Precious Jones, an illiterate sixteen-year-old, has up until now been invisible: invisible to the father who rapes her and the mother who batters her and to the authorities who dismiss her as just one more of Harlem's casualties. But when Precious, pregnant with a second child by her father, meets a determined and highly radical teacher, we follow her on a journey of education and enlightenment as Precious learns not only how to write about her life, but how to make it her own for the first time.

This fiercely satirical, semifantastical novel ... features an Asian-American television news executive, Emi, and a Latino newspaper reporter, Gabriel, who are so focused on chasing stories they almost don't notice that the world is falling apart all around them. Karen Tei Yamashita's staccato prose works well to evoke the frenetic breeziness and monumental self-absorption that are central to their lives.-Janet Kaye, The New York Times Book Review

"Samuel R. Delany is not only one of the most profound and courageous writers at work today, he is a writer of seemingly limitless range."—Michael Cunningham A vast river of a novel alive with explicit sexuality and the richness of life itself, Through the Valley of the Nest of Spiders concerns a gay, working-class, interracial relationship. In 2007, just before Eric's seventeenth birthday, his father brings him to Diamond Harbor, a failing tourist town on the Georgia coast, to live with his mother. There Eric meets nineteen-year-old Morgan Haskell, who works with his father, Dynamite Haskell, and the two boys soon join their lives—and their bodies—together on the coast as a couple over the next seventy-five years. The author of more than forty books, Samuel R. Delany is a novelist and critic whose novel Dhalgren has sold over a million copies. He is a recipient of the William Whitehead Memorial Award for a Lifetime Contribution to Gay and Lesbian Writing and the Lambda Literary Pioneer Award. He is a professor of English and creative writing at Temple University in Philadelphia.

In their fourth collection of poetry, Lambda Literary Award-winning poet and writer Leah Lakshmi Piepzna-Samarasinha continues their excavation of working-class queer brown femme survivorhood and desire. Tonguebreaker is about surviving the unsurvivable: living through hate crimes, the suicides of queer kin, and the rise of fascism while falling in love and walking through your beloved’s Queens neighborhood. Building on her groundbreaking work in Bodymap, Tonguebreaker is an unmitigated force of disabled queer-of-color nature, narrating disabled femme-of-color moments on the pulloff of the 80 in West Oakland, the street, and the bed. Tonguebreaker dreams unafraid femme futures where we live—a ritual for our collective continued survival.

This new collection of poetry and prose explores the body as a site of pleasure, pain and political struggle. Disabled and chronically ill writer, historian and activist Aurora Levins Morales writes about epilepsy and stroke, the social control of dark skinned women's sexuality and the erotics of chronic fatigue, epigenetics and healing justice, community based science and what it's like to get health care in Cuba. "Aurora's writing is itself a kind of alchemy, balancing emotional nuance with rich historical context, simultaneously speaking in an intimate, personal voice and for a collective we. She offers us vulnerable, power-filled lyricism that moves the audience to new understandings of their own lives, as she claims her body's pleasure and pain." Patty Berne, Co-founder and Artistic Director, Sins Invalid. "Medically, “kindling” refers to the way bodies can be sensitized by small, repeated exposures to chemicals or electric shocks. Aurora’s essays and poems about the human body’s responses to oppression describe both the kindling of disease and of consciousness, fragments of tinder that ignite into a blazing awareness of our bodies as sites of struggle and transformation." Casimira Fuentes O’Neill, M.D.

From erotic labor, to the rights of people who use psychoactive substances, to reproductive health, and carcerality - we are living through a political moment when debates about bodily autonomy are at a fever pitch. Body Decolonizign Sex Work & Drug Use is a bold and timely collection that confronts these charged issues at the intersection of social justice and public health. It reveals the histories behind the United State's ideological wars and illustrates their costs to all of us. It is a primer on healing-centered harm reduction which presents a visionary framework and set of practical strategies to advance unity and care while working to transform conditions for communities that bear the brunt of interpersonal and systemic violence, overdose deaths, and health inequities. In the words of leading advocates, service providers, and scholars whose lives and communities have been harmed by American neo-colonial policies, Body Autonomy offers promising, healing-centered interventions that represent a critical culture shift. This collection features trusted voices on health and social policy reform including Kate D'Adamo, Justice Rivera, Ismail Ali, Paula Kahn, and Sasanka Jinadasa, as well as respected healers like Richael Faithful, Amira Barakat Al-Baladi, and Mona Knotte. The articles, interviews, worksheets, and poems within are an offering to expand our collective understanding of survival, healing, and embodied freedom. Body Autonomy is a must read for anyone with a compassionate worldview, people seeking to know more about underground economies, and those who know that punishment doesn't lead to security. It is a liberatory design and a prayer for what's possible.

Translated by Amanda De Lisio and Thayane Brêtas As long as feminism has existed as a movement in Brazil, sex workers have taken to the streets in solidarity—despite the fact that mainstream feminist discourse positions sex work, and the “putas” who enact it, as detrimental to women’s rights. In Putafeminista, activist and sex worker Monique Prada calls for feminists to retire this hypocrisy and embrace putafeminism: a working class women’s movement that rejects whorephobia and its classist, colonial dimensions. Drawing on her firsthand experiences with sex work and movement building, Prada argues for the validity of sex work as feminist labor and tracks the innovations introduced by Brazilian sex workers to feminist internet discourse, street actions, and governmental advocacy. For readers seeking the glimmers of tomorrow’s feminism, Prada places that future with putafeminists, naming the brothel a “final frontier” for all women to gather, reform, and revolt.

Translated by Amanda De Lisio and Bruna Dantas Lobato (So What) If I’m a Puta?, originally published on author Amara Moira’s popular blog of the same name, consists of 44 crônicas that wryly portray her experiences as a trans sex worker in Brazil. In a brazen, funny, and at times heartbreaking voice, Moira explores the political and personal textures of her encounters with the men who buy sex from her, and the complex reality of her labor of a sort of love. Woven through Moira’s essays are reflections on transition, safe sex, desire, whorephobia, consent—in the grim context of Brazil’s record rates of violence against trans women. Ultimately, Moira writes to “give a voice to us prostitutes” and center trans sex workers in Brazil’s putafeminist movement, modeling a feminism that envisions inclusivity, safety, self-determination, and joy for us all.

Whores and Other Feminists fleshes out feminist politics from the perspective of sex workers--strippers, prostitutes, porn writers, producers and performers, dominatrices--and their allies. Comprising a range of voices from both within and outside the academy, this collection draws from traditional feminisms, postmodern feminism, queer theory, and sex radicalism. It stretches the boundaries of contemporary feminism, holding accountable both traditional feminism for stigmatizing sex workers, and also the sex industry for its sexist practices.

Soft Science explores queer, Asian American femininity. A series of Turing Test-inspired poems grounds its exploration of questions not just of identity, but of consciousness―how to be tender and feeling and still survive a violent world filled with artificial intelligence and automation. We are dropped straight into the tangled intersections of technology, violence, erasure, agency, gender, and loneliness.

In Care at the End of the World, Jina B. Kim develops what she calls crip-of-color critique, bringing a disability lens to bear on feminist- and queer-of-color literature in the aftermath of 1996 US welfare reform and the subsequent evisceration of social safety nets. She examines literature by contemporary feminist, queer, and disabled writers of color such as Jesmyn Ward, Octavia Butler, Karen Tei Yamashita, Samuel Delany, and Aurora Levins Morales, who each bring disability and dependency to the forefront of their literary freedom dreaming. Kim shows that in their writing, liberation does not take the shape of the unfettered individual or hinge on achieving independence. Instead, liberation emerges by recuperating dependency, cultivating radical interdependency, and recognizing the numerous support systems upon which survival depends. At the same time, Kim demonstrates how theories and narratives of disability can intervene into state-authored myths of resource parasitism, such as the welfare queen. In so doing, she highlights the alternate structures of care these writers envision and their dreams of life organized around reciprocity and mutual support.Duke University Press Scholars of Color First Book Award

When eighteen-year-old Bill Dodd dived into the Maranoa River his life changed in an instant. This young larrikin had enjoyed many adventures as a stockman on a remote cattle station; now he was a quadriplegic. His boxing, running and football days were over, and he would never ride his beloved horses again. Bill's story begins with a high-spirited childhood in smalltown Queensland, a time of youthful humour and energy. The sudden death of his stockman father affects Bill deeply and he rebels, before himself choosing the exciting life of an apprentice stockman. Waking up in the intensive care spinal unit, he faces the consequences of his accident and slowly builds a new life.

A landmark abolitionist primer on migration, sex work, policing, and the “anti-trafficking industry”—and a powerful argument about who is really leading the way toward justice: migrant sex workers themselves. In this impassioned corrective to decades of misguided, carceral approaches to migration, sex work, and human trafficking, long-time organizers Chanelle Gallant and Elene Lam deftly expose the harms of criminalization in the name of “anti-trafficking” and lift up migrant sex workers’ organizing across North America and Europe. In doing so, they make the compelling case that the only effective response to both human trafficking and the needs of migrant sex workers must be led by migrants in the sex trade, as they fight for rights, safety, and autonomy. Gallant and Lam illustrate how this movement is taking aim at the root causes of violence and abuse: the white supremacist securitization of borders, the criminalization of both migration and sex work, the patriarchial devaluation of women’s labor, and forced displacement due to climate disaster, war, and poverty—all fueled by racial capitalism. An indispensable exploration of the relationship between migration, sex work, and trafficking—and the underlying societal conditions they reflect—Not Your Rescue Project is a thorough indictment of the anti-trafficking industry as an engine of criminalization and state violence, and an instructive account of the emancipatory politics already being practiced by migrant sex workers in their organizing. Throughout, Gallant and Lam place migrant sex workers at the center of struggles against border imperialism, carceral states, and capitalism—dispelling a range of poisonous myths and paving the way for deeper alliances across movements with the shared goal of dismantling and abolishing carceralism in all its forms.

The U.S. scientific community has long led the world in research on such areas as public health, environmental science, and issues affecting quality of life. Our scientists have produced landmark studies on the dangers of DDT, tobacco smoke, acid rain, and global warming. But at the same time, a small yet potent subset of this community leads the world in vehement denial of these dangers. Merchants of Doubt tells the story of how a loose-knit group of high-level scientists and scientific advisers, with deep connections in politics and industry, ran effective campaigns to mislead the public and deny well-established scientific knowledge over four decades. Remarkably, the same individuals surface repeatedly—some of the same figures who have claimed that the science of global warming is "not settled" denied the truth of studies linking smoking to lung cancer, coal smoke to acid rain, and CFCs to the ozone hole. "Doubt is our product," wrote one tobacco executive. These "experts" supplied it. Naomi Oreskes and Erik M. Conway, historians of science, roll back the rug on this dark corner of the American scientific community, showing how ideology and corporate interests, aided by a too-compliant media, have skewed public understanding of some of the most pressing issues of our era.

“Dina Nayeri’s powerful writing confronts issues that are key to the refugee experience.”—Viet Thanh Nguyen From the author of The Ungrateful Refugee—finalist for the Los Angeles Times Book Prize and the Kirkus Prize—Who Gets Believed? is a groundbreaking book about persuasion and performance that asks unsettling questions about lies, truths, and the difference between being believed and being dismissed in situations spanning asylum interviews, emergency rooms, consulting jobs, and family life Why are honest asylum seekers dismissed as liars? Former refugee and award-winning author Dina Nayeri begins with this question, turning to shocking and illuminating case studies in this book, which grows into a reckoning with our culture’s views on believability. From persuading a doctor that she’d prefer a C-section to learning to “bullshit gracefully” at McKinsey to struggling, in her personal life, to believe her troubled brother-in-law, Nayeri explores an aspect of our society that is rarely held up to the light. For readers of David Grann, Malcolm Gladwell, and Atul Gawande, Who Gets Believed? is a book as deeply personal as it is profound in its reflections on morals, language, human psychology, and the unspoken social codes that determine how we relate to one another.