From the star of Peacock’s Queer as Folk and the Netflix series Special comes a “funny, tender, and beautiful” ( Gary Janetti, New York Times bestselling author) novel following a gay TV writer with cerebral palsy as he fights addiction and searches for acceptance in an overwhelmingly ableist world. Elliott appears to be living the dream as a successful TV writer with a doting boyfriend. But behind his Instagram filter of a life, he’s grappling with an intensifying alcohol addiction, he can’t seem to stop cheating on his boyfriend with various sex workers, and his cerebral palsy is making him feel like gay Shrek. After falling down a rabbit hole of sex, drinking, and Hollywood backstabbing, Elliott decides to limp his way towards redemption. But facing your demons is easier said than done. “With his singular voice and unforgettable wit” (Steven Rowley, author of The Guncle ), Ryan O’Connell presents a candid, biting, and refreshingly real commentary on gay life, laugh-out-loud exploration of self, and a rare insight into life as a person with disabilities.

A lavish, Texas-sized Sweet Sixteen turns deadly in this twisty, pulse-pounding new novel — serving up a fresh take on a classic locked-room whodunnit. Let the festivities begin… Today is Sophie Matthews’s sixteenth birthday party, an exclusive black-tie bash in the heart of the Texas Hill Country, where secrets are as deep-rooted as the sprawling live oaks. Sophie’s dad has spared no expense, and his renovated cliffside mansion—once thought haunted—is now hosting the event of the season. Then, just before the candles on the three-tiered red velvet cake are blown out, a body falls from the balcony onto the starlit dance floor below. It’s a killer guest list . . . DANI: Sophie’s new stepmother who’s been plagued by self-doubt ever since the birth of her own baby girl ÓRLAITH: the superstitious Irish nanny who senses a looming danger in this cavernous house MIKAYLA: the birthday girl’s best friend who is not nearly as meek as the popular kids assume KIM: the cunning ex-wife who has a grudge she can’t let go of . . . Everyone is invited in. Not everyone will get out alive.

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.

From award-winning and USA Today bestselling author Kosoko Jackson comes his adult fantasy debut, a stand-alone novel blending of art history, time- and globe-hopping adventure, and dark horror and fantasy about ten cursed paintings and the lengths people will go to collect them, destroy them…or be destroyed. ?A picture is worth a thousand nightmares. A struggling painter, Lewis Dixon is shocked when the British Museum shows an unusual interest in his art. While he’s always felt there’s something powerful about what he puts on canvas, he also felt there was something disturbing just under the surface—especially as he was compelled to make a painting of a painting—one that he has a connection the object of his art is one of the ten paintings his great-grandfather created over a hundred years ago. Only Lewis’s version is surreal…and maybe just a touch horrific. Still, he accepts the invitation, only to find not a curated show, but a to see if he not only has the magic necessary to enter the paintings, but also the strength to escape them. Because unbeknownst to Lewis, there is power in his art, just as the ten paintings carry with them both immense eldritch abilities and a terrible curse—making them, perhaps, the most valuable works of art in the world. And Lewis has been asked to destroy them all. With orders from a mysterious museum official, Evangeline, and partnered with an alluring agent in her employ, Noah Rao, Lewis must plunge into a world of black markets, gothic magic, ancient history, and unspeakable terror to save those unlucky enough to call any of the paintings their own, and to hopefully locate the tenth painting in the series, long missing, the powers of which are suspected to be most devastating of all…

From award-winning and USA Today bestselling author Kosoko Jackson comes his adult fantasy debut, a stand-alone novel blending of art history, time- and globe-hopping adventure, and dark horror and fantasy about ten cursed paintings and the lengths people will go to collect them, destroy them…or be destroyed. ?A picture is worth a thousand nightmares. A struggling painter, Lewis Dixon is shocked when the British Museum shows an unusual interest in his art. While he’s always felt there’s something powerful about what he puts on canvas, he also felt there was something disturbing just under the surface—especially as he was compelled to make a painting of a painting—one that he has a connection the object of his art is one of the ten paintings his great-grandfather created over a hundred years ago. Only Lewis’s version is surreal…and maybe just a touch horrific. Still, he accepts the invitation, only to find not a curated show, but a to see if he not only has the magic necessary to enter the paintings, but also the strength to escape them. Because unbeknownst to Lewis, there is power in his art, just as the ten paintings carry with them both immense eldritch abilities and a terrible curse—making them, perhaps, the most valuable works of art in the world. And Lewis has been asked to destroy them all. With orders from a mysterious museum official, Evangeline, and partnered with an alluring agent in her employ, Noah Rao, Lewis must plunge into a world of black markets, gothic magic, ancient history, and unspeakable terror to save those unlucky enough to call any of the paintings their own, and to hopefully locate the tenth painting in the series, long missing, the powers of which are suspected to be most devastating of all…

When a teenager vanishes from her Adirondack summer camp, two worlds collide Early morning, August 1975: a camp counselor discovers an empty bunk. Its occupant, Barbara Van Laar, has gone missing. Barbara isn’t just any thirteen-year-old: she’s the daughter of the family that owns the summer camp and employs most of the region’s residents. And this isn’t the first time a Van Laar child has disappeared. Barbara’s older brother similarly vanished fourteen years ago, never to be found. As a panicked search begins, a thrilling drama unfolds. Chasing down the layered secrets of the Van Laar family and the blue-collar community working in its shadow, Moore’s multi-threaded story invites readers into a rich and gripping dynasty of secrets and second chances. It is Liz Moore’s most ambitious and wide-reaching novel yet.

With echoes of Educated and Born a Crime, How to Say Babylon is the stunning story of the author’s struggle to break free of her rigid Rastafarian upbringing, ruled by her father’s strict patriarchal views and repressive control of her childhood, to find her own voice as a woman and poet. Throughout her childhood, Safiya Sinclair’s father, a volatile reggae musician and militant adherent to a strict sect of Rastafari, became obsessed with her purity, in particular, with the threat of what Rastas call Babylon, the immoral and corrupting influences of the Western world outside their home. He worried that womanhood would make Safiya and her sisters morally weak and impure, and believed a woman’s highest virtue was her obedience. In an effort to keep Babylon outside the gate, he forbade almost everything. In place of pants, the women in her family were made to wear long skirts and dresses to cover their arms and legs, head wraps to cover their hair, no make-up, no jewelry, no opinions, no friends. Safiya’s mother, while loyal to her father, nonetheless gave Safiya and her siblings the gift of books, including poetry, to which Safiya latched on for dear life. And as Safiya watched her mother struggle voicelessly for years under housework and the rigidity of her father’s beliefs, she increasingly used her education as a sharp tool with which to find her voice and break free. Inevitably, with her rebellion comes clashes with her father, whose rage and paranoia explodes in increasing violence. As Safiya’s voice grows, lyrically and poetically, a collision course is set between them. How to Say Babylon is Sinclair’s reckoning with the culture that initially nourished but ultimately sought to silence her; it is her reckoning with patriarchy and tradition, and the legacy of colonialism in Jamaica. Rich in lyricism and language only a poet could evoke, How to Say Babylon is both a universal story of a woman finding her own power and a unique glimpse into a rarefied world we may know how to name, Rastafari, but one we know little about.'

Piranesi’s house is no ordinary building: its rooms are infinite, its corridors endless, its walls are lined with thousands upon thousands of statues, each one different from all the others. Within the labyrinth of halls an ocean is imprisoned; waves thunder up staircases, rooms are flooded in an instant. But Piranesi is not afraid; he understands the tides as he understands the pattern of the labyrinth itself. He lives to explore the house. There is one other person in the house—a man called The Other, who visits Piranesi twice a week and asks for help with research into A Great and Secret Knowledge. But as Piranesi explores, evidence emerges of another person, and a terrible truth begins to unravel, revealing a world beyond the one Piranesi has always known.