On Feb. 15, 2015, Kate Matrosova, an avid mountaineer, set off before sunrise for a traverse of the Northern Presidential Range in New Hampshire’s White Mountains. Late the following day, rescuers carried her frozen body out of the mountains amid some of the worst weather ever recorded on these deceptively rugged slopes. At thirty-two, Matrosova was ultra-fit and healthy and had already summited much larger mountains on several continents. Her gear included a rescue beacon and a satellite phone. Yet, despite their best efforts, more than forty expert search and rescue personnel, a New Hampshire Army National Guard Blackhawk helicopter, and a Civil Air Patrol Cessna airplane could not reach her in time to save her. What went wrong? Where You’ll Find Me offers possible answers to that question, demonstrating why Matrosova’s story—what we know and what we will never know—represents such an intriguing and informative case study in risk analysis and decision-making.

Like every other girl in her class, twelve-year-old Justine is drawn to her glamorous, charismatic new teacher, and longs to be her pet. However, when a thief begins to target the school, Justine’s sense that something isn't quite right grows ever stronger. With each twist of the plot, this gripping story of deception and the corrosive power of guilt takes a yet darker turn. Young as she is, Justine must decide where her loyalties lie. Set in New Zealand in 1984 and 2014, and probing themes of racism and misogyny, Pet is an elegant and chilling psychological thriller by the bestselling author of The Wish Child, Remote Sympathy and The Axeman’s Carnival.

An investigation into how Native American identity became a commodity, from cultural appropriation to ethnic fraud to disenrollment Settler capitalism has been so effective that the very identities of Indigenous people have been usurped, misconstrued, and weaponized. In Who Gets to Be Indian?, scholar and writer Dina Gilio-Whitaker (Colville Confederated Tribes) explores how ethnic fraud and the commodification of Indianness has resulted in mass confusion about what it means to be Indigenous in the United States. As an entry point to the seemingly intractable problem of ethnic fraud, Gilio-Whitaker critically looks to the film industry, including a case study of Sacheen Littlefeather, who is most known as the Native American woman that rejected an Oscar on behalf of Marlon Brando in 1973—though later revealed, she was not who she said she was. Gilio-Whitaker argues that this pretendian phenomenon originated in Southern California when the United States was forcing assimilation of Indians into white America culturally, but also into its capitalist economic system. With Indianness becoming a marketized commodity in the Hollywood film business, the field became open to anyone who could convincingly adopt an Indian persona. Deeply researched using socio-historical analysis, Gilio-Whitaker offers insights from her own experiences grappling with identity to provide clarity and help readers understand how the commodification of Indianness have ultimately left many people of legitimate American Indian heritage to be disconnected from their tribes. Personal and compelling, Gilio-Whitaker takes settler capitalism to task and helps us better understand how we got here in order to counteract the abuses of pretendianism and disenrollment.

The searing, visionary memoir of founding Black Panther Huey P. Newton, in a dazzling graphic package Eloquently tracing the birth of a revolutionary, Huey P. Newton's famous and oft-quoted autobiography is as much a manifesto as a portrait of the inner circle of America's Black Panther Party. From Newton's impoverished childhood on the streets of Oakland to his adolescence and struggles with the system, from his role in the Black Panthers to his solitary confinement in the Alameda County Jail, Revolutionary Suicide is smart, unrepentant, and thought-provoking in its portrayal of inspired radicalism.

An atmospheric speculative suspense novel following a mysterious society offering its members the chance to relive the death of another person whenever they want—and the self-destructive woman determined to uncover its secrets This ambitious, genre-bending debut is perfect for fans of time-travel fiction including Matt Haig’s The Midnight Library and Gareth Brown’s The Book of Doors For twenty years, Greta Davenport has lived with the guilt of surviving the accident that killed her parents. She’s tested the limits of her own mortality ever since, but little gives her the dopamine rush she craves. Not until the night she almost drunkenly crashes her car into a tree, and a peculiar blank card slides under her front door—an invitation to the Found Object Society. What she discovers there is beyond comprehension: an opulent, subterranean playground filled with aisles of objects from different eras and regions of the world. Pick an object and go on a voyage to relive the final moments of the person who died holding it, along with an unparalleled, irreplicable high. Greta’s hooked, but she can't quiet her questions about the society and its enigmatic creators, the answers to which have implications far beyond her growing dependence on the voyages. Death is addictive, and what she uncovers will put her entire life into question. A fever dream of a novel with episodic, time-traveling chapters told from multiple points of view, The Found Object Society examines the depraved whims of the ultrarich and the breadth of unresolved trauma—all while asking how grief and the choices we make in its aftermath can change the course of our lives. Michelle Maryk’s wholly original and ambitious debut opens an impeccably wrought speculative world of greed, power, and destiny.

An investigation into how Native American identity became a commodity, from cultural appropriation to ethnic fraud to disenrollment Settler capitalism has been so effective that the very identities of Indigenous people have been usurped, misconstrued, and weaponized. In Who Gets to Be Indian?, scholar and writer Dina Gilio-Whitaker (Colville Confederated Tribes) explores how ethnic fraud and the commodification of Indianness has resulted in mass confusion about what it means to be Indigenous in the United States. As an entry point to the seemingly intractable problem of ethnic fraud, Gilio-Whitaker critically looks to the film industry, including a case study of Sacheen Littlefeather, who is most known as the Native American woman that rejected an Oscar on behalf of Marlon Brando in 1973—though later revealed, she was not who she said she was. Gilio-Whitaker argues that this pretendian phenomenon originated in Southern California when the United States was forcing assimilation of Indians into white America culturally, but also into its capitalist economic system. With Indianness becoming a marketized commodity in the Hollywood film business, the field became open to anyone who could convincingly adopt an Indian persona. Deeply researched using socio-historical analysis, Gilio-Whitaker offers insights from her own experiences grappling with identity to provide clarity and help readers understand how the commodification of Indianness have ultimately left many people of legitimate American Indian heritage to be disconnected from their tribes. Personal and compelling, Gilio-Whitaker takes settler capitalism to task and helps us better understand how we got here in order to counteract the abuses of pretendianism and disenrollment.

Area X has been cut off from the rest of the world for decades. Nature has reclaimed the last vestiges of human civilization. The first expedition returned with reports of a pristine, Edenic landscape; the second expedition ended in mass suicide, the third in a hail of gunfire as its members turned on one another. The members of the eleventh expedition returned as shadows of their former selves, and within weeks, all had died of cancer. In Annihilation, the first volume of Jeff VanderMeer's Southern Reach Trilogy, we join the twelfth expedition. The group is made up of four women: an anthropologist; a surveyor; a psychologist, the de facto leader; and our narrator, a biologist. Their mission is to map the terrain, record all observations of their surroundings and of one another, and, above all, avoid being contaminated by Area X itself. They arrive expecting the unexpected, and Area X delivers—but it’s the surprises that came across the border with them and the secrets the expedition members are keeping from one another that change everything.

Ghosts spoke. Women listened. Everything changed. It began with whispers in a dimly lit room. In the 1840s, the Fox Sisters—and the legions of mediums they inspired—ignited the Spiritualist movement that swept through Victorian parlors and presidential campaigns alike. Contacting the dead wasn't merely a parlor It was a political statement, a declaration of self that still echoes. Séances attracted suffragists and scientists, skeptics and charlatans, giving women a voice in a society that often refused to hear them. But as Spiritualism surged, it also blurred the lines between faith, fraud, feminism, and financial opportunity, drawing figures as varied as Harry Houdini, Victoria Woodhull, and even modern self-help gurus into its ever-expanding orbit. From wartime séances to the rise of televangelists, from Victorian ghosts to goop-approved wellness rituals, When We Spoke to the Dead unearths the forgotten roots of today's obsession with manifestation, mysticism, and the power of belief. Exploring America's deep-seated hunger for the unseen—whether through politics, personal empowerment, or grief—this book traces how the supernatural, once condemned as heresy, became the ultimate commodity. Step inside the séance room. The spirits have been waiting.