As a botanist, Robin Wall Kimmerer has been trained to ask questions of nature with the tools of science. As a member of the Citizen Potawatomi Nation, she embraces the notion that plants and animals are our oldest teachers. In Braiding Sweetgrass, Kimmerer brings these lenses of knowledge together to show that the awakening of a wider ecological consciousness requires the acknowledgment and celebration of our reciprocal relationship with the rest of the living world. For only when we can hear the languages of other beings are we capable of understanding the generosity of the earth, and learning to give our own gifts in return.

Alternate cover edition for 9780802135162 This is the story of Jeanette, adopted and brought up by her mother as one of God's elect. Zealous and passionate, she seems destined for life as a missionary, but then she falls for one of her converts. At sixteen, Jeanette decides to leave the church, her home and her family, for the young woman she loves. Innovative, punchy and tender, Oranges Are Not the Only Fruit is a few days ride into the bizarre outposts of religious excess and human obsession.

Civil War nurse and teacher Hannah uses her psychic powers to create a comfortable home for her lifelong companion Elizabeth, a scholar who suffered the indignities heaped on women in academia in the late 19th century. It's another one of Aldridge's classic novels of feminist triumph and love colored outside the lines.

A scientist’s exploration of the "ocean engine"―the physics behind the ocean’s systems―and why it matters. All of Earth’s oceans, from the equator to the poles, are a single engine powered by sunlight, driving huge flows of energy, water, life, and raw materials. In The Blue Machine , physicist and oceanographer Helen Czerski illustrates the mechanisms behind this defining feature of our planet, voyaging from the depths of the ocean floor to tropical coral reefs, estuaries that feed into shallow coastal seas, and Arctic ice floes. Through stories of history, culture, and animals, she explains how water temperature, salinity, gravity, and the movement of Earth’s tectonic plates all interact in a complex dance, supporting life at the smallest scale―plankton―and the largest―giant sea turtles, whales, humankind. From the ancient Polynesians who navigated the Pacific by reading the waves, to permanent residents of the deep such as the Greenland shark that can live for hundreds of years, she introduces the messengers, passengers, and voyagers that rely on interlinked systems of vast currents, invisible ocean walls, and underwater waterfalls. Most important, however, Czerski reveals that while the ocean engine has sustained us for thousands of years, today it is faced with urgent threats. By understanding how the ocean works, and its essential role in our global system, we can learn how to protect our blue machine. Timely, elegant, and passionately argued, The Blue Machine presents a fresh perspective on what it means to be a citizen of an ocean planet.

A captivating exploration of how underwater animals tap into sound to survive, and a clarion call for humans to address the ways we invade these critical soundscapes—from an award-winning science writer For centuries humans ignored sound in the “silent world” of the ocean, assuming that what we couldn’t perceive, didn’t exist. But we couldn’t have been more wrong. Marine scientists now have the technology to record and study the complex interplay of the myriad sounds in the sea. Finally, we can trace how sounds travel with the currents, bounce from the seafloor and surface, bend with temperature, and even saltiness; how sounds help marine life survive; and how human noise can transform entire marine ecosystems. In Sing Like Fish , award-winning science journalist Amorina Kingdon synthesizes historical discoveries with the latest research in a clear and compelling portrait of this sonic undersea world. From plainfin midshipman fish, whose swim-bladder drumming is loud enough to keep houseboat-dwellers awake, to the syntax of whalesong, from the deafening crackle of snapping shrimp, to underwater earthquakes and volcanoes, sound plays a vital role in feeding, mating, parenting, navigating, and warning - even in animals that we never suspected of acoustic ability. Meanwhile, we jump in our motorboats and cruise ships, oblivious to the impact below us. Our lifestyle is fuelled by oil in growling tankers and furnished by goods that travel in massive container ships. Navies deploy underwater sonar, and prospectors use seismic imaging to seek oil and gas under ocean floors. Our seas echo with human-made sound, but we are just learning how these pervasive noises can mask mating calls, chase animals from their food, and even wound creatures as from plankton to lobsters. With intimate and artful prose, Sing Like Fish tells a uniquely complete story of ocean animals’ submerged sounds, envisions a quieter future, and offers a profound new understanding of the world below the surface.

A queer, mixed race writer working in a largely white, male field, science and conservation journalist Sabrina Imbler has always been drawn to the mystery of life in the sea, and particularly to creatures living in hostile or remote environments. Each essay in their debut collection profiles one such creature: the mother octopus who starves herself while watching over her eggs, the Chinese sturgeon whose migration route has been decimated by pollution and dams, the bizarre Bobbitt worm (named after Lorena), and other uncanny creatures lurking in the deep ocean, far below where the light reaches. Imbler discovers that some of the most radical models of family, community, and care can be found in the sea, from gelatinous chains that are both individual organisms and colonies of clones to deep-sea crabs that have no need for the sun, nourished instead by the chemicals and heat throbbing from the core of the Earth. Exploring themes of adaptation, survival, sexuality, and care, and weaving the wonders of marine biology with stories of their own family, relationships, and coming of age, How Far the Light Reaches is a book that invites us to envision wilder, grander, and more abundant possibilities for the way we live.

Delving deep into the Australian landscape and the environmental challenges we face, Fire Country is a powerful account from Indigenous land management expert Victor Steffensen on how the revival of cultural burning practices, and improved 'reading' of country, could help to restore our land. From a young age, Victor has had a passion for traditional cultural and ecological knowledge. This was further developed after meeting two Elders, who were to become his mentors and teach him the importance of cultural burning. Developed over many generations, this knowledge shows clearly that Australia actually needs fire. Moreover, fire is an important part of a holistic approach to the environment, and when burning is done in a carefully considered manner, this ensures proper land care and healing. Victor's story is unassuming and honest, while demonstrating the incredibly sophisticated and complex cultural knowledge that has been passed down to him, which he wants to share with others. As global warming sees more parts of our planet burning, this book emphasises the value of Indigenous knowledge systems. There is much evidence that, if adopted, it could greatly benefit the land here in Australia and around the world.

Dark Emu puts forward an argument for a reconsideration of the hunter-gatherer tag for precolonial Aboriginal Australians. The evidence insists that Aboriginal people right across the continent were using domesticated plants, sowing, harvesting, irrigating and storing – behaviours inconsistent with the hunter-gatherer tag. Gerritsen and Gammage in their latest books support this premise but Pascoe takes this further and challenges the hunter-gatherer tag as a convenient lie. Almost all the evidence comes from the records and diaries of the Australian explorers, impeccable sources.

Marcia Welcome to Country 2nd edition is the essential follow-up to Australia’s landmark travel guide to Indigenous Australia, Welcome to Country. In this extensively updated edition, Marcia Langton offers a full range of Indigenous-owned or -operated tourism experiences across Australia, including an expanded directory with 250 new listings, illustrated maps, and photography by Wayne Quilliam. Australia is home to the longest continuing culture on Earth, and Welcome to Country 2nd edition highlights myriad ways to engage and deepen our knowledge and appreciation of the First peoples through travel. Everything from arts centres to tours is covered in this guide, and there are also fascinating insights into Indigenous cultures and histories, as well as etiquette for visitors. This guide also addresses the events and issues facing Australia today, such as as Native Title, the Stolen Generations, the 2020 bushfires, the Black Lives Matter movement, and making a rightful place in the nation for the First Australians.Welcome to Country was the first book of its kind and this updated edition, brought together by a highly respected First Nations scholar and author, is a must-have for every Australian home. 

'On 26 May 2017, a historic moment at Uluru gave this country hope. Those custodians came together, reached into their own hearts, and gifted us with a roadmap to find the heart of the nation - The Uluru Statement from the Heart. When you read this book, you will be feeling the pulse of this beautiful country, Australia. Finding the Heart of the Nation is a book full of stories about extraordinary people who will take you on an unforgettable journey to a place where we can start a new beginning. This book is a call to action that you will never forget.' – Thomas Mayor, 2019 This is a book for all Australians. Since the Uluru Statement from the Heart was formed in 2017, Thomas Mayor has traveled around the country to promote its vision of a better future for Indigenous Australians. He’s visited communities big and small, often with the Uluru Statement canvas rolled up in a tube under his arm. Through the story of his own journey and interviews with 20 key people, Thomas taps into a deep sense of our shared humanity. The voices within these chapters make clear what the Uluru Statement is and why it is so important. And Thomas hopes you will be moved to join them, along with the growing movement of Australians who want to see substantive constitutional change. Thomas believes that we will only find the heart of our nation when the First peoples – the Aboriginal and Torres Strait Islanders – are recognised with a representative Voice enshrined in the Australian Constitution. About the Author Thomas Mayor is a Torres Strait Islander man born on Larrakia country in Darwin. As an Islander growing up on the mainland, he learned to hunt traditional foods with his father and to island dance from the Darwin community of Torres Strait Islanders. In high school, Thomas's English teacher suggested he should become a writer. He didn't think then that he would become one of the first ever Torres Strait Islander authors to have a book published for the general trade. Instead, he became a wharf labourer from the age of seventeen, until he became a union official for the Maritime Union of Australia in his early thirties. Quietly spoken in character, Thomas found his voice on the wharves. As he gained the skills of negotiation and organising in the union movement, he applied those skills to advancing the rights of Indigenous peoples, becoming a signatory to the Uluru Statement from the Heart and a tireless campaigner. Following the Uluru Convention, Thomas was entrusted to carry the sacred canvas of the Uluru Statement from the Heart. He then embarked on an eighteen-month journey around the country to garner support for a constitutionally enshrined First Nations voice, and a Makarrata Commission for truth-telling and agreement-making or treaties. Thomas's journey continues, both in person and through the pages of this book. The book is his gift to the campaign for Voice, Treaty and Truth. Like the Uluru Statement from the Heart, he hopes that all Australians will accept it.

Reveals the complex, country-wide systems of land management used by Aboriginal people in presettlement Australia   Across Australia, early Europeans commented again and again that the land looked like a park, with extensive grassy patches and pathways, open woodlands, and abundant wildlife. Bill Gammage has discovered this was because Aboriginal people managed the land in a far more systematic and scientific fashion than most people have ever realized. For more than a decade, he has examined written and visual records of the Australian landscape. He has uncovered an extraordinarily complex system of land management using fire, the life cycles of native plants, and the natural flow of water to ensure plentiful wildlife and plant foods throughout the year. Aboriginal people spent far less time and effort than Europeans in securing food and shelter, and this book reveals how. Once Aboriginal people were no longer able to tend their country, it became overgrown and vulnerable to the hugely damaging bushfires Australians now experience. With details of land-management strategies from around Australia, this book rewrites the history of the continent, with huge implications for today.

We Are the Ocean is a collection of essays, fiction, and poetry by Epeli Hau'ofa, whose writing over the past three decades has consistently challenged prevailing notions about Oceania and prescriptions for its development. He highlights major problems confronted by the region and suggests alternative perspectives and ways in which its people might reorganize to relate effectively to the changing world. Hau'ofa's essays criss-cross Oceania, creating a navigator's star chart of discussion and debate. Spurning the arcana of the intellectual establishments where he was schooled, Hau'ofa has crafted a distinctive--often lyrical, at times angry--voice that speaks directly to the people of the region and the general reader. He conveys his thoughts from diverse standpoints: university-based analyst, essayist, satirist and humorist, and practical catalyst for creativity. According to Hau'ofa, only through creative originality in all fields of endeavor can the people of Oceania hope to strengthen their capacity to engage the forces of globalization. "Our Sea of Islands," "The Ocean in Us," "Pasts to Remember," and "Our Place Within," all of which are included in this collection, outline some of Hau'ofa's ideas for the emergence of a stronger and freer Oceania. Throughout he expresses his concern with the environment and suggests that the most important role that the "people of the sea" can assume is as custodians of the Pacific, the vast area of the world's largest body of water.