"The best kind of story―one that will both break your heart and scare the hell out of you." ―Jennifer McMahon, New York Times bestselling author of The Children on the Hill If you can hear the call of the water, It's already far too late. They say Cape Disappointment is haunted. That's why tourists used to flock there in droves. They'd visit the rocky shoreline under the old lighthouse's watchful eye and fish shells from the water as they pretended to spot dark shapes in the surf. Now the tourists are long gone, and when Meredith Strand and her young daughter return to Meredith's childhood home after an acrimonious split from her wife, the Cape seems more haunted by regret than any malevolent force. But her mother, suffering from early stages of Alzheimer's, is convinced the ghost stories are real. Not only is there something in the water, but it's watching them. Waiting for them. Reaching out to Meredith's daughter the way it has to every woman in their line for generations―and if Meredith isn't careful, all three women, bound by blood and heartbreak, will be lost one by one to the ocean's mournful call. Part queer modern gothic, part ghost story, They Drown Our Daughters explores the depths of motherhood, identity, and the lengths a woman will go to hold on to both.

In the aftermath of World War I, a naive woman is swept into a glittering world filled with dark magic, romance, and murder in this lush and decadent debut.On Crow Island, people whisper, real magic lurks just below the surface. Neither real magic nor faux magic interests Annie Mason. Not after it stole her future. She’s only on the island to settle her late father’s estate and, hopefully, reconnect with her long-absent best friend, Beatrice, who fled their dreary lives for a more glamorous one. Yet Crow Island is brimming with temptation, and the biggest one may be her enigmatic new neighbor. Mysterious and alluring, Emmeline Delacroix is a figure shadowed by rumors of witchcraft. And when Annie witnesses a confrontation between Bea and Emmeline at one of the island's extravagant parties, she is drawn into a glittering, haunted world. A world where the boundaries of wickedness are tested, and the cost of illicit magic might be death.

A story of secrets, loss, and the betrayals of memory: a lyrical novel of an aging woman confronting her romantic past under the mysterious skies of her island home Off the coast of Georgia, near Savannah, generations have been tempted by strange blue lights in the sky near an island called Lyra. At the height of World War II, impressionable young Elle Ranier comes to the island when her new husband, Simon, is dispatched by his industrialist father to find the source of the mysterious lights. There they will live for decades, raising a family while employing much of the island's population in a quixotic campaign to find and exploit the elusive minerals rumored to lurk offshore. Fifty years later, as Simon's business is shuttered in disarray, Elle looks back at her life on the mysterious island--and at a secret she herself has guarded for decades. As her memory recedes, her life seems a tangle of questions: How did the business survive so long without ever finding the legendary Lyra stones? How did her own life crumble under treatment for depression? And what became of the other man they brought to the island--handsome, raffish Gabriel, who risked everything to follow the light to its source? With echoes of We Are Not Ourselves and even Jean Rhys's Wide Sargasso Sea, The Stars Are Not Yet Bells is a darkly romantic story of the tantalizing, faithless relationship between ourselves and the lives and souls we leave behind.

The Last Magician meets The Lady’s Guide to Petticoats and Piracy in this atmospheric historical fantasy following a young woman who discovers she has magical powers and is thrust into a battle between witches and wizards. In 1911 New York City, seventeen-year-old Frances Hallowell spends her days as a seamstress, mourning the mysterious death of her brother months prior. Everything changes when she’s attacked and a man ends up dead at her feet—her scissors in his neck, and she can’t explain how they got there. Before she can be condemned as a murderess, two cape-wearing nurses arrive to inform her she is deathly ill and ordered to report to Haxahaven Sanitarium. But Frances finds Haxahaven isn’t a sanitarium at all: it’s a school for witches. Within Haxahaven’s glittering walls, Frances finds the sisterhood she craves, but the headmistress warns Frances that magic is dangerous. Frances has no interest in the small, safe magic of her school, and is instead enchanted by Finn, a boy with magic himself who appears in her dreams and tells her he can teach her all she’s been craving to learn, lessons that may bring her closer to discovering what truly happened to her brother. Frances’s newfound power attracts the attention of the leader of an ancient order who yearns for magical control of Manhattan. And who will stop at nothing to have Frances by his side. Frances must ultimately choose what matters more, justice for her murdered brother and her growing feelings for Finn, or the safety of her city and fellow witches. What price would she pay for power, and what if the truth is more terrible than she ever imagined?

Librarian note: See alternate cover edition here. A dark story has been brought to terrifying life. Can the ending be rewritten in time? A gripping contemporary Gothic thriller from the bestselling author of the Dr Ruth Galloway mysteries: Wilkie Collins and MR James meet Gone Girl and Disclaimer. Clare Cassidy is no stranger to murder. As a literature teacher specialising in the Gothic writer RM Holland, she teaches a short course on it every year. Then Clare's life and work collide tragically when one of her colleagues is found dead, a line from an RM Holland story by her body. The investigating police detective is convinced the writer's works somehow hold the key to the case. Not knowing who to trust, and afraid that the killer is someone she knows, Clare confides her darkest suspicions and fears about the case to her journal. Then one day she notices some other writing in the diary. Writing that isn't hers...