A striking debut exploring the power of identity, community and the Scottish working class. This coming-of-age story is an incisive look at young masculinity and the way even the most fraught childhood is not without hope. Neither Finlay or Banjo can remember the last time they had a hug. Against all odds, 18-year-old Finlay has begun his nursing degree at Glasgow University. But coming straight from the care system means he has no support network. How can he write essays, focus on his nursing placement and stop himself from falling in love when he's struggling to feed himself? Meanwhile, 17-year-old Banjo is trying to settle into his new foster family and finish high school, desperate to hold down his job and the people it contains. But his anger and fear keep boiling over, threatening his already uncertain future. Underpinning everything is what happened three years ago in their group care home, when Finlay and Banjo were as close as brothers until they stopped speaking. If these boys want to keep hold of the people they love, they have to be able to forgive one another. More than this, they must find a way to forgive themselves.

Cassie McDowell’s life in 1980s Minnesota seems perfectly wholesome. She lives on a farm, loves school, and has a crush on the nicest boy in class. Yes, there are her parents’ strange parties and their parade of deviant guests, but she’s grown accustomed to them. All that changes when someone comes hunting in Lilydale. One by one, local boys go missing. One by one, they return changed—violent, moody, and withdrawn. What happened to them becomes the stuff of shocking rumors. The accusations of who’s responsible grow just as wild, and dangerous town secrets start to surface. Then Cassie’s own sister undergoes the dark change. If she is to survive, Cassie must find her way in an adult world where every sin is justified, and only the truth is unforgivable. Inspired by a terrifying true story from the author’s hometown, a heart-pounding novel of suspense about a small Minnesota community where nothing is as quiet—or as safe—as it seems.

Harriet Tyce's debut thriller Blood Orange is a dark and addictive novel for readers who enjoyed Apple Tree Yard, The Nightingale and The Girl on the Train. Alison has it a doting husband, beloved daughter and career on the up. But nothing is quite what it seems. Alison drinks too much and she's having an affair with a colleague who likes to push boundaries. And it's all getting too much. Alison is representing a client who wants to plead guilty to stabbing her husband, but something about her story is amiss. However, if Alison saves this woman, she believes she can save herself. But someone knows all of Alison's secrets - and wants to make her pay for what she's done...

Harriet Tyce's debut thriller Blood Orange is a dark and addictive novel for readers who enjoyed Apple Tree Yard, The Nightingale and The Girl on the Train. Alison has it a doting husband, beloved daughter and career on the up. But nothing is quite what it seems. Alison drinks too much and she's having an affair with a colleague who likes to push boundaries. And it's all getting too much. Alison is representing a client who wants to plead guilty to stabbing her husband, but something about her story is amiss. However, if Alison saves this woman, she believes she can save herself. But someone knows all of Alison's secrets - and wants to make her pay for what she's done...

"A work of fiction that is both a potent portrait of early 19th-century Edinburgh but also a story about female agency or the lack of it. The result is a compelling, painful, haunted piece of work." THE HERALDUp the close and down the stair, meet the women of Burke and HareEdinburgh, 1828. Two women - one rich, one poor - must navigate life against a frenzied backdrop of medical discovery, mob mayhem, and murder.The home Helen shares in the slums of the Old Town with her lover William Burke could hardly be more different from Susan's dreams of an affluent existence as the wife of Robert Knox, one of the foremost anatomists of the day. But as people begin disappearing, these two very different women face an impossible choice. Should they protect what lives they have or tell the truth about what they know?This is the story of the notorious serial killings of Burke and Hare, told for the first time through the eyes of two very different women, whose stories explore the depths of the human heart in a perilous, vulnerable world.PRAISE FOR THE SPECIMENS"Beguiling and atmospheric, this is as much an engrossing character study as a bold reimagining of the infamous anatomy murders." HEAT MAGAZINE"A fresh, feminine take on the horrors of Burke and Hare and their complicit Edinburgh anatomists" SALLY MAGNUSSON"Gruesomely gripping, this story will stay with you for a long time, its characters so well developed, you fear you might bump into one in a dark Edinburgh close" SUE LAWRENCE"Mairi Kidd holds a lantern up to the brutality of women's lives in Burke, Hare and Knox's Edinburgh. She draws a fine thread between women's bodily experiences now and then, and her voice is so authentic I felt as if I was there" LUCY RIBCHESTER

Harriet Tyce's debut thriller Blood Orange is a dark and addictive novel for readers who enjoyed Apple Tree Yard, The Nightingale and The Girl on the Train. Alison has it a doting husband, beloved daughter and career on the up. But nothing is quite what it seems. Alison drinks too much and she's having an affair with a colleague who likes to push boundaries. And it's all getting too much. Alison is representing a client who wants to plead guilty to stabbing her husband, but something about her story is amiss. However, if Alison saves this woman, she believes she can save herself. But someone knows all of Alison's secrets - and wants to make her pay for what she's done...

"A work of fiction that is both a potent portrait of early 19th-century Edinburgh but also a story about female agency or the lack of it. The result is a compelling, painful, haunted piece of work." THE HERALDUp the close and down the stair, meet the women of Burke and HareEdinburgh, 1828. Two women - one rich, one poor - must navigate life against a frenzied backdrop of medical discovery, mob mayhem, and murder.The home Helen shares in the slums of the Old Town with her lover William Burke could hardly be more different from Susan's dreams of an affluent existence as the wife of Robert Knox, one of the foremost anatomists of the day. But as people begin disappearing, these two very different women face an impossible choice. Should they protect what lives they have or tell the truth about what they know?This is the story of the notorious serial killings of Burke and Hare, told for the first time through the eyes of two very different women, whose stories explore the depths of the human heart in a perilous, vulnerable world.PRAISE FOR THE SPECIMENS"Beguiling and atmospheric, this is as much an engrossing character study as a bold reimagining of the infamous anatomy murders." HEAT MAGAZINE"A fresh, feminine take on the horrors of Burke and Hare and their complicit Edinburgh anatomists" SALLY MAGNUSSON"Gruesomely gripping, this story will stay with you for a long time, its characters so well developed, you fear you might bump into one in a dark Edinburgh close" SUE LAWRENCE"Mairi Kidd holds a lantern up to the brutality of women's lives in Burke, Hare and Knox's Edinburgh. She draws a fine thread between women's bodily experiences now and then, and her voice is so authentic I felt as if I was there" LUCY RIBCHESTER

What would you kill for? When an ad for an internship with the Louisiana Veda Foundation poses this question, seemingly every high school student in the country rushes to apply. Arcadia “Dia” Gannon has been obsessed with Louisiana Veda, the late game designer whose obsessive creations have attained a cultlike status, ever since she and her mom played Disappearing Act—but Dia has never won anything in her life. So she’s shocked when she’s chosen as an intern, along with six other teenagers from around the world. Little is known about Louisiana Veda. Her game-making empire, Darkly, was renowned for its ingenious, terrifying toys and games, rife with hidden symbols and secrets. But after Veda’s mysterious death, Darkly went bankrupt, and production was discontinued. The remaining games are priced like highly sought-after works of art, with the rarest and most notorious items commanding tens of millions of dollars at auction. Now the interns are thrust into the enigmatic heart of Louisiana Veda’s operation, and Dia immediately questions everything: Who are these other kids? Why do they all seem to have something to hide? And why was she really chosen? It soon becomes clear that this summer will be the most twisted Darkly game of all.

What would you kill for? When an ad for an internship with the Louisiana Veda Foundation poses this question, seemingly every high school student in the country rushes to apply. Arcadia “Dia” Gannon has been obsessed with Louisiana Veda, the late game designer whose obsessive creations have attained a cultlike status, ever since she and her mom played Disappearing Act—but Dia has never won anything in her life. So she’s shocked when she’s chosen as an intern, along with six other teenagers from around the world. Little is known about Louisiana Veda. Her game-making empire, Darkly, was renowned for its ingenious, terrifying toys and games, rife with hidden symbols and secrets. But after Veda’s mysterious death, Darkly went bankrupt, and production was discontinued. The remaining games are priced like highly sought-after works of art, with the rarest and most notorious items commanding tens of millions of dollars at auction. Now the interns are thrust into the enigmatic heart of Louisiana Veda’s operation, and Dia immediately questions everything: Who are these other kids? Why do they all seem to have something to hide? And why was she really chosen? It soon becomes clear that this summer will be the most twisted Darkly game of all.