A bold, clever, and sublimely sinister collection that dares to ask the question: “Are you ready to be un-settled?” Featuring stories by: Norris Black • Amber Blaeser-Wardzala • Phoenix Boudreau • Cherie Dimaline • Carson Faust • Kelli Jo Ford • Kate Hart • Shane Hawk • Brandon Hobson • Darcie Little Badger • Conley Lyons • Nick Medina • Tiffany Morris • Tommy Orange • Mona Susan Power • Marcie R. Rendon • Waubgeshig Rice • Rebecca Roanhorse • Andrea L. Rogers • Morgan Talty • D.H. Trujillo • Theodore C. Van Alst Jr. • Richard Van Camp • David Heska Wanbli Weiden • Royce Young Wolf • Mathilda Zeller Many Indigenous people believe that one should never whistle at night. This belief takes many forms: for instance, Native Hawaiians believe it summons the Hukai’po, the spirits of ancient warriors, and Native Mexicans say it calls Lechuza, a witch that can transform into an owl. But what all these legends hold in common is the certainty that whistling at night can cause evil spirits to appear—and even follow you home. These wholly original and shiver-inducing tales introduce readers to ghosts, curses, hauntings, monstrous creatures, complex family legacies, desperate deeds, and chilling acts of revenge. Introduced and contextualized by bestselling author Stephen Graham Jones, these stories are a celebration of Indigenous peoples’ survival and imagination, and a glorious reveling in all the things an ill-advised whistle might summon.

You are missing most of what is happening around you right now. You are missing what is happening in the distance and right in front of you. In reading these words, you are ignoring an unthinkably large amount of information that continues to bombard all of your senses. The hum of the fluorescent lights; the ambient noise in the room; the feeling of the chair against your legs or back; your tongue touching the roof of your mouth; the tension you are holding in your shoulders or jaw; the constant hum of traffic or a distant lawnmower; the blurred view of your own shoulders and torso in your peripheral vision; a chirp of a bug or whine of a kitchen appliance. On Looking begins with inattention. It is not meant to help you focus on your reading of Tolstoy; it is not about how to multitask. Rather, it is about attending to the joys of the unattended, the perceived "ordinary." Horowitz encourages us to rediscover the extraordinary things that we are missing in our ordinary activities. Even when engaged in the simplest of activities - taking a walk around the block - we pay so little attention to most of what is right before us that we are sleepwalkers in our own lives. So turn off the phone and portable electronics and get into the real world, where you'll find there are worlds within worlds within worlds.

If your cat is kneading you, that's not a sign of affection. Your cat is actually checking your internal organs for weakness. If your cat brings you a dead animal, this isn't a gift. It's a warning. How to Tell If Your Cat Is Plotting to Kill You is an offering of cat comics, facts, and instructional guides from the creative wonderland at TheOatmeal.com. How to Tell If Your Cat Is Plotting to Kill You presents fan favorites, such as "Cat vs. Internet," "How to Pet a Kitty," and "The Bobcats," plus 17 brand-new, never-before-seen cat jokes. A pullout poster is included at the back of the book.

Run a Google search for "black girls" - what will you find? "Big Booty" and other sexually explicit terms are likely to come up as top search terms. But, if you type in "white girls," the results are radically different. The suggested porn sites and un-moderated discussions about "why black women are so sassy" or "why black women are so angry" presents a disturbing portrait of black womanhood in modern society. In Algorithms of Oppression, Safiya Umoja Noble challenges the idea that search engines like Google offer an equal playing field for all forms of ideas, identities, and activities. Data discrimination is a real social problem; Noble argues that the combination of private interests in promoting certain sites, along with the monopoly status of a relatively small number of Internet search engines, leads to a biased set of search algorithms that privilege whiteness and discriminate against people of color, specifically women of color. Through an analysis of textual and media searches as well as extensive research on paid online advertising, Noble exposes a culture of racism and sexism in the way discoverability is created online. As search engines and their related companies grow in importance - operating as a source for email, a major vehicle for primary and secondary school learning, and beyond - understanding and reversing these disquieting trends and discriminatory practices is of utmost importance. An original, surprising and, at times, disturbing account of bias on the internet, Algorithms of Oppression contributes to our understanding of how racism is created, maintained, and disseminated in the 21st century.

A historian explores the complicated relationship between womanhood and motherhood  in this “timely, refreshingly open-hearted study of the choices women make and the cards they’re dealt” (Ada Calhoun, author of  Why We Can’t Sleep ). In an era of falling births, it’s often said that millennials invented the idea of not having kids. But history is full of women without some who chose childless lives, others who wanted children but never had them, and still others—the vast majority, then and now—who fell somewhere in between. Modern women considering how and if children fit into their lives are products of their political, ecological, and cultural moment. But history also tells them that they are not alone.     Drawing on deep research and her own experience as a woman without children, historian Peggy O’Donnell Heffington shows that many of the reasons women are not having children today are ones they share with women in the a lack of support, their jobs or finances, environmental concerns, infertility, and the desire to live different kinds of lives. Understanding this history—how normal it has always been to not have children, and how hard society has worked to make it seem abnormal—is key, she writes, to rebuilding kinship between mothers and non-mothers, and to building a better world for us all. 

For Sewanee Chester, being an audiobook narrator is a long way from her old dreams, but the days of being a star on film sets are long behind her. She’s found success and satisfaction from the inside of a sound booth and it allows her to care for her beloved, ailing grandmother. When she arrives in Las Vegas last-minute for a book convention, Sewanee unexpectedly spends a whirlwind night with a charming stranger. On her return home, Sewanee discovers one of the world’s most beloved romance novelists wanted her to perform her last book—with Brock McNight, the industry’s hottest, most secretive voice. Sewanee doesn’t buy what romance novels are selling—not after her own dreams were tragically cut short—and she stopped narrating them years ago. But her admiration of the late author, and the opportunity to get her grandmother more help, makes her decision for her. As Sewanee begins work on the book, resurrecting her old romance pseudonym, she and Brock forge a real connection, hidden behind the comfort of anonymity. Soon, she is dreaming again, but secrets are revealed, and the realities of life come crashing down around her once more. If she can learn to risk everything for desires she has long buried, she will discover a world of intimacy and acceptance she never believed would be hers. From the author of My Oxford Year, Julia Whelan’s uplifting novel tells the story of a former actress turned successful audiobook narrator—who has lost sight of her dreams after a tragic accident—and her journey of self-discovery, love, and acceptance when she agrees to narrate one last romance novel.

Praying always with all prayer and supplication in the Spirit and watching in this with all perseverance and supplication for all the saints – Ephesians 6:18 Prayer. Satan laughs as he looks at the church today and says to himself, “You can have your Sunday schools and your young people’s small groups, your boys’ and girls’ programs, your vacation Bible schools, your Christian schools, your elegant churches, your retreats, your music programs, your brilliant preachers, and even your revival efforts – as long as you don’t bring the power of almighty God into them by earnest, persistent, believing, mighty prayer.” It is not necessary that the whole church prays to begin with. Great revivals always begin first in the hearts of a few men and women whom God arouses by His Spirit to believe in Him as a living God, as a God who answers prayer, and upon whose heart He lays a burden from which no rest can be found except in persistent crying unto God. May God use this book to inspire many who are currently prayerless, or nearly so, to pray earnestly. May God stir up your own heart to be one of those burdened to pray, and to pray until God answers. About the Author Reuben Archer Torrey traveled all over the world leading evangelistic tours, preaching to the unsaved. It is believed that more than one hundred thousand were saved under his preaching. Torrey married Clara Smith in 1879, with whom he had five children. In 1908, he helped start the Montrose Bible Conference in Pennsylvania, which continues today. He became dean of the Bible Institute of Los Angeles (now Biola University) in 1912, and was the pastor of the Church of the Open Door in Los Angeles from 1915 to 1924. Torrey continued speaking all over the world and holding Bible conferences. He died in Asheville, North Carolina, on October 26, 1928.