It is the early 1900s and Charlotte Bridger Drummond is a thoroughly modern woman. The sole provider for her five young boys, Charlotte is a fiercely independent, freethinking woman of the West who fully embraces the scientific spirit that is sweeping the nation at the dawn of the industrial age. Thumbing her nose at convention, she dresses in men's clothes, avoids housework whenever possible, and proudly supports her family by writing popular women's adventure stories. Ready to show off her knowledge of the local flora and fauna and have an adventure of her own, Charlotte joins a search party for a child who has disappeared in the deepwood wilderness on the border between Oregon and Washington. But when she gets lost herself, she is thrust into a mysterious world that not only tests her courage but challenges her entire concept of reality. Starving and half dead from exposure, Charlotte is rescued by a band of elusive, quasi-human beasts. As she becomes a part of the creatures' extended family, Charlotte is forced to reconsider her previous notions about the differences between animals and humans, men and women, and above all, between wilderness and civilization. Beautifully written and historically accurate, "Wild Life" is a highly original tale set at the very edge of civilization, where one woman takes on the untamed world of nature, and in the process, discovers much about the deepest recesses of her very own human nature. Putting a surprising, revitalizing, feminine spin on the classic legend of Tarzan and other wildman sagas, award-winning novelist Molly Gloss delivers a rich portrait of America's northwestern frontier at the start of the twentieth century.

A haunting, unforgettable collection of tales from the 2022 National Book Award for Translated Literature winner and three-time Booker finalist, Samanta Schweblin. Once a decade a story collection rips a hole in the sky and we remember how it feels to have a spell cast upon us. From Jamaica Kincaid’s At the Bottom of the River to Denis Johnson’s Jesus’s Son to the earthquake stories of Haruki Murakami, these books are often short, but unforgettable. Samanta Schweblin’s Good and Evil is such a book. Sculpted and lucid, strange and uncanny, here is a masterpiece of suggestiveness. Step by step these six stories lure us into the shadows to confront the monsters of everyday life—ourselves. In one tale, a mother surfaces from the depths of the lake behind her house, where she saw something awful yet alluring, to go home to her family, only to wish she could go back. In another, a sorrowful father finds himself unable to communicate with his son after a life-changing misfortune occurs under his supervision. In yet another, a dying woman calls a friend she hasn’t spoken to in thirty years—not since an accident which forever changed them both. Guilt, grief, and relationships severed permeate this collection—but so do unspeakable bonds of family, love, and longing, each sinister and beautiful. When something seismic happens in our lives, the waves keep coming for years after, with warning or without. Sometimes, all we can do is wait around the corner, ear pressed to the phone receiver, for them to arrive. Fantastical and subtly terrifying, these stories draw on magical realism, psychological fiction, and the dark side of fairy tales inherited from literary predecessors like the Brothers Grimm and Jorge Luis Borges. Yet, far from antiquated or closed off, Schweblin’s worlds invite us in, like quicksand or a strong river’s current. These stories will insinuate themselves into your heart, and your bloodstream.

Celebrate 40 years of WHAM! with the Sunday Times bestseller from one half of the world's most famous bands'I couldn't put it down. Such a fantastic book' Chris Evans, Virgin Radio________School mates. Band mates. Soul mates . . .When Andrew Ridgley took George Michael, the new boy at school, under his wing, he discovered a soul mate.In Wham! George and Me, Andrew tells the story of how they rode a rollercoaster of success around the world while making iconic records and surviving superstardom with their friendship intact. It is a memoir of love, music, the flamboyant 1980s and living in a pop hurricane.No one else can ever tell their story - because no one else was there . . .Forty years on from their explosion into pop music, Andrew Ridgeley tells the inside story of Wham!, his life-long friendship with George Michael and the formation of a band that changed music.________'A joyous celebration of the Wham! years. For anyone who was a teenager in the early 1980s, it will take you on a nostalgia trip. It's an honest but affectionate account of a remarkable duo who remained true to their origins and their friendship throughout it all' Daily Express'As infectious as their music' Daily Mirror'A remarkably generous memoir. In more than one sense, the biography of a friend' Spectator'A great story' Saturday Live, Radio 4'A lovely book. A love letter to George' Graham Norton, BBC One'Charming, heartfelt . . . there's a real poignancy to Ridgeley's description of Wham!'s glory days' Sunday Times

There's nothing worse than a Dirty Old Nice Guy…Ellie Darkwah has landed her first Big Girl TV Job. Unfortunately, it mainly involves fetching lunch for a hostile chorus of gammony misogynists. Living the dream? She’s regularly crying in the closest thing her office has to a closet. Which, for an undercover bisexual, is kind of triggering. Enter rising comedian Rick, apparently the only straight white man in TV who doesn’t suck. Despite their age gap and occasional cultural differences they form a ride-or die friendship, ignoring the raised eyebrows of colleagues. So what if Rick’s quirks get a touch more… problematic once fame hits? When sordid skeletons start emerging in the entertainment industry, she’s suddenly being asked hard questions about Rick, now a household name and nationally recognised ‘good guy’. The past may be messy, but Ellie would never turn a blind eye to an actual bad man. Especially one just under her nose… Right?

A haunting, unforgettable collection of tales from the 2022 National Book Award for Translated Literature winner and three-time Booker finalist, Samanta Schweblin. Once a decade a story collection rips a hole in the sky and we remember how it feels to have a spell cast upon us. From Jamaica Kincaid’s At the Bottom of the River to Denis Johnson’s Jesus’s Son to the earthquake stories of Haruki Murakami, these books are often short, but unforgettable. Samanta Schweblin’s Good and Evil is such a book. Sculpted and lucid, strange and uncanny, here is a masterpiece of suggestiveness. Step by step these six stories lure us into the shadows to confront the monsters of everyday life—ourselves. In one tale, a mother surfaces from the depths of the lake behind her house, where she saw something awful yet alluring, to go home to her family, only to wish she could go back. In another, a sorrowful father finds himself unable to communicate with his son after a life-changing misfortune occurs under his supervision. In yet another, a dying woman calls a friend she hasn’t spoken to in thirty years—not since an accident which forever changed them both. Guilt, grief, and relationships severed permeate this collection—but so do unspeakable bonds of family, love, and longing, each sinister and beautiful. When something seismic happens in our lives, the waves keep coming for years after, with warning or without. Sometimes, all we can do is wait around the corner, ear pressed to the phone receiver, for them to arrive. Fantastical and subtly terrifying, these stories draw on magical realism, psychological fiction, and the dark side of fairy tales inherited from literary predecessors like the Brothers Grimm and Jorge Luis Borges. Yet, far from antiquated or closed off, Schweblin’s worlds invite us in, like quicksand or a strong river’s current. These stories will insinuate themselves into your heart, and your bloodstream.

The Bachelor franchise has been around for over two decades and amassed an army of fans across its four shows. While contestants battle to prove they’re here for the right reasons, Bachelor Nation is confronting their own question—Why are we here and why can’t we stop watching? Devout franchise fans Ilana Masad and Stevie Seibert Desjarlais pose the big questions to Bachelor Who are we? What does the franchise mean to us? And seriously, why on earth can we not stop watching? For years, fans of the Bachelor franchise have laughed with and at contestants; cried along with their heartbreaks; tuned in again and again each season despite feeling betrayed by producer and contestant decisions alike; and celebrated, alone and together, the love (or loveless) lives of perfect strangers on our television screens. And we wonder, really, why? With reality TV broadly characterized as “trash TV,” why are so many intelligent, funny, and critical people watching and discussing it? Here for All the Reasons seeks to answer this question, diving into the complex negotiations of gender, racial, and class politics that arise within the fandom. This anthology is a polyvocal exploration of Bachelor Nation for Bachelor Nation. So, will you accept our rose and join the chat?

From the celebrated author of All My Mother's Lovers, an incandescent new novel rooted in true events asks how our beliefs, memories, and pain tie us to one another, to history, and to reality itself. In 1961, an interracial couple drove through the dark mountains of New Hampshire when a mysterious light began to follow them. Years later, through hypnosis, they recalled an unbelievable brush with extraterrestrial life. Unintentionally, a genre was the alien abduction narrative.In Ilana Masad's Beings, the couple's experience serves as one part of a trio of intertwined Known only by their roles as husband and wife, Masad explores the pair's trauma and its aftermath and questions what it means to accept the impossible. In the second thread, letters penned by a budding science-fiction writer, Phyllis, to her beloved, Rosa, expose the raw ache of queer yearning, loneliness, and alienation in the repressive 1960s-as well as the joy of finding community. In the present day, a reclusive and chronically ill Archivist attempts to understand a strange forgotten childhood encounter while descending into obsession over both Phyllis's letters and the testimony of the first alien abductees.Over the course of a decade, Phyllis wrestles with her desires and ambitions as a lesbian writer, while the abducted couple grapple with how to maintain control of their narrative. All the while, the archive shatters and reforms, redefining fact and fiction via the stories left behind by the abductees, Phyllis, and the Archivist themself. Masad makes human what is alien and makes tangible what is hidden – sometimes by chance and sometimes intentionally – in the archive.

THERE IS ONLY ONE CHER … … and for seven decades she has been showing us why. Cher holds the attention of the world with her voice, her acting, her style, her wit and her unstoppable spirit. Now, for the first time, she tells her story in her own voice – as honest as it is hilarious, as powerful as it is perceptive. Cher’s childhood was anything but normal. As her mother Georgia – blessed with movie-star looks and a knockout voice – moved them around the country over and again in the hope of finding fame, her school life wasn’t straightforward. But she always knew she was going to be somebody when she grew up. Cher’s powerful instinct to keep moving eventually landed her in the arms of Sonny Bono. The duo became famous beyond their wildest dreams, from humble beginnings singing backup in Phil Spector’s studio through to pop stardom as Sonny and Cher, and then on to the television show that made them household names. But as time passed, fame changed the dynamic of their relationship and Cher evolved from a wide-eyed teenager into a woman. She started fighting for herself, breaking away from Sonny’s control – and realising that things were not as they seemed. Taking risks, making headlines, falling in love, Cher struggled and stumbled while trying to become her own woman. The Memoir, Part One brings us to the brink of her next chapter, as she begins to chart her own path, finally claiming her rightful place in the world and becoming CHER.

When a murdered woman is found in the city of Beszel, somewhere at the edge of Europe, it looks to be a routine case for Inspector Tyador Borlú of the Extreme Crime Squad. But as he investigates, the evidence points to conspiracies far stranger and more deadly than anything he could have imagined. Borlú must travel from the decaying Beszel to the only metropolis on Earth as strange as his own. This is a border crossing like no other, a journey as psychic as it is physical, a shift in perception, a seeing of the unseen. His destination is Beszel’s equal, rival, and intimate neighbor, the rich and vibrant city of Ul Qoma. With Ul Qoman detective Qussim Dhatt, and struggling with his own transition, Borlú is enmeshed in a sordid underworld of rabid nationalists intent on destroying their neighboring city, and unificationists who dream of dissolving the two into one. As the detectives uncover the dead woman’s secrets, they begin to suspect a truth that could cost them and those they care about more than their lives. What stands against them are murderous powers in Beszel and in Ul Qoma: and, most terrifying of all, that which lies between these two cities. Casting shades of Kafka and Philip K. Dick, Raymond Chandler and 1984, The City & the City is a murder mystery taken to dazzling metaphysical and artistic heights.

Joanna Russ's On Strike Against God is remarkable for its deft intertwining of many themes: not only the overt one of coming out, but many intricately (and inevitably) interlaced stories of alienation, a search for community and rebellion against how our society defines women.

Joanna Russ's On Strike Against God is remarkable for its deft intertwining of many themes: not only the overt one of coming out, but many intricately (and inevitably) interlaced stories of alienation, a search for community and rebellion against how our society defines women.

The long-awaited follow-up from one of the most original and hilarious voices writing today.Scaachi Koul’s first book was a collection of raw, perceptive, and hilarious essays reckoning with the issues of race, body image, love, friendship, and growing up the daughter of immigrants. When the time came to start writing her next book, Scaachi assumed she’d be updating her story with essays about her elaborate four-day wedding, settling down to domestic bliss, and continuing her never-ending arguments with her parents. Instead, the Covid pandemic hit, the world went into lockdown, Scaachi’s marriage fell apart, she lost her job, and her mother was diagnosed with cancer.Sucker Punch is about what happens when the life you thought you’d be living radically changes course, everything you thought you knew about the world and yourself has tilted on its axis, and you have to start forging a new path forward. Scaachi employs her signature humor and fierce intelligence to interrogate her previous belief that fighting is the most effective tool for progress. She examines the fights she’s had—with her parents, her ex-husband, her friends, online strangers, and herself—all in an attempt to understand when a fight is worth having, and when it's better to walk away.

The long-awaited follow-up from one of the most original and hilarious voices writing today.Scaachi Koul’s first book was a collection of raw, perceptive, and hilarious essays reckoning with the issues of race, body image, love, friendship, and growing up the daughter of immigrants. When the time came to start writing her next book, Scaachi assumed she’d be updating her story with essays about her elaborate four-day wedding, settling down to domestic bliss, and continuing her never-ending arguments with her parents. Instead, the Covid pandemic hit, the world went into lockdown, Scaachi’s marriage fell apart, she lost her job, and her mother was diagnosed with cancer.Sucker Punch is about what happens when the life you thought you’d be living radically changes course, everything you thought you knew about the world and yourself has tilted on its axis, and you have to start forging a new path forward. Scaachi employs her signature humor and fierce intelligence to interrogate her previous belief that fighting is the most effective tool for progress. She examines the fights she’s had—with her parents, her ex-husband, her friends, online strangers, and herself—all in an attempt to understand when a fight is worth having, and when it's better to walk away.

A haunting, unforgettable collection of tales from the 2022 National Book Award for Translated Literature winner and three-time Booker finalist, Samanta Schweblin. Once a decade a story collection rips a hole in the sky and we remember how it feels to have a spell cast upon us. From Jamaica Kincaid’s At the Bottom of the River to Denis Johnson’s Jesus’s Son to the earthquake stories of Haruki Murakami, these books are often short, but unforgettable. Samanta Schweblin’s Good and Evil is such a book. Sculpted and lucid, strange and uncanny, here is a masterpiece of suggestiveness. Step by step these six stories lure us into the shadows to confront the monsters of everyday life—ourselves. In one tale, a mother surfaces from the depths of the lake behind her house, where she saw something awful yet alluring, to go home to her family, only to wish she could go back. In another, a sorrowful father finds himself unable to communicate with his son after a life-changing misfortune occurs under his supervision. In yet another, a dying woman calls a friend she hasn’t spoken to in thirty years—not since an accident which forever changed them both. Guilt, grief, and relationships severed permeate this collection—but so do unspeakable bonds of family, love, and longing, each sinister and beautiful. When something seismic happens in our lives, the waves keep coming for years after, with warning or without. Sometimes, all we can do is wait around the corner, ear pressed to the phone receiver, for them to arrive. Fantastical and subtly terrifying, these stories draw on magical realism, psychological fiction, and the dark side of fairy tales inherited from literary predecessors like the Brothers Grimm and Jorge Luis Borges. Yet, far from antiquated or closed off, Schweblin’s worlds invite us in, like quicksand or a strong river’s current. These stories will insinuate themselves into your heart, and your bloodstream.

From the critically-acclaimed author of Disorientation, a multi-genre story collection that explores the limits and possibilities of storytellingA mail order bride from Taiwan is packed up in a cardboard box and sent via express shipping to California, where her much older husband awaits her. Two teenage girls meticulously plan how to kill and cook their downstairs neighbor. An American au pair moves to Paris to find herself, only to find her actual French doppelgänger. A father reunites with his estranged daughter in unusual circumstances: as a background actor on the set of her film. And in “Casualties of Art,” a writer’s affair with a married artist tests the line between fact and fiction, self-victimization and the victimization of others.In these six singular stories and a novella that pivot from the terrible to the beautiful to the surreal, Elaine Hsieh Chou confronts the slipperiness of truth in storytelling. With razor-sharp precision and psychological acuity, she peels back the tales we tell ourselves to peer beneath them: at our treacherous desires, our self-deceptions and our capacity for cruelty, both to ourselves and each other. Expansive and provocative, Where Are You Really From is a visionary achievement.

A delightfully insightful exploration of our obsession with gossip that weaves together journalism, cultural criticism, and memoir, from the host of the massively popular Normal Gossip podcast. Can you keep a secret? As the pandemic forced us to socialize at a distance, Kelsey McKinney was mourning the juicy updates, jaw-dropping stories, and idle chatter that she’d typically collect over drinks with friends. She realized she wasn’t the only one missing these little morsels and her hunger for this aspect of normalcy took on a life of its own and the blockbuster Normal Gossip podcast was born. With listenership in the millions and gossip quickly becoming her day job, Kelsey found herself with the urge to think more critically about gossip as a form, to better understand the role that it plays in our culture. In YOU DIDN'T HEAR THIS FROM ME, McKinney explores the murkiness of everyday storytelling. Why is gossip considered a sin and how can we better recognize when gossip is being weaponized against the oppressed? Why do we think we’re entitled to every detail of a celebrity’s personal life because they are a public figure? And how do we even define “gossip,” anyway? She dishes on the art of eavesdropping and dives deep into how pop culture has changed the way that we look at hearsay. But as much as the book aims to treat gossip as a subject worthy of rigor, it also hopes to capture the heart of how enchanting and fun it can be to lean over and whisper something a little salacious into your friend’s ear. With wit and honesty, McKinney unmasks what we're actually searching for when we demand to know the truth – and how much the truth really matters in the first place.  

In bestselling author Lindy West’s most ambitious book yet, she takes readers along on an uproarious cross-country road trip as she unpacks her last few tumultuous years, rediscovers herself, and reinvents her marriage in the process. Through Shrill, the book and then the Hulu series, Lindy West became an inspiration. To this day she is stopped on the street and hailed as a beacon of empowerment by women who felt badly for not conforming to the categories deemed acceptable—thin, straight, compliant. But behind the scenes, Lindy never felt like she was the self-actualized woman fans made her out to be. When she found herself in the throes of a deep depression, with her marriage and sense of self-worth hanging in the balance, she knew she needed to make a change.   In ADULT BRACES, Lindy shares the story of her rock bottom, and of the solo cross-country road trip she took to claw her way out of it. With her trademark candor and sense of humor, she examines her post-Shrill emotional implosion, her shifting feelings about traditional marriage, and her search for her long-lost self. She also tracks the highs and lows of her journey, from eye-opening natural wonders and kitschy roadside attractions to lackluster excursions and campground epiphanies. The result is an engaging and laugh-out-loud narrative of becoming as Lindy transforms from a passenger into the active navigator of her own life.