For readers of Ace and Belly of the Beast: A Black queer feminist exploration of asexuality—and an incisive interrogation of the sex-obsessed culture that invisibilizes and ignores asexual and A-spec identity. Everything you know about sex and asexuality is (probably) wrong. The notion that everyone wants sex—and that we all have to have it—is false. It's intertwined with our ideas about capitalism, race, gender, and queerness. And it impacts the most marginalized among us. For asexual folks, it means that ace and A-spec identity is often defined by a queerness that's not queer enough, seen through a lens of perceived lack of pleasure, connection, joy, maturity, and even humanity. In this exploration of what it means to be Black and asexual in America today, Sherronda J. Brown offers new perspectives on asexuality. She takes an incisive look at how anti-Blackness, white supremacy, patriarchy, heteronormativity, and capitalism enact harm against asexual people, contextualizing acephobia within a racial framework in the first book of its kind. Brown advocates for the "A" in LGBTQIA+, affirming that to be asexual is to be queer—despite the gatekeeping and denial that often says otherwise. With chapters on desire, f*ckability, utility, refusal, and possibilities, Refusing Compulsory Sexuality discusses topics of deep relevance to ace and a-spec communities. It centers the Black asexual experience—and demands visibility in a world that pathologizes and denies asexuality, denigrates queerness, and specifically sexualizes Black people. A necessary and unapologetic reclamation, Refusing Compulsory Sexuality is smart, timely, and an essential read for asexuals, aromantics, queer readers, and anyone looking to better understand sexual politics in America.

A Woman Built by Man is a collage of 21 horror tales that seek to crawl under the skin and deconstruct the many ways women are built up and broken down by a patriarchal society. And the many ways they're finally saying, "Enough."

A Woman Built by Man is a collage of 21 horror tales that seek to crawl under the skin and deconstruct the many ways women are built up and broken down by a patriarchal society. And the many ways they're finally saying, "Enough."

In this debut horror anthology by editor Mae Murray, queer villains reign supreme. The Book of Queer Saints features 13 short stories and a lineup that includes renowned authors Eric LaRocca, Hailey Piper, and Joe Koch. Joining them are the innovative visions of Briar Ripley Page, Nikki R. Leigh, Joshua R. Pangborn, Eric Raglin, Belle Tolls, Perry Ruhland, James Bennett, LC von Hessen, K.S. Walker, and George Daniel Lea. A fresh blend of transformative body horror, crimson-coated romance, and monstrous eroticism, this anthology is sure to satisfy your every depraved itch. Foreword by Sam Richard of Weirdpunk Books.

A compelling, intelligent, and timely exploration of the horror genre from one of Columbia University’s most popular professors, shedding light on how classic horror films demonstrate larger cultural attitudes about women’s rights, bodily autonomy, and more.In May of 2022, Columbia University’s Dr. Eleanor Johnson watched along with her students as the Supreme Court reversed Roe v. Wade. At the same time, her class was studying the 1968 horror film Rosemary’s Baby and Johnson had a sudden horror cinema engages directly with the combustive politics of women’s rights and offer a light through the darkness and an outlet to scream. With a voice as persuasive as it is insightful, Johnson reveals how classics like Rosemary’s Baby, The Exorcist, and The Shining expose and critique issues of reproductive control, domestic violence, and patriarchal oppression. Scream with Me weaves these iconic films into the fabric of American feminism, revealing that true horror often lies not in the supernatural, but in the familiar confines of the home, exposing the deep-seated fears and realities of women’s lives. While on the one hand a joyful celebration of seminal and beloved horror films, Scream with Me is also an unflinching and timely recognition of the power of this genre to shape and reflect cultural dialogues about gender and power.

Blackwater is the saga of a small town, Perdido, Alabama, and Elinor Dammert, the stranger who arrives there under mysterious circumstances on Easter Sunday, 1919. On the surface, Elinor is gracious, charming, anxious to belong in Perdido, and eager to marry Oscar Caskey, the eldest son of Perdido’s first family. But her beautiful exterior hides a shocking secret. Beneath the waters of the Perdido River, she turns into something terrifying, a creature whispered about in stories that have chilled the residents of Perdido for generations. Some of those who observe her rituals in the river will never be seen again ... Originally published as a series of six volumes in 1983, Blackwater is the crowning achievement of Michael McDowell, author of the Southern Gothic classics Cold Moon Over Babylon and The Elementals and screenwriter of Beetlejuice and The Nightmare Before Christmas. This first-ever one-volume edition, with a new introduction by Shirley Jackson Award-winning author Nathan Ballingrud, marks Blackwater’s first appearance in print in three decades and will allow a new generation of readers to discover this modern horror classic.

A seminal work that expands how we talk about the natural world and the environment as National Book Critics Circle Criticism finalist Camille T. Dungy diversifies her garden to reflect her heritage In Soil: The Story of a Black Mother's Garden, poet and scholar Camille T. Dungy recounts the seven-year odyssey to diversify her garden in the predominately white community of Fort Collins, Colorado. When she moved there in 2013 with her husband and daughter, the community held strict restrictions about what residents could and could not plant. In resistance to the homogeneous policies that limited the possibility and wonder that grows from the earth, Dungy employs the various plants, herbs, vegetables, and flowers she grows in her garden as metaphor and treatise for how homogeneity threatens the future of the planet, and why cultivating diverse and intersectional language in our national discourse about the environment is the best means of protecting it. Definitive and singular, Soil functions at the nexus of nature writing, environmental justice, and prose to encourage readers to recognize the relationship between the peoples of the African diaspora and the land on which they live, and to understand that wherever soil rests beneath their feet is home.

Interest in supernatural phenomena was high during Charles Dickens' lifetime. He had always loved a good ghost story himself, particularly at Christmas time, and was open-minded, willing to accept, and indeed put to the test, the existence of spirits. His natural inclinations toward drama and the macabre made him a brilliant teller of ghost tales, and in the twenty stories presented here, which include his celebrated A Christmas Carol, the full range of his gothic talents can be seen. Chilling as some of these stories are, Dickens has managed to inject characteristically grotesque comedy as he writes of revenge, insanity, pre-cognition and dream visions, he indulges also in some debunking of contemporary credulity.

Interest in supernatural phenomena was high during Charles Dickens' lifetime. He had always loved a good ghost story himself, particularly at Christmas time, and was open-minded, willing to accept, and indeed put to the test, the existence of spirits. His natural inclinations toward drama and the macabre made him a brilliant teller of ghost tales, and in the twenty stories presented here, which include his celebrated A Christmas Carol, the full range of his gothic talents can be seen. Chilling as some of these stories are, Dickens has managed to inject characteristically grotesque comedy as he writes of revenge, insanity, pre-cognition and dream visions, he indulges also in some debunking of contemporary credulity.

Sadly neglected today, Frank Baker (1908-1983) was an intriguing and highly original author of fantasy and horror fiction, best known for his post-apocalyptic novel of an avian attack, The Birds (1936), which may have been an influence on Hitchcock’s film, and Miss Hargreaves (1940), a classic in which two young men invent a story about an unusual old woman only to discover that they have actually brought her to life. First published in 1983 and long unavailable, Stories of the Strange and Sinister collects ten of Baker’s short stories and displays the versatility of his work. Included are wonderfully macabre tales like ‘The Chocolate Box’, in which a discarded box found on a Cornish moor contains a gruesome surprise, and ‘In the Steam Room’, where a man enjoying a sauna believes he glimpses a horrible event through the steam, as well as more subtle tales of the fantastic like ‘My Lady Sweet, Arise’, in which a woman’s compulsion to sing ends with strange consequences, and ‘Quintin Claribel’, the story of a rude young man who must – quite literally – eat his words. This first-ever republication includes a new introduction by R. B. Russell. Frank Baker’s The Birds is also available from Valancourt. REVIEWS ‘Frank Baker is an unusual and appealing writer, at times quite similar to that grandmaster of the supernatural, Arthur Machen.’ - Michael Dirda, Washington Post ‘Baker’s work contains some of the more memorable treatments and interpretations of ... supernatural themes.’ - Encyclopedia of Fantasy