She’s the city girl who refuses to be saddled with a man. He’s the cowboy who wants her anyway. The last thing Ada Hart needs is a man to take care of her. Not anymore. After failing out of her interior design program and the disaster that was her short-lived marriage, Ada clawed her way up from her rock bottom. Now, the only person she trusts is herself, and that has gotten her further than ever before. She has her own business, and one of the largest ranches in Wyoming just hired her for the most important project of her career. When Ada arrives in Meadowlark, she finds herself in a dive bar where she can’t seem to shake the eyes of a handsome cowboy. When she leads him to the back of the bar, he leaves her with a kiss that most people can only fantasize about. She almost regrets that she’ll never see him again . . . except it turns out he’s her new boss. Weston Ryder is a happy guy. Even happier now that the mystery woman from the bar is the interior designer for his dream project on his family’s ranch. He feels like he hit the jackpot. It’s too bad she wants absolutely nothing to do with him outside of work. Ada is convinced the pull she feels toward Wes will go away, but Wes can’t stop thinking about her. Even though walls are coming down around Rebel Blue, Ada’s walls are firmly in place. Can they make it through this project without giving in? Or will they both put their dreams on the line for a chance at love?

Wren Daniels is in over her head. Between organizing a charity auction and trying to renovate a cabin she can’t afford, she’s barely keeping her head above water. The only bright spot is her new friend she met on an anonymous dating app four months ago. That is, until she discovers he’s the last person she would have expected—her grumpy neighbor who she’s never gotten along with. Holden Blankenship likes his life just the way it is. After his wife left him, he spent years putting his life back together. Now he’s got his daughter who is the light of his world, his family, and surprisingly, an anonymous friend. But when his anonymous friend turns out to be his neighbor who drives him crazy, he’s not sure what to make of it. Especially when her contractor backs out of her cabin renovation project and he finds himself offering to help her. Now Wren is getting under his skin in a completely different way and turning all his carefully laid plans upside down. As Wren continues to show up for Holden and Holden keeps proving to Wren that he’s not really as standoffish as he seems, the lines between friendship and more start to blur. Their relationship may have gotten off to an unusual start, but some of the best things in life are just a little off the beaten path.

The Pulitzer Prize–winning, bestselling author of The Warmth of Other Suns examines the unspoken caste system that has shaped America and shows how our lives today are still defined by a hierarchy of human divisions. “As we go about our daily lives, caste is the wordless usher in a darkened theater, flashlight cast down in the aisles, guiding us to our assigned seats for a performance. The hierarchy of caste is not about feelings or morality. It is about power—which groups have it and which do not.” In this brilliant book, Isabel Wilkerson gives us a masterful portrait of an unseen phenomenon in America as she explores, through an immersive, deeply researched narrative and stories about real people, how America today and throughout its history has been shaped by a hidden caste system, a rigid hierarchy of human rankings. Beyond race, class, or other factors, there is a powerful caste system that influences people’s lives and behavior and the nation’s fate. Linking the caste systems of America, India, and Nazi Germany, Wilkerson explores eight pillars that underlie caste systems across civilizations, including divine will, bloodlines, stigma, and more. Using riveting stories about people—including Martin Luther King, Jr., baseball’s Satchel Paige, a single father and his toddler son, Wilkerson herself, and many others—she shows the ways that the insidious undertow of caste is experienced every day. She documents how the Nazis studied the racial systems in America to plan their out-cast of the Jews; she discusses why the cruel logic of caste requires that there be a bottom rung for those in the middle to measure themselves against; she writes about the surprising health costs of caste, in depression and life expectancy, and the effects of this hierarchy on our culture and politics. Finally, she points forward to ways America can move beyond the artificial and destructive separations of human divisions, toward hope in our common humanity.

The religious and political winds are changing. Tens of millions of religious Americans are reclaiming faith from those who would abuse it for narrow, partisan, and ideological purposes. And more and more secular Americans are discovering common ground with believers on the great issues of social justice, peace, and the environment. In Souled Out , award-winning journalist and commentator E. J. Dionne explains why the era of the Religious Right--and the crude exploitation of faith for political advantage--is over. Based on years of research and writing, Souled Out shows that the end of the Religious Right doesn't signal the decline of evangelical Christianity but rather its disentanglement from a political machine that sold it out to a narrow electoral agenda of such causes as opposition to gay marriage and abortion. With insightful portraits of leading contemporary religious figures from Rick Warren and Richard Cizik to John Paul II and Benedict XVI, Dionne shows that our great religions have always preached a broad message of hope for more just human arrangements and refused to be mere props for the powers that be. Dionne also argues that the new atheist writers should be seen as a gift to believers, a demand that they live up to their proclaimed values and embrace scientific and philosophical inquiry in a spirit of "intellectual solidarity." Written in the tradition of Reinhold and H. Richard Niebuhr, Souled Out will help change how we think and talk about religion and politics in the post-Bush era.

This comprehensive account of the meteoric rise of The Simpsons combines incisive pop culture criticism and interviews with the show’s creative team that take readers inside the making of an American phenomenon during its most influential decade, the 1990s. The Simpsons is an American institution, but its status as an occasionally sharp yet ultimately safe sitcom undercuts its revolutionary origins. Its early years didn't just impact Hollywood, they changed popular culture. The Simpsons altered the way we talked around the water cooler, in school hallways, and on the campaign trail by bridging generations with its comedic sensibility and prescient cultural commentary. In Stupid TV Alan Siegel reveals how the show's first decade laid the groundwork for the series' true influence. He explores how the show's rise from 1990 to 1998 intertwined with the supposedly ascendent post–Cold War America, turning Fox into the juggernaut we know today, simultaneously shaking its head at America's culture wars while finding itself in the middle of them. By packing the book with anecdotes from icons like Conan O’Brien and Yeardley Smith, Siegel also provides readers with an unparalleled look inside the show's making.

It's a story that made Dutch painter Han van Meegeren famous worldwide when it broke at the end of World War II: a lifetime of disappointment drove him to forge Vermeers, one of which he sold to Hermann Goering, making a mockery of the Nazis. And it's a story that's been believed ever since. Too bad it just isn't true. Jonathan Lopez has done what no other writer could--tracking down primary sources in four countries and five languages to tell for the first time the real story of the world's most famous forger. Neither unappreciated artist nor antifascist hero, Van Meegeren emerges in The Man Who Made Vermeers as an ingenious, dyed-in-the-wool crook--a talented Mr. Ripley armed with a paintbrush, who worked virtually his entire adult life making and selling fake Old Masters. Drawing upon extensive interviews with descendents of Van Meegeren's partners in crime, Lopez also explores the networks of illicit commerce that operated across Europe between the wars. Not only was Van Meegeren a key player in that high-stakes game during the 1920s, landing fakes with powerful dealers and famous collectors such as Andrew Mellon (including two pseudo-Vermeers that Mellon donated to the National Gallery of Art in Washington, D.C.), but the forger and his associates later offered a case study in wartime opportunism as they cashed in on the Nazi occupation. The Man Who Made Vermeers is a long-overdue unvarnishing of Van Meegeren's legend and a deliciously detailed story of deceit in the art world.

One of the most famous pieces of ancient Greek art, a gold and ivory statuette of the Snake Goddess, has been described as the most refined and precious relic of Minoan civilization. Alas, as Kenneth Lapatin reveals, not only is the Goddess almost certainly modern, but Minoan civilization as it has been reconstructed is largely an invention of the early twentieth century. The Goddess’s ivory and gold are of the wrong vintage, and the stories of her origins are even more recent and problematic. What makes this tale fascinating, however, is not the forgery but the motivations behind it. Sir Arthur Evans, the legendary excavator of Knossos, romanticized a sophisticated prehistoric society, and restorers working for him obligingly supplied its artifacts. Their creations formed the basis for further theories, which led to further deceptions. Evans hailed Minoan culture as “at once the starting-point and the earliest stage in the highway of European civilization,” yet its icons were largely fashioned by modern rather than ancient Cretans to suit the desires of scholars, museums, and the art market. This astonishing book reads like a mystery, but it is also a major work of intellectual investigation, shedding light on the ways in which the past is reinvented to suit the needs of the present.

What if the British Museum isn't a house of learning, but a vast sinkhole of still-bubbling historic injustice? What if it presents us not with a carefully ordered cross section of history but is instead a palatial trophy cabinet of colonial loot swarming with volatile and errant spirits? When artist and writer Noah Angell first heard murmurs of ghostly sightings at the British Museum he had to find out more. What started as a trickle soon became a landslide as staff old and new, from guards of formidable build to respected curators, brought forth testimonies of their inexplicable supernatural encounters. It became clear that the source of the disturbances was related to the Museum's contents - unquiet objects, holy plunder, and restless human remains protesting their enforced stay within the colonial collection's cases, cabinets and deep underground vaults. Be it wraiths associated with genocides, uprooted sacred beings or the afterglow of deaths that occurred inside the museum itself, according to those who have worked there, the museum is heaving with profound spectral disorder. Ghosts of the British Museum fuses storytelling, folklore and history, digs deep into our imperial past and unmasks the world's oldest national museum as a site of ongoing conflict, where under the guise of preservation, restless objects are held against their will. It now appears that the objects are fighting back.

A love story, an adventure, and an epic of the frontier, Larry McMurtry’s Pulitzer Prize-winning classic, Lonesome Dove, the third book in the Lonesome Dove tetralogy, is the grandest novel ever written about the last defiant wilderness of America. Journey to the dusty little Texas town of Lonesome Dove and meet an unforgettable assortment of heroes and outlaws, whores and ladies, Indians and settlers. Richly authentic, beautifully written, always dramatic, Lonesome Dove is a book to make us laugh, weep, dream, and remember.

"Boys, let us get up a club."With those words, six restless young men raided the linens at a friend’s mansion in 1866. They pulled white sheets over their heads, hopped on horses, and cavorted through the streets of Pulaski, Tennessee. Soon, the six friends named their club the Ku Klux Klan and began patterning their initiations after fraternity rites, with passwords and mysterious handshakes. All too quickly, this club would grow into the self-proclaimed “Invisible Empire,” with secret dens spread across the South. On their brutal raids, the nightriders would claim to be ghosts of Confederate soldiers and would use psychological and physical terror against former slaves who dared to vote, own land, attend school, or worship as they pleased.This is the story of how a secret terrorist group took root in America’s democracy. Filled with chilling and vivid personal accounts unearthed from oral histories, congressional documents, and other primary sources, this is a book to read and remember.