsparingly honest and profoundly hopeful story about letting go of guilt, seizing second chances, and the power of books to change our lives. With the heart, wit, grace, and depth of understanding that has characterized her work, Monica Wood illuminates the decisions that define a life and the kindnesses that make life worth living.  . 

A young gay autistic travel writer takes a head-spinning detour when murder and romance unbalance his well-planned life and career in this fun, quirky debut mystery. Autism is just another fact of life for twenty-four-year-old Oliver Popp. As long as he sticks to a comfortable itinerary planned well in advance, he gets by just fine as a staff writer for Offbeat Traveler magazine. But a curve ball drops into Oliver’s budding career when his first feature assignment takes him to Washington, D.C. to chronicle the latest tourism trends. His freelance project photographer is Ricky Warner, a gregarious and impulsively adorable shot of adrenaline. If the flirty gay photographer isn’t enough to unbalance shy Oliver from the get-go, there’s also an unsettling chance encounter with old acquaintance, Elise Perkins, and a congressional hearing that’s shaking up both the Capitol and an entrepreneurial billionaire. The unexpected distractions soon collide when a speeding car kills Elise. Funny how she just stared it down like she knew it was coming. Forget the National Mall and Mt. Vernon Square. Oliver and Ricky are game for something much more: solving a mystery and a murder.

From Chuck Tingle, author of the USA Today bestselling Camp Damascus, comes a new heart-pounding story about what it takes to succeed in a world that wants you dead. Misha is a jaded scriptwriter who has been working in Hollywood for years, and has just been nominated for his first Oscar. But when he's pressured by his producers to kill off a gay character in the upcoming season finale―"for the algorithm"―Misha discovers that it's not that simple. As he is haunted by his past, and past mistakes, Misha must risk everything to find a way to do what's right―before it's too late.

The first in a charming, joyful cozy crime series set in 1920s Bangalore, featuring sari-wearing detective Kaveri and her husband Ramu. Perfect for fans of Alexander McCall Smith’s The No. 1 Ladies Detective Agency.When clever, headstrong Kaveri moves to Bangalore to marry handsome young doctor Ramu, she's resigned herself to a quiet life. But that all changes the night of the party at the Century Club, where she escapes to the garden for some peace and quiet—and instead spots an uninvited guest in the shadows. Half an hour later, the party turns into a murder scene. When a vulnerable woman is connected to the crime, Kaveri becomes determined to save her and launches a private investigation to find the killer, tracing his steps from an illustrious brothel to an Englishman's mansion. She soon finds that sleuthing in a sari isn't as hard as it seems when you have a talent for mathematics, a head for logic, and a doctor for a husband . . . And she's going to need them all as the case leads her deeper into a hotbed of danger, sedition, and intrigue in Bangalore's darkest alleyways.

Butting heads leads to knocking boots in this wildly sexy enemies-to-lovers, grumpy/sunshine, small town cowboy romance by Jessica Peterson. My dad and I have been estranged for years. But as his only living relative, it’s no surprise I inherit his massive cattle ranch when he dies. Something that is a surprise? The stipulation in his will, which requires me to live on the ranch and actively manage it for a year before I can access my inheritance money. I haven’t stepped foot in Hartsville, Texas, population one thousand, since my parents split when I was six. Now a city girl through and through, I never imagined having to move back to cowboy country. But I need the money to invest in my company, and a girl’s gotta do what a girl’s gotta do. There’s just one giant roadblock to my plan: the ranch’s foreman, grumpy cowboy Cash Rivers. I don’t care how good he looks in his Wranglers and chaps. He’s rude, he’s growly, and he wants me gone. I’d fire him in a heartbeat, but I need this cowboy to teach me the ropes of running a ranch. We’re enemies from the get-go. But turns out, Cash is really good at this ranch thing. He’s got strong hands, an intelligent mind, and let’s just say everything really is bigger in Texas. Working alongside him leads to conversations beneath the stars. Throw in some cheek-to-cheek dancing at the local dive bar, and it all feels so right that I start to fall in love with life on the ranch. And maybe with him, too. But my stay in Hartsville is only temporary. And you know what they say about cowboys: they may break horses, but they also break hearts. If only Cash hadn’t already lassoed mine… CASH is the first standalone book in the brand new steamy, interconnected Lucky River Ranch Series.

Through the lens of horror—from "Halloween" to "Hereditary"—queer and trans writers consider the films that deepened, amplified, and illuminated their own experiences. Horror movies hold a complicated space in the hearts of the queer community: historically misogynist, and often homo- and transphobic, the genre has also been inadvertently feminist and open to subversive readings. Common tropes—such as the circumspect and resilient “final girl,” body possession, costumed villains, secret identities, and things that lurk in the closet—spark moments of eerie familiarity and affective connection. Still, viewers often remain tasked with reading themselves into beloved films, seeking out characters and set pieces that speak to, mirror, and parallel the unique ways queerness encounters the world. "It Came from the Closet" features twenty-five original essays by writers speaking to this relationship, through connections both empowering and oppressive. From Carmen Maria Machado on "Jennifer’s Body", Jude Ellison S. Doyle on "In My Skin", Addie Tsai on "Dead Ringers", and many more, these conversations convey the rich reciprocity between queerness and horror.

In both her writing and her visual art, Renee Gladman is a brilliant investigator of life, always pushing into new ways of experiencing the world. My Lesbian Novel is a book of candor, wryness, and wit but also warmth and circumspection. Written as an interview that spans many years and weaves into and out of memory and fiction, the book chronicles the author’s—or “author’s”—project to explore the genre of lesbian romance as both a reader and a writer. The result is a playful philosophical novel about writing a romantic erotic novel, and about all the beautiful and thorny life that happens along the way.

When Mr. Earnshaw, master of Wuthering Heights, returns from a trip with an unkempt orphan in tow, he announces that the child, Heathcliff, is now a member of the family. While young Catherine Earnshaw becomes close with Heathcliff, her older brother, Hindley, sinks into bitter resentment. As Catherine and Heathcliff mature, and their affection blossoms into desire, Hindley’s resentment boils over into hatred, setting the stage for a tragic drama whose aftermath will shake the foundations of their world.