After escaping a traumatic relationship that still haunts her, Mia Baxter has sworn off love all together when it comes to men. Shy, anxious and trying to deal with her internal upheaval, she agrees to move to the small town of Barrenridge to escape her old life in Sydney. Noah Sterling is busy being a full time mechanic, fill-in driver for V8 Supercars Australia, while also raising his sixteen-month-old daughter, Jade. When Jump Start Childcare informs Noah that they're having to cut down on days due to funds, Noah is forced into finding someone to babysit Jade twice a week. After Mia and Noah meet as neighbours, Noah sees through her standoffish demeanour to the repairing girl inside. Despite her hesitant behaviour and painful past, Noah wants to make her feel comfortable and accepted in this new town while dealing with his own troubling past. But can Mia overcome her trauma and learn to open up to Noah? Will he be able to show her that love is worth falling for, and prove her wrong? Content warnings: •Sexual Assault depicted in prologue •Talk of premature birth •Talk of death by car accident •Panic attacks and anxiety This is a clean and closed door romance, but it does include heavier topics that I felt as an author needs to be included more in the book world. If you have been through SA, I hope this book resonates with you, and gives you some hope and relief that others are struggling as well

From the New York Times and USA TODAY bestselling author Tricia O’Malley, a cozy romantasy about a Scottish witch returning to her ancestral village to break a family curse—only to clash with one stubborn warlock determined to protect his town from her haywire magic. She’s hexed. He’s vexed. And for Scotland’s most magical small-town, their feud might just spell disaster. Sloane MacGregor swore she’d never return to Briarhaven, but with her twenty-fifth birthday looming—the day witches come into their magic—her grandmother summons her and her sisters back for one tiny task: break the centuries-old curse haunting their bloodline. Knox Douglas, Briarhaven’s grumpy mayor, has worked tirelessly to make his town a haven for magical folk. The last thing he needs is a cursed MacGregor wreaking havoc. It doesn’t matter he once crushed on her. For the sake of Briarhaven, Sloane has to go. But magic has other plans—and in Briarhaven, love really is a witch.

In love we find out who we want to be. In war we find out who we are. FRANCE, 1939 In the quiet village of Carriveau, Vianne Mauriac says good-bye to her husband, Antoine, as he heads for the Front. She doesn’t believe that the Nazis will invade France…but invade they do, in droves of marching soldiers, in caravans of trucks and tanks, in planes that fill the skies and drop bombs upon the innocent. When a German captain requisitions Vianne’s home, she and her daughter must live with the enemy or lose everything. Without food or money or hope, as danger escalates all around them, she is forced to make one impossible choice after another to keep her family alive. Vianne’s sister, Isabelle, is a rebellious eighteen-year-old, searching for purpose with all the reckless passion of youth. While thousands of Parisians march into the unknown terrors of war, she meets Gaëtan, a partisan who believes the French can fight the Nazis from within France, and she falls in love as only the young can…completely. But when he betrays her, Isabelle joins the Resistance and never looks back, risking her life time and again to save others.

My new next-door neighbor seems to have everything figured out. Small town golden boy? Check. Single dad extraordinaire? Check. Hot baker forearms? I didn’t notice them, I swear. I, on the other hand, don’t–at all–have anything figured out. Trust me, I didn’t think taking over my mom’s dream bed and breakfast in Copper Run Vermont was going to be easy. It should be a good place to heal after my divorce. But apparently my scones belong in the garbage with my small talk skills. As pointed out by none other than Cliff. Cliff is inescapable. He knows exactly what people need–always. His charm, the way he wears flannel, and even his pastries, make not wanting to be friends with Cliff and his daughters pretty hard. Friends? I can make friends. That’s safe. Except I’m leaving in three months to pass the inn off to my little sister and get the promotion in Seattle I’ve been working towards. So ask me why I’m thinking about kissing my hot neighbor.

Alternate cover edition of ISBN 9780593336489. Florence Day is the ghostwriter for one of the most prolific romance authors in the industry, and she has a problem—after a terrible breakup, she no longer believes in love. It’s as good as dead. When her new editor, a too-handsome mountain of a man, won’t give her an extension on her book deadline, Florence prepares to kiss her career goodbye. But then she gets a phone call she never wanted to receive, and she must return home for the first time in a decade to help her family bury her beloved father. For ten years, she’s run from the town that never understood her, and even though she misses the sound of a warm Southern night and her eccentric, loving family and their funeral parlor, she can’t bring herself to stay. Even with her father gone, it feels like nothing in this town has changed. And she hates it. Until she finds a ghost standing at the funeral parlor’s front door, just as broad and infuriatingly handsome as ever, and he’s just as confused about why he’s there as she is. Romance is most certainly dead... but so is her new editor, and his unfinished business will have her second-guessing everything she’s ever known about love stories. A disillusioned millennial ghostwriter who, quite literally, has some ghosts of her own, has to find her way back home in this sparkling adult debut from national bestselling author Ashley Poston.

A world divided. A queendom without an heir. An ancient enemy awakens.The House of Berethnet has ruled Inys for a thousand years. Still unwed, Queen Sabran the Ninth must conceive a daughter to protect her realm from destruction – but assassins are getting closer to her door. Ead Duryan is an outsider at court. Though she has risen to the position of lady-in-waiting, she is loyal to a hidden society of mages. Ead keeps a watchful eye on Sabran, secretly protecting her with forbidden magic.Across the dark sea, Tané has trained to be a dragonrider since she was a child, but is forced to make a choice that could see her life unravel.Meanwhile, the divided East and West refuse to parley, and forces of chaos are rising from their sleep.

He’s a hot, grumpy, reclusive vampire, and the last thing he wants is an interfering human tidying his castle…until her. Lord Alaric Valerian has a problem. His mother is visiting his castle for the first time, but she doesn’t know that Alaric has filled every room with his centuries of artistic passions and creative pursuits. Desperate, he hires professional organiser Winnie Preston to help him tame the mess. But Alaric isn’t prepared for bubbly, passionate Winnie to show up at his castle and ram a metaphorical stake through his cold, vampire heart. Winnie sets his fangs on edge, but the more closely he works with her, the more he wishes she could be his. So when Alaric’s mother arrives with a new bride-to-be in tow, Alaric convinces Winnie to pretend to be his fiance. He may be causing all kinds of scandal in the vampire court by being engaged to a human, but at least he doesn’t have to give up his reclusive life. But Winnie still doesn’t know Alaric’s a vampire, and Alaric didn’t count on Winnie’s meddling book club pinning him for a mysterious murder in the village. Will their maybe-not-so-fake-marriage survive once Winnie discovers the monster that lurks beneath his fangs? Fangs for Nothing is a kooky, spooky, vampire romance full to the cauldron-brim with fake dating, a meddling smutty book club, murder and mystery aplenty, endless cups of tea, quirky characters, and a broody vampire with an ass so fine, Geralt of Rivia comes to him for fitness tips.

You can find an alternative cover edition for this ISBN here and here. When Jonathan Harker visits Transylvania to help Count Dracula with the purchase of a London house, he makes a series of horrific discoveries about his client. Soon afterwards, various bizarre incidents unfold in England: an apparently unmanned ship is wrecked off the coast of Whitby; a young woman discovers strange puncture marks on her neck; and the inmate of a lunatic asylum raves about the 'Master' and his imminent arrival. In Dracula, Bram Stoker created one of the great masterpieces of the horror genre, brilliantly evoking a nightmare world of vampires and vampire hunters and also illuminating the dark corners of Victorian sexuality and desire. This Norton Critical Edition includes a rich selection of background and source materials in three areas: Contexts includes probable inspirations for Dracula in the earlier works of James Malcolm Rymer and Emily Gerard. Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included. Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer. A Chronology and a Selected Bibliography are included.