When a Native teenager vanishes from her small town—a place with dark ties to an elite historical society—archaeologist Syd Walker is called to investigate...from bestselling author Vanessa Lillie. In the hours before dawn at a local summer camp, Bureau of Indian Affairs archaeologist Syd Walker receives an alarming call: newly discovered skeletal remains have been stolen. Not only have bones gone missing, but a Native teen girl has disappeared near the camp, and law enforcement dismisses her family's fears. As Syd investigates both crimes, she's drawn into a world of privileged campers and their wealthy parents—most of them members of the Founders Society, an exclusive club whose members trace their lineage to the first colonists and claim ancestral rights to the land, despite fierce objections from the local tribal community. And it's not the first time something—or someone—has gone missing from the camp. The deeper Syd digs, the more she realizes these aren't isolated incidents. A pattern of disappearances stretches back generations, all leading to the Founders Society's doorstep. But exposing the truth means confronting not just the town's most powerful families, but also a legacy of violence that refuses to stay buried. From the national bestselling author of Blood Sisters (a Washington Post Best Mystery of the Year and Target Book Club pick) comes a new Syd Walker novel that proves the sins of the past are destined to repeat until the truth is finally unearthed.

In America, demons wear white hoods. In 1915, The Birth of a Nation cast a spell across America, swelling the Klan's ranks and drinking deep from the darkest thoughts of white folk. All across the nation they ride, spreading fear and violence among the vulnerable. They plan to bring Hell to Earth. But even Ku Kluxes can die. Standing in their way is Maryse Boudreaux and her fellow resistance fighters, a foul-mouthed sharpshooter and a Harlem Hellfighter. Armed with blade, bullet, and bomb, they hunt their hunters and send the Klan's demons straight to Hell. But something awful's brewing in Macon, and the war on Hell is about to heat up. Can Maryse stop the Klan before it ends the world?

A bold, inventive, and fiercely original debut novel that begins with an uncle dead and his tween niece’s private confession to the reader—she and her sister killed him, and they blame the British. Summer, 1986. The Creel sisters, Georgie Ayyar and Agatha Krishna, welcome their aunt, uncle and young cousin—newly arrived from India—into their house in rural Wyoming where they’ll all live together. Because this is what families do. That is, until the sisters decide that it’s time for their uncle to die. According to Georgie, the British are to blame. And to understand why, you need to hear her story. She details the violence hiding in their house and history, her once-unshakeable bond with Agatha Krishna, and her understanding of herself as an Indian-American in the heart of the West. Her account is, at every turn, cheeky, unflinching, and infectiously inflected with the trappings of teendom, including the magazine quizzes that help her make sense of her life. At its heart, the tale she weaves is: a) a vivid portrait of an extended family b) a moving story of sisterhood c) a playful ode to the 80s d) a murder mystery (of sorts) e) an unexpected and unwaveringly powerful meditation on history and language, trauma and healing, and the meaning of independence Or maybe it’s really: f) all of the above.

Sorrowland meets Manhunt in this literary horror debut in which an isolated newlywed—covered in mushroom growths like all the other wives in her community—strikes a precarious balance between following her husband’s strict rules and pursuing an intense connection with a woman who makes her question everything.Forbidden from leaving her house from girlhood until marriage, Nicole has only her mother's lessons and what she can see from her bedroom window to draw on in forming her view of the world, and of herself. Taught that the mushrooms which cover the women in her village are repulsive and dangerous, she conforms to a rigid set of rules to protect herself and those around her. When her wedding day arrives, Nicole moves from one prison to another—an empty mansion on the very outskirts of town belonging to the husband she’s been promised to since birth. As she haunts the edges of Silas's unknowable life and decaying home, maintaining control over her own transforming body becomes increasingly impossible. And when another wife with rebellious tendencies pays Nicole an unexpected visit, something within her cracks open. Their furtive explorations yield confusing answers, unearthing the long-buried secrets of the generations of resentful brides that came before. Unmoored, angry, and at last awakened, Nicole must reckon with who she really is, and perhaps, give in to what she truly wants. Raw, visceral, and relentless, Wife Shaped Bodies is an exploration of gender, power, and community through the lens of mycological body horror and an ode to the unsettling beauty of the natural world.

Fifteen beloved authors celebrate the life-changing bond with their canine companions in this heartwarming essay collection edited by New York Times bestselling author and lifelong dog lover Alice Hoffman.Anyone who has ever been fortunate enough to share their life with a dog knows the experience is both profound and transformative. Here, in this charming collection of essays, fifteen celebrated authors share unforgettable tales of the dogs who left their pawprints on their hearts. With contributions from Chris Bohjalian, Roxane Gay, Emily Henry, Ann Leary, Tova Mirvis, Jodi Picoult, Elizabeth Strout, Amy Tan, Adriana Trigiani, Nick Trout, and Laura Zigman, The Dog Who Changed My Life captures the full range of the canine-human connection, from the joy of welcoming a new puppy to the heartache of saying goodbye to a beloved friend. A love letter to the loyal companions who enrich our lives and teach us about empathy, joy, and unconditional love, this anthology is the perfect gift for dog lovers everywhere, offering a blend of laughter, tears, and inspiration that will resonate with anyone who has been fur-ever touched by the love of a dog.

Manhunt author Gretchen Felker-Martin is back with Black Flame, a historical horror about one woman's deadly obsession with a haunted film, perfect for fans of Midsommar and Night Film.Ellen, a deeply closeted lesbian spends all her time in solitude, restoring films at a failing archive in New York City.When a group of German academics present her with a print of an infamous exploitation film believed to have been destroyed during the Holocaust, Ellen finds herself forced to confront her own repressed sexuality. And the more she works on the restoration, the more obsessed she becomes over its depictions of occult practices and queer debauchery.She’s soon convinced that the acts portrayed in the film are not fiction, but reality. And they’re happening to her…

Sharp, lyrical poems celebrating the Black vernacular—its influence on pop culture, its necessity for familial survival, its rite in storytelling and in creating the safety found only within its intimacy“Terrific . . . illuminates life in this country in a strikingly original way.”—Ron Charles, The Washington Post NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR • The New York Public Library • TordotcomDefinition of finna, created by the  fin·na /ˈfinə/  (1) going to; intending to [rooted in African American Vernacular English] (2) eye dialect spelling of “fixing to” (3) Black possibility; Black futurity; Blackness as tomorrowThese poems consider the brevity and disposability of Black lives and other oppressed people in our current era of emboldened white supremacy, and the use of the Black vernacular in America’s vast reserve of racial and gendered epithets. Finna explores the erasure of peoples in the American narrative; asks how gendered language can provoke violence; and finally, how the Black vernacular, expands our notions of possibility, giving us a new language of about our people is romantic& it shouldn’t be. our people deservepoetry without meter. we deserve ourown jagged rhythm & our own unevenwalk towards sun. you make happening happen.we happen to love. this is our greatestaction.