The Dead Cat Tail Assassins are not cats. Nor do they have tails. But they are most assuredly dead. Nebula and Alex Award winner P. Djèlí Clark introduces a brand-new world and a fantastical city full of gods and assassins. Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins—resurrected, deadly, wiped of their memories—have only three unbreakable vows. First, the contract must be just. That’s above Eveen’s pay grade. Second, even the most powerful assassin may only kill the contracted. Eveen’s a professional. She’s never missed her mark. The third and the simplest: once you accept a job, you must carry it out. And if you stray? A final death would be a mercy. When the Festival of the Clockwork King turns the city upside down, Eveen’s newest mission brings her face-to-face with a past she isn’t supposed to remember and a vow she can’t forget.

"Education is the new buffalo" is a metaphor widely used among Indigenous peoples in Canada to signify the importance of education to their survival and ability to support themselves, as once Plains nations supported themselves as buffalo peoples. The assumption is that many of the pre-Contact ways of living are forever gone, so adaptation is necessary. But Chelsea Vowel asks, "Instead of accepting that the buffalo, and our ancestral ways, will never come back, what if we simply ensure that they do?" Inspired by classic and contemporary speculative fiction, Buffalo Is the New Buffalo explores science fiction tropes through a Métis lens: a Two-Spirit rougarou (shapeshifter) in the nineteenth century tries to solve a murder in her community and joins the nêhiyaw-pwat (Iron Confederacy) in order to successfully stop Canadian colonial expansion into the West. A Métis man is gored by a radioactive bison, gaining super strength, but losing the ability to be remembered by anyone not related to him by blood. Nanites babble to babies in Cree, virtual reality teaches transformation, foxes take human form and wreak havoc on hearts, buffalo roam free, and beings grapple with the thorny problem of healing from colonialism. Indigenous futurisms seek to discover the impact of colonization, remove its psychological baggage, and recover ancestral traditions. These eight short stories of "Métis futurism" explore Indigenous existence and resistance through the specific lens of being Métis. Expansive and eye-opening, Buffalo Is the New Buffalo rewrites our shared history in provocative and exciting ways.

The Empire stands victorious over its enemies at last. With her chief rival cast into the abyss, Empress Seda now faces the truth of what she has cost the world in order to win the war. The Seal has been shattered, and the Worm stirs towards the light for the first time in a thousand years. Already it is striking at the surface, voraciously consuming everything its questing tendrils touch. Faced with this threat, Seda knows that only the most extreme of solutions can lock the Worm back in the dark once again. But if she will go to such appalling lengths to save the world from the Worm, then who will save the world from her? The last book in the epic critically acclaimed Shadows of the Apt series.

Philip Marlowe meets Redwall in this superior adult noir tale, where all the characters are animals, fighting for survival in the city underneath the humans. In the solar cities of the future, the humans relax in the sun and the animals work in the shadows. Genetically engineered Little Helpers, serving humanity—unseen, unheard. Meet Skotch. Racoon, P.I.—Yours for a few buttons as long as the job isn't too illegal, whatever that means. A mouse has gone missing. Normally this wouldn't raise any hackles, nor any alarms, but this mouse has something that everyone seems to want, though nobody appears particularly eager to say what that something is. The fee is good—perhaps too good. Certainly not something Skotch can easily turn down. If only Skotch can work out where the mouse is hiding, what he's hiding, and why his secrets are upsetting a lot of animals caught up in the Green City wars.

The Dead Cat Tail Assassins are not cats. Nor do they have tails. But they are most assuredly dead. Nebula and Alex Award winner P. Djèlí Clark introduces a brand-new world and a fantastical city full of gods and assassins. Eveen the Eviscerator is skilled, discreet, professional, and here for your most pressing needs in the ancient city of Tal Abisi. Her guild is strong, her blades are sharp, and her rules are simple. Those sworn to the Matron of Assassins—resurrected, deadly, wiped of their memories—have only three unbreakable vows. First, the contract must be just. That’s above Eveen’s pay grade. Second, even the most powerful assassin may only kill the contracted. Eveen’s a professional. She’s never missed her mark. The third and the simplest: once you accept a job, you must carry it out. And if you stray? A final death would be a mercy. When the Festival of the Clockwork King turns the city upside down, Eveen’s newest mission brings her face-to-face with a past she isn’t supposed to remember and a vow she can’t forget.

Chaos. Fury. Destruction. The Great Change is upon us... Some say that to change the world you must first burn it down. Now that belief will be tested in the crucible of revolution: the Breakers and Burners have seized the levers of power, the smoke of riots has replaced the smog of industry, and all must submit to the wisdom of crowds. With nothing left to lose, Citizen Brock is determined to become a new hero for the new age, while Citizeness Savine must turn her talents from profit to survival before she can claw her way to redemption. Orso will find that when the world is turned upside down, no one is lower than a monarch. And in the bloody North, Rikke and her fragile Protectorate are running out of allies... while Black Calder gathers his forces and plots his vengeance. The banks have fallen, the sun of the Union has been torn down, and in the darkness behind the scenes, the threads of the Weaver’s ruthless plan are slowly being drawn together...

Attention. Attention. The gates are down. The hunters are loose. Run, Run, Run. A lush jungle teeming with danger. Savage dinosaurs seeking blood. A fallen princess intent on vengeance. A mysterious, end-of-floor celebration for the top crawlers, dubbed “The Butcher’s Masquerade.” The sixth floor. The Hunting Grounds. As the remaining crawlers battle for their lives, a new, terrible threat looms. Outside tourists are finally allowed to enter the game, and they are here and ready to hunt. Among them is Vrah, a famed and veteran hunter, intent on collecting the biggest trophy of her career. But their prey is far from harmless, and this season they are fighting back. Dungeon Crawler Carl and Princess Donut return in book five of the acclaimed litrpg series.

Nathan Treeves is dead, murdered by the Master of Mordew, his remains used to create the powerful occult weapon known as the Tinderbox. His companions are scattered, making for Malarkoi, the city of the Mistress, the Master’s enemy. They are hoping to find welcome there, or at least safety. They find neither – and instead become embroiled in a life and death struggle against assassins, demi-gods, and the cunning plans of the Mistress. Only Sirius, Nathan’s faithful magical dog, has not forgotten the boy. Bent on revenge, he returns to the shattered remains of Mordew – only to find the city morphed into an impossible mountain, swarming with monsters. The stage is set for battle, sacrifice, magic and treachery in the stunning sequel to Mordew . Welcome to Malarkoi.

The monumental conclusion to Alex Pheby's Cities of the Weft trilogy. One thousand million infants are dead, and Nathan Treeves is back. He’s become the Master of Waterblack, the City of the Dead. And Sharli, once a sacrifice, then an assassin, is now a trained God-Killer. She has killed many—but failed in killing Nathan Treeves years ago. Soon she, and the Women’s Vanguard, will have another chance, even as The Master, The Mistress and the Atheistic Crusade hurtle toward their final confrontation. The world of Mordew returns in the epic conclusion to the Cities of the Weft trilogy. Welcome to Waterblack.

Earth is long since dead. On a colony planet, a band of men has gained control of technology, made themselves immortal, and now rule their world as the gods of the Hindu pantheon. Only one dares oppose them: he who was once Siddhartha and is now Mahasamatman. Binder of Demons, Lord of Light.

The Saint of Bright Doors sets the high drama of divine revolutionaries and transcendent cults against the mundane struggles of modern life, resulting in a novel that is revelatory and resonant. Fetter was raised to kill, honed as a knife to cut down his sainted father. This gave him plenty to talk about in therapy. He walked among invisible devils and anti-gods that mock the mortal form. He learned a lethal catechism, lost his shadow, and gained a habit for secrecy. After a blood-soaked childhood, Fetter escaped his rural hometown for the big city, and fell into a broader world where divine destinies are a dime a dozen. Everything in Luriat is more than it seems. Group therapy is recruitment for a revolutionary cadre. Junk email hints at the arrival of a god. Every door is laden with potential, and once closed may never open again. The city is scattered with Bright Doors, looming portals through which a cold wind blows. In this unknowable metropolis, Fetter will discover what kind of man he is, and his discovery will rewrite the world.

'Incredibly beautiful … deeply moving' ORE AGBAJE-WILLIAMS 'I found myself unable to put it down' JENNY MUSTARD 'Masterful … melds sharp insight with great heart' NICOLE DINAN A beautiful, heartbreaking novel about ambition, love and space from the award-winning author of the Women’s Prize longlisted Wandering Souls. January 28, 1986: moments after launch, the Challenger shuttle falls from the sky. At the same time, in a small English village, Oliver Ines is born. Ollie spends his childhood in a bedroom covered in glow-in-the-dark wallpaper, bearing the planets and stars. Decades later, he has become one of the most renowned astronauts of his time. When an enterprising billionaire approaches him to lead a landmark, ten-year mission to the distant moon, Europa, Ollie cannot resist the call of history. As the mission advances deeper into uncharted territory, Ollie finds himself retreating into the his school days and years in the navy, relationships found and lost, becoming a husband and father. But will the world he remembers still be waiting for him, ten years later, when he returns? Celestial Lights is a breathtaking story of fate, love, and sacrifice, that questions what we owe ourselves and our loved ones, when our ambitions and loyalties collide. ‘Atmospheric, original, and beautiful … has you captivated long after the last page’ ELA LEE, author of Minbak ‘Truly lovely … the scope of an epic, but subtly rendered’ JO HAMYA, author of The Hypocrite