A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

An enlightening linguistic journey through a thousand years of feminist language--and what we can learn from the vivid vocabulary English once had for women's bodies, experiences, and sexuality So many of the words we use to articulate the experiences women share feel awkward or alien. Medical terms are scrupulously accurate but antiseptic. Slang and obscenities have shock value, yet they perpetuate taboos. Where are the plain, honest words for the experiences that women encounter in their daily lives? Mother Tongue is a historical investigation of feminist language and thought, from the dawn of Old English to the present day. Dr. Jenni Nuttall guides readers through the evolution of words we have used to describe female bodies, menstruation, women's sexuality, the consequences of male violence, childbirth, women's paid and unpaid work, and gender. Along the way, she challenges our modern language's ability to insightfully articulate women's shared experiences by examining the long-forgotten words once used in English for female sexual and reproductive organs. Nuttall also tells the story of words like womb and breast, whose meanings have changed over time, as well as how anatomical words such as hysteria and hysterical came to have such loaded legacies. Inspired by today's heated debates about words like womxn and menstruators--and also by more personal conversations between her and her teenage daughter--Nuttall describes the profound transformation of the English language. In the process, she unearths some surprisingly progressive thinking that challenges our assumptions about the past--and, in some cases, puts our twenty-first-century society to shame.

Women have always been healers -- from the priestess healers in the temples of Isis, to the hedge-witches and herbalists of medieval times, to the physicians, researchers, and alternative practitioners of today. This glorious book celebrates the history of women healers from earliest times to the present. It includes profiles of women healers from all traditions. Some are well known, such as Hildegard of Bingen, Florence Nightingale, and Mary Baker Eddy. Others deserve to be more widely recognized, such as Trotula of Salerno, who wrote gynecological and obstetrical texts in thirteenth-century Italy, and Mama Lola, a respected mambo or healing priestess in the Haitian Voodoo tradition. Text and pictures detail the many contributions of women to the healing arts, from the founding of nursing orders and the tending of soldiers, to the establishment of public health hospitals, to contemporary applications of the ancient lore of herbal medicine and therapeutic touch.

From Napoleon's penis to Van Gogh's ear, from Marie Antoinette's teeth to Marie Curie's bone marrow, this book brings together the remarkable stories of body parts that have made history. We have always used and abused bodies. We've torn them apart, dug them up, experimented on them or taken bits home to display as trophies. Body parts have been used for propaganda in wars and pulled off in punishment. They've answered medical mysteries, been turned into relics and even saved lives. Now TikTok sensation and medical historian, Dr Suzie Edge, brings us a history of the world's most famous body parts told through its most notable limbs, organs, and appendages, including how Queen Victoria's armpit led the development of antiseptics; why Percy Shelley's heart refused to burn; and the strange case of Hitler's right testicle.

There are redwoods in California that were ancient by the time Columbus first landed, and pines still alive that germinated around the time humans invented writing. There are Douglas firs as tall as skyscrapers, and a banyan tree in Calcutta as big as a football field.From the tallest to the smallest, trees inspire wonder in all of us, and in The Tree, Colin Tudge travels around the world—throughout the United States, the Costa Rican rain forest, Panama and Brazil, India, New Zealand, China, and most of Europe—bringing to life stories and facts about the trees around us: how they grow old, how they eat and reproduce, how they talk to one another (and they do), and why they came to exist in the first place. He considers the pitfalls of being tall; the things that trees produce, from nuts and rubber to wood; and even the complicated debt that we as humans owe them.Tudge takes us to the Amazon in flood, when the water is deep enough to submerge the forest entirely and fish feed on fruit while river dolphins race through the canopy. He explains the “memory” of a tree: how those that have been shaken by wind grow thicker and sturdier, while those attacked by pests grow smaller leaves the following year; and reveals how it is that the same trees found in the United States are also native to China (but not Europe).From tiny saplings to centuries-old redwoods and desert palms, from the backyards of the American heartland to the rain forests of the Amazon and the bamboo forests, Colin Tudge takes the reader on a journey through history and illuminates our ever-present but often ignored companions. A blend of history, science, philosophy, and environmentalism, The Tree is an engaging and elegant look at the life of the tree and what modern research tells us about their future.

From a #1 Apple podcast host, Lambda Literary fellow, and former dominatrix, a sex-positive, judgement-free cultural deep-dive into the world of kink. When BDSM educator and former dominatrix Tina Horn first launched Why Are People Into That?!, publications from Esquire and Guardian to Vice, Bustle, Buzzfeed, and beyond heralded the undertaking as one of the best podcasts about sex. Each episode centered around a different aspect of kink, erotic fantasy, and human sexuality, thoughtfully and non-judgmentally examining why, exactly, different strokes work for different folks. From sex workers and scientists to artists, writers, and porn stars, Tina’s wide range of guests helped educate fascinated listeners across the world on the wide spectrum of humanity’s sexual appetite. But for every episode she released, with every guest expert she interviewed, she found her listeners more and more insatiable--and she soon realized that the only way to really address the titular question with all the depth and nuance it deserved was to turn that idea into a book. From spanking, bondage, and financial domination, to the most taboo fantasies involving cake, chains, and cannibalism, WHY ARE PEOPLE INTO THAT? explores the universal human drives that shape even the most specific erotic tastes, and the cultural context that molds and is molded by the way we conceptualize sex, pleasure, gender, fantasy, and power. Along the way, Tina invites us to reconsider everything we thought we knew about sex and sexuality. How, for example, should we think about "consensual nonconsent" in a post-#MeToo era? How does cross-dressing, as a sexual fantasy, fit in with our evolving cultural understanding of gender performance and identity? And what do foot fetishists, furries, and “femdoms” have in common? Blending insightful cultural criticism, investigative journalism, psychology, and spicy anecdotes from Tina’s 15+ years of hard-earned expertise in the sex industry and beyond, WHY ARE PEOPLE INTO THAT? is a philosophical-but-fun exploration of the prismatic spectrum of human desire and the expansive possibilities of pleasure. For readers of books like Kink and Sex at Dawn, this raunchy and rousing book is perfect for anyone who is interested not only in the intricacies of what we desire, but in how desire itself really works.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

A sus 16, Matías Kovac está “jodido”. Kovac —como le dice su única amiga, Marcela— no se siente un adolescente normal. Tiene un secreto que se guarda a voces en su familia. Vive en el Conurbano bonaerense con su madre, que apenas atina a tomar las pastillas que le aseguren el sueño, y su hermana, una rollinga que fue linda pero aparece desfigurada por un balazo lanzado en un suicidio fallido. Su cuñado dealer fue asesinado y su hermano lo abandonó para marcharse hacia algún lugar de Barcelona. Mientras que el padre ausente escapó de su perversión.

A sus 16, Matías Kovac está “jodido”. Kovac —como le dice su única amiga, Marcela— no se siente un adolescente normal. Tiene un secreto que se guarda a voces en su familia. Vive en el Conurbano bonaerense con su madre, que apenas atina a tomar las pastillas que le aseguren el sueño, y su hermana, una rollinga que fue linda pero aparece desfigurada por un balazo lanzado en un suicidio fallido. Su cuñado dealer fue asesinado y su hermano lo abandonó para marcharse hacia algún lugar de Barcelona. Mientras que el padre ausente escapó de su perversión.

A fierce international bestseller that launched Korea’s new feminist movement, Kim Jiyoung, Born 1982 follows one woman’s psychic deterioration in the face of rigid misogyny. Truly, flawlessly, completely, she became that person. In a small, tidy apartment on the outskirts of the frenzied metropolis of Seoul lives Kim Jiyoung. A thirtysomething-year-old “millennial everywoman,” she has recently left her white-collar desk job—in order to care for her newborn daughter full-time—as so many Korean women are expected to do. But she quickly begins to exhibit strange symptoms that alarm her husband, parents, and in-laws: Jiyoung impersonates the voices of other women—alive and even dead, both known and unknown to her. As she plunges deeper into this psychosis, her discomfited husband sends her to a male psychiatrist. In a chilling, eerily truncated third-person voice, Jiyoung’s entire life is recounted to the psychiatrist—a narrative infused with disparate elements of frustration, perseverance, and submission. Born in 1982 and given the most common name for Korean baby girls, Jiyoung quickly becomes the unfavored sister to her princeling little brother. Always, her behavior is policed by the male figures around her—from the elementary school teachers who enforce strict uniforms for girls, to the coworkers who install a hidden camera in the women’s restroom and post their photos online. In her father’s eyes, it is Jiyoung’s fault that men harass her late at night; in her husband’s eyes, it is Jiyoung’s duty to forsake her career to take care of him and their child—to put them first. Jiyoung’s painfully common life is juxtaposed against a backdrop of an advancing Korea, as it abandons “family planning” birth control policies and passes new legislation against gender discrimination. But can her doctor flawlessly, completely cure her, or even discover what truly ails her? Rendered in minimalist yet lacerating prose, Kim Jiyoung, Born 1982 sits at the center of our global #MeToo movement and announces the arrival of writer of international significance

Alternate cover for this ISBN can be found here The universe began as an enormous breath being held. From the acclaimed author of Stories of Your Life and Others — the basis for the Academy Award-nominated film Arrival — comes a ground-breaking new collection of short fiction: nine stunningly original, provocative, and poignant stories. These are tales that tackle some of humanity's oldest questions along with new quandaries only Ted Chiang could imagine. In "The Merchant and the Alchemist's Gate", a portal through time forces a fabric seller in ancient Baghdad to grapple with past mistakes and second chances. In "Exhalation", an alien scientist makes a shocking discovery with ramifications that are literally universal. In "Anxiety Is the Dizziness of Freedom" the ability to glimpse into alternate universes necessitates a radically new examination of the concepts of choice and free will. Including stories being published for the first time as well as some of his rare and classic uncollected work, Exhalation is Ted Chiang at his best: profound, sympathetic — revelatory. Contents: - The Merchant and the Alchemist's Gate (2007) - Exhalation (2008) - What's Expected of Us (2005) - The Lifecycle of Software Objects (2010) - Dacey's Patent Automatic Nanny (2011) - The Truth of Fact, the Truth of Feeling (2013) - The Great Silence (2015) - Omphalos (2018) - Anxiety Is the Dizziness of Freedom (2018)