The author of the acclaimed Proust and the Squid follows up with a lively, ambitious, and deeply informative book that considers the future of the reading brain and our capacity for critical thinking, empathy, and reflection as we become increasingly dependent on digital technologies. A decade ago, Maryanne Wolf’s Proust and the Squid revealed what we know about how the brain learns to read and how reading changes the way we think and feel. Since then, the ways we process written language have changed dramatically with many concerned about both their own changes and that of children. New research on the reading brain chronicles these changes in the brains of children and adults as they learn to read while immersed in a digitally dominated medium. Drawing deeply on this research, this book comprises a series of letters Wolf writes to us—her beloved readers—to describe her concerns and her hopes about what is happening to the reading brain as it unavoidably changes to adapt to digital mediums. Wolf raises difficult questions, including: Will children learn to incorporate the full range of "deep reading" processes that are at the core of the expert reading brain? Will the mix of a seemingly infinite set of distractions for children’s attention and their quick access to immediate, voluminous information alter their ability to think for themselves? With information at their fingertips, will the next generation learn to build their own storehouse of knowledge, which could impede the ability to make analogies and draw inferences from what they know? Will all these influences, in turn, change the formation in children and the use in adults of "slower" cognitive processes like critical thinking, personal reflection, imagination, and empathy that comprise deep reading and that influence both how we think and how we live our lives? Will the chain of digital influences ultimately influence the use of the critical analytical and empathic capacities necessary for a democratic society? How can we preserve deep reading processes in future iterations of the reading brain? Who are the "good readers" of every epoch? Concerns about attention span, critical reasoning, and over-reliance on technology are never just about children—Wolf herself has found that, though she is a reading expert, her ability to read deeply has been impacted as she has become, inevitably, increasingly dependent on screens. Wolf draws on neuroscience, literature, education, technology, and philosophy and blends historical, literary, and scientific facts with down-to-earth examples and warm anecdotes to illuminate complex ideas that culminate in a proposal for a biliterate reading brain. Provocative and intriguing, Reader, Come Home is a roadmap that provides a cautionary but hopeful perspective on the impact of technology on our brains and our most essential intellectual capacities—and what this could mean for our future.

"As the first book of its kind, this reader contains essays and projects investigating many different facets of Digital Folklore: online amateur culture, DIY electronics, dirtstyle, typo-nihilism, memes, teapots, penis enlargement ..."--Page 4 of cover.

The book explores the role that data plays in our lives and originates from a correspondence between the two authors - both data visualisation artists who met at a data conference and chose to keep in touch by sending weekly postcards composed of data visualisations in place of words. The result is described as “a thought-provoking visual feast”.

Electrifying lessons in power, influence and persuasion to equalise women in an unequal world, from former dominatrix and nun turned sought-after coach Kasia Urbaniak spent 17 years studying to become a Taoist nun. To foot the bill for her studies, she worked as a high-paid (and extremely successful) dominatrix in dungeons around New York City. What she learned in these two wildly different settings has turned into her life’s work. UNBOUND brings Urbaniak’s unique teachings for women on speaking power, persuading others and navigating conflict to a mainstream audience for the first time. Part polemic, part practical, it opens women’s eyes to why they frequently find it so difficult – personally, professionally and socially – to raise their voices, why they freeze in challenging circumstances and what they can do to change this. Too often women find themselves in the role of ‘sub’ when they need to be more ‘dom’ – in short they are paralysed by their Good Girl Syndrome and a deep-seated need to please everyone and anyone except themselves. UNBOUND shows women how to cut through layers of self-censoring and self-doubt to direct and command attention so they can express – and get – what they really think, feel, need and want.

Welcome to the O.C., b*tch: it’s the definitive oral history of beloved TV show The O.C., from the show’s creators, featuring interviews with the cast and crew, providing a behind-the-scenes look into how the show was made, the ups and downs over its four seasons, and its legacy today. On August 5th, 2003, Ryan Atwood found himself a long way from his home in Chino—he was in The O.C., an exclusive suburb full of beautiful girls, wealthy bullies, corrupt real-estate tycoons, and a new family helmed by his public defender, Sandy Cohen. Ryan soon warms up to his nerdy, indie band-loving new best friend Seth, and quickly falls for Marissa, the stunning girl next door who has secrets of her own. Completing the group is Summer, Seth’s dream girl and Marissa’s loyal—and fearless—best friend. Together, the friends fall in and out of love, support each other amidst family strife, and capture the hearts of audiences across the country. Just in time for the show’s twentieth anniversary, The O.C.’s creator Josh Schwartz and executive producer Stephanie Savage are ready to dive into how the show was made, the ups and downs over its four seasons, and its legacy today. With Rolling Stone’s chief TV critic and bestselling author Alan Sepinwall conducting interviews with the key cast members, writers, and producers who were there when it all happened, Welcome to the O.C. will offer the definitive inside look at the beloved show—a nostalgic delight for audiences who watched when it aired, and a rich companion to viewers currently discovering the show while it streams on HBO Max and Hulu. The O.C. paved the way for a new generation of iconic teen soaps, launched the careers of young stars, and even gave us the gift of Chrismukkah. Now, it’s time to go back where we started from and experience it all over again. Includes exclusive interviews with: Ben McKenzie * Mischa Barton * Adam Brody * Rachel Bilson * Peter Gallagher * Kelly Rowan * Melinda Clarke * Tate Donovan * Chris Carmack * Autumn Reeser * Willa Holland * Samaire Armstrong * Alan Dale * Colin Hanks * Amanda Righetti * Navi Rawat * Shannon Lucio * Michael Cassidy * McG * Imogen Heap * Alex Greenwald * Ben Gibbard * Paul Scheer * Doug Liman * and many more!

Winner of the Nobel Prize in Literature From Pulitzer Prize-winning poet Louise Glück, a stunningly beautiful collection of poems that encompasses the natural, human, and spiritual realms Bound together by the universal themes of time and mortality and with clarity and sureness of craft, Louise Glück's poetry questions, explores, and finally celebrates the ordeal of being alive.

Is it possible to write a sidesplitting novel about the breakup of the perfect marriage? If the writer is Nora Ephron, the answer is a resounding yes. For in this inspired confection of adultery, revenge, group therapy, and pot roast, the creator of "Sleepless in Seattle" reminds us that comedy depends on anguish as surely as a proper gravy depends on flour and butter. Seven months into her pregnancy, Rachel Samstat discovers that her husband, Mark, is in love with another woman. The fact that the other woman has "a neck as long as an arm and a nose as long as a thumb and you should see her legs" is no consolation. Food sometimes is, though, since Rachel writes cookbooks for a living. And in between trying to win Mark back and loudly wishing him dead, Ephron's irrepressible heroine offers some of her favorite recipes. "Heartburn" is a sinfully delicious novel, as soul-satisfying as mashed potatoes and as airy as a perfect soufflé.

In this “vivid and immersive” (Liz Moore) debut, Eli Raphael conjures the windswept coast of Washington State and a boarding school steeped in privilege and deadly secrets—a remarkable story of grief, power, and the dangerous price of belonging.It is true that I wished him dead dozens of times. Hundreds, even. But I, Lenny Winter, did not kill that boy.    Lenny Winter is fifteen years old when she moves with her parents to an aging houseboat off the rugged coast of Washington. She imagines a quiet life spent charting constellations and chasing her dream of becoming an astronomer. Instead, a sudden tragedy shatters her world and catapults her to Blanchard, a renowned boarding school for the Pacific Northwest's elite, where wealth and tradition rule.   Blanchard is dazzling, insular–and haunted by its own legends. At its heart lurks the Pascalianum Club, a secret society known to shape the school's greatest and most notorious students, and whose influence stretches far beyond campus walls. Hungry to belong, Lenny is drawn into its orbit, even as she senses that the club feeds on the very vulnerabilities she is desperate to hide. As privilege collides with grief and loyalty warps into obsession, Lenny’s choices will lead to an unforgettable reckoning—and a murder investigation that will test every story she tells herself about guilt, power, hope, and who she is becoming. Sweeping, suspenseful, and deeply moving, Bright Work is both a gripping mystery and a profound coming-of-age story—asking what we risk, what we become, and who we hold dear, when the need to belong eclipses everything else.

The dramatic and redemptive memoir of a woman whose curiosity led her to the world’s most beautiful and remote places, its most imperiled and perilous countries, and then into fifteen months of harrowing captivity—an exquisitely written story of courage, resilience, and grace.As a child, Amanda Lindhout escaped a violent household by paging through issues of National Geographic and imagining herself in its exotic locales. At the age of nineteen, working as a cocktail waitress in Calgary, Alberta, she began saving her tips so she could travel the globe. Aspiring to understand the world and live a significant life, she backpacked through Latin America, Laos, Bangladesh, and India, and emboldened by each adventure, went on to Sudan, Syria, and Pakistan. In war-ridden Afghanistan and Iraq she carved out a fledgling career as a television reporter. And then, in August 2008, she traveled to Somalia—“the most dangerous place on earth.” On her fourth day, she was abducted by a group of masked men along a dusty road.Held hostage for 460 days, Amanda converts to Islam as a survival tactic, receives “wife lessons” from one of her captors, and risks a daring escape. Moved between a series of abandoned houses in the desert, she survives on memory—every lush detail of the world she experienced in her life before captivity—and on strategy, fortitude, and hope. When she is most desperate, she visits a house in the sky, high above the woman kept in chains, in the dark, being tortured.Vivid and suspenseful, as artfully written as the finest novel, A House in the Sky is the searingly intimate story of an intrepid young woman and her search for compassion in the face of unimaginable adversity.

In his journal, Nobel Prize winner John Steinbeck called East of Eden “the first book,” and indeed it has the primordial power and simplicity of myth. Set in the rich farmland of California’s Salinas Valley, this sprawling and often brutal novel follows the intertwined destinies of two families—the Trasks and the Hamiltons—whose generations helplessly reenact the fall of Adam and Eve and the poisonous rivalry of Cain and Abel. Adam Trask came to California from the East to farm and raise his family on the new rich land. But the birth of his twins, Cal and Aaron, brings his wife to the brink of madness, and Adam is left alone to raise his boys to manhood. One boy thrives nurtured by the love of all those around him; the other grows up in loneliness enveloped by a mysterious darkness. First published in 1952, East of Eden is the work in which Steinbeck created his most mesmerizing characters and explored his most enduring themes: the mystery of identity, the inexplicability of love, and the murderous consequences of love's absence. A masterpiece of Steinbeck's later years, East of Eden is a powerful and vastly ambitious novel that is at once a family saga and a modern retelling of the Book of Genesis.

An expansive consideration of charms as a deeply integrated aspect of the English Middle Ages.   Katherine Storm Hindley explores words at their most words that people expected would physically change the world. Medieval Europeans often resorted to the use of spoken or written charms to ensure health or fend off danger. Hindley draws on an unprecedented archive of more than a thousand such charms from medieval England—more than twice the number gathered, transcribed, and edited in previous studies and including many texts still unknown to specialists on this topic. Focusing on charms from 1100 to 1350 CE as well as previously unstudied texts in Latin, French, and English, Hindley addresses important questions of how people thought about language, belief, and power. She describes seven hundred years of dynamic, shifting cultural landscapes, where multiple languages, alphabets, and modes of transmission gained and lost their protective and healing power. Where previous scholarship has bemoaned a lack of continuity in the English charms, Hindley finds surprising links between languages and eras, all without losing sight of the extraordinary variety of the medieval charm a continuous, deeply rooted part of the English Middle Ages.