Winner of the Pulitzer Prize, Toni Morrison’s Beloved is a spellbinding and dazzlingly innovative portrait of a woman haunted by the past. Sethe was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has borne the unthinkable and not gone mad, yet she is still held captive by memories of Sweet Home, the beautiful farm where so many hideous things happened. Meanwhile Sethe’s house has long been troubled by the angry, destructive ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Sethe works at beating back the past, but it makes itself heard and felt incessantly in her memory and in the lives of those around her. When a mysterious teenage girl arrives, calling herself Beloved, Sethe’s terrible secret explodes into the present. Combining the visionary power of legend with the unassailable truth of history, Morrison’s unforgettable novel is one of the great and enduring works of American literature.

The Adventures of Tom Sawyer revolves around the youthful adventures of the novel's schoolboy protagonist, Thomas Sawyer, whose reputation precedes him for causing mischief and strife. Tom lives with his Aunt Polly, half-brother Sid, and cousin Mary in the quaint town of St. Petersburg, just off the shore of the Mississippi River. St. Petersburg is described as a typical small-town atmosphere where the Christian faith is predominant, the social network is close-knit, and familiarity resides. Unlike his brother Sid, Tom receives "lickings" from his Aunt Polly; ever the mischief-maker, would rather play hooky than attend school and often sneaks out his bedroom window at night to adventure with his friend, Huckleberry Finn ­ the town's social outcast. Tom, despite his dread of schooling, is extremely clever and would normally get away with his pranks if Sid were not such a "tattle-tale." As punishment for skipping school to go swimming, Aunt Polly assigns Tom the chore of whitewashing the fence surrounding the house. In a brilliant scheme, Tom is able to con the neighborhood boys into completing the chore for him, managing to convince them of the joys of whitewashing. At school, Tom is equally as flamboyant, and attracts attention by chasing other boys, yelling, and running around. With his usual antics, Tom attempts to catch the eye of Becky Thatcher, a new girl in town, and persuades her to get "engaged" by kissing him. But their romance collapses when she learns Tom has been "engaged" previously to Amy Lawrence. Shortly after Becky shuns him, he accompanies Huckleberry Finn to the graveyard at night, where they witness the murder of Dr. Robinson. Excerpt: "TOM!" No answer. "TOM!" No answer. "What's gone with that boy,  I wonder? You TOM!" No answer. The old lady pulled her spectacles down and looked over them about the room; then she put them up and looked out under them. She seldom or never looked through them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service—she could have seen through a pair of stove-lids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear: "Well, I lay if I get hold of you I'll—" She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat. "I never did see the beat of that boy!"

From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself.

From the Whiting and O. Henry–winning author of Private Citizens (“the first great millennial novel,” New York Magazine), an electrifying novel-in-stories that follows a cast of intricately linked characters as rejection throws their lives and relationships into chaos. Sharply observant and outrageously funny, Rejection is a provocative plunge into the touchiest problems of modern life. The seven connected stories seamlessly transition between the personal crises of a complex ensemble and the comic tragedies of sex, relationships, identity, and the internet. In “The Feminist,” a young man’s passionate allyship turns to furious nihilism as he realizes, over thirty lonely years, that it isn’t getting him laid. A young woman’s unrequited crush in “Pics” spirals into borderline obsession and the systematic destruction of her sense of self. And in “Ahegao; or, The Ballad of Sexual Repression,” a shy late bloomer’s flailing efforts at a first relationship leads to a life-upending mistake. As the characters pop up in each other’s dating apps and social media feeds, or meet in dimly lit bars and bedrooms, they reveal the ways our delusions can warp our desire for connection. These brilliant satires explore the underrated sorrows of rejection with the authority of a modern classic and the manic intensity of a manifesto. Audacious and unforgettable, Rejection is a stunning mosaic that redefines what it means to be rejected by lovers, friends, society, and oneself.

A white-knuckle ride into a nightmarish outback setting, where a man searching for mercy encounters a town baying for violent vengeance. A pulse-pounding literary thriller with a stunning final twist. `Think three-fifths of the way to fuck-all-nowhere-ville. Pioneering grazing family. Once hallowed farming country gone to shit. Rabbit plagues and feral pigs. Never-ending drought. Full of Flat Earth Party-voting, climate-change-denying, God-bothering, gun-nut, ground-zero, wife-beating, racist, fundamentalist f*ckers. Pardon my French. Apart from that it’s just a great place.’ Welcome to The Leap, an outback town fuelled by fear, churning with corruption, prejudice and misogyny – and blighted by its inescapable history of frontier violence. Into this nightmarish morass falters traumatised British diplomat, Benedict Fotheringham-Gaskill. He’s on his first Australian mission, one seemingly straightforward enough – until he arrives in The Leap to battle a town conspiring against him. The Leap is baying for vengeance over the alleged murder of the celebrated daughter of a powerful local grazier. But Benedict is on an impossible quest for the mercy for the young woman’s two accused female killers. The townspeople will challenge and threaten him at every turn as he fights for justice, his future, his sanity – and ultimately his life. From the acclaimed author of Jesustown comes a pulse-pounding throat-punch of a literary thriller, filled with humour, horror, blistering historical truths, indelible characters and a final twist that will take your breath away.

A white-knuckle ride into a nightmarish outback setting, where a man searching for mercy encounters a town baying for violent vengeance. A pulse-pounding literary thriller with a stunning final twist. `Think three-fifths of the way to fuck-all-nowhere-ville. Pioneering grazing family. Once hallowed farming country gone to shit. Rabbit plagues and feral pigs. Never-ending drought. Full of Flat Earth Party-voting, climate-change-denying, God-bothering, gun-nut, ground-zero, wife-beating, racist, fundamentalist f*ckers. Pardon my French. Apart from that it’s just a great place.’ Welcome to The Leap, an outback town fuelled by fear, churning with corruption, prejudice and misogyny – and blighted by its inescapable history of frontier violence. Into this nightmarish morass falters traumatised British diplomat, Benedict Fotheringham-Gaskill. He’s on his first Australian mission, one seemingly straightforward enough – until he arrives in The Leap to battle a town conspiring against him. The Leap is baying for vengeance over the alleged murder of the celebrated daughter of a powerful local grazier. But Benedict is on an impossible quest for the mercy for the young woman’s two accused female killers. The townspeople will challenge and threaten him at every turn as he fights for justice, his future, his sanity – and ultimately his life. From the acclaimed author of Jesustown comes a pulse-pounding throat-punch of a literary thriller, filled with humour, horror, blistering historical truths, indelible characters and a final twist that will take your breath away.

An irresistible and messy love story about the terrible allure of wanting something that promises nothing At 24, Hera is a clump of unmet potential. To her, the future is nothing but an exhausting thought exercise, one depressing hypothetical after another. She’s sharp in more ways than one, adrift in her own smug malaise, until her new job moderating the comments section of an online news outlet—a role even more mind-numbing than it sounds—introduces her to Arthur, a middle-aged journalist. Though she's preferred women to men for years now, she soon finds herself falling into an all-consuming affair with him. She is coming apart with want and loving every second of it! Well, except for the tiny hiccup of Arthur’s wife—and that said wife has no idea Hera exists. With its daringly specific and intimate voice, Green Dot is a darkly hilarious and deeply felt examination of the joys and indignities of coming into adulthood against the pitfalls of the twenty-first century and the winding, tortuous, and often very funny journey we take in deciding who we are and who we want to be.