*WINNER OF THE INAUGURAL PFD QUEER FICTION PRIZE**SHORTLISTED FOR THE WOMEN'S PRIZE DISCOVERIES AWARD*An arresting, unmissable debut novel shortlisted for the Women's Prize Discoveries award - an exploration of family, grief, queer identity, and the legacy of the Catholic Church in Ireland.Can you imagine it? I'd say to them. Can you imagine me there in the front row in Saint Peter's Square? The lesbian sister of a literal saint.Brought up in a devout household in Ireland, Jay is now living in London with her girlfriend, determined to live day to day and not think too much about either the future or the past. But when she learns that her beloved older brother, who died in a terrible accident, may be made into a Catholic saint, she realises she must at last confront her family, her childhood and herself . . .Inspired by the author's own devout upbringing, Ordinary Saints is a brilliant debut novel from a fresh, exciting new voice which asks - who gets to decide how we are remembered - and who we will become?Praise for Ordinary Saints:'The best debut novel I've read in a long time. Niamh Ní Mhaoileoin is a writer of immense delicacy, perception and heart, drilling deep into questions of faith, family and love. A beautiful novel and a huge talent' Jessica Moor'Ní Mhaoileoin's writing has a real magic to it that hits you right from the first sentence'Okechukwu Nzelu'I both learnt - and felt - a lot reading Ordinary Saints. An intriguing, compelling and deeply original debut'Roxy Dunn, author of As Young As This

When Rin aced the Keju — the Empire-wide test to find the most talented youth to learn at the Academies — it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard — the most elite military school in Nikan — was even more surprising. But surprises aren’t always good. Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power — an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive — and that mastering control over those powers could mean more than just surviving school. For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away. Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity ... and that it may already be too late.

For fans of Everything I Never Told You and The Mothers, a deeply moving and unflinching debut following a young Vietnamese-Australian woman who returns home to her family in the wake of her brother’s shocking murder, determined to discover what happened—a dramatic exploration of the intricate bonds and obligations of friendship, family, and community. Just let him go. These are the words Ky Tran will forever regret. The words she spoke when her parents called to ask if they should let her younger brother Denny out to celebrate his high school graduation with friends. That night, Denny—optimistic, guileless, brilliant Denny—is brutally murdered inside a busy restaurant in the Sydney suburb of Cabramatta, a refugee enclave facing violent crime, an indifferent police force, and the worst heroin epidemic in Australian history. Returning home to Cabramatta for the funeral, Ky learns that the police are stumped by Denny’s case: a dozen people were at Lucky 8 restaurant when Denny died, but each of the bystanders claim to have seen nothing. Desperately hoping that understanding what happened might ease her suffocating guilt, Ky sets aside her grief and determines to track down the witnesses herself. With each encounter, she peels back another layer of the place that shaped her and Denny, exposing trauma and seeds of violence that were planted well before that fateful celebration dinner: by colonialism, by the war in Vietnam, and by the choices they’ve all made to survive. Alternating between Ky’s voice and the perspectives of the witnesses, Tracey Lien’s extraordinary debut is at once heart-pounding and heart-rending as it probes the intricate bonds of friendship, family, and community through an unforgettable cast of characters, all connected by a devastating crime. Combining evocative family drama and gripping suspense, All That’s Left Unsaid is a profound and moving page turner, perfect for readers of Liz Moore, Brit Bennett, and Celeste Ng.

I am a Weyward, and wild inside. 2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she begins to suspect that her great aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century. 1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. As a girl, Altha’s mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence for witchcraft is set out against Altha, she knows it will take all of her powers to maintain her freedom. 1942: As World War II rages, Violet is trapped in her family's grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives––and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom. Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an enthralling novel of female resilience and the transformative power of the natural world.

To the world, they were a scandal. To each other, an obsession. An epic love story set in the sparkling, savage sphere of elite figure skating about a woman determined to carve her own path on and off the ice She might not have a famous name, funding, or her family’s support, but Katarina Shaw has always known that she was destined to become an Olympic skater. When she meets Heath Rocha, a lonely kid stuck in the foster care system, their instant connection makes them a formidable duo on the ice. Clinging to skating—and each other—to escape their turbulent lives, Kat and Heath go from childhood sweethearts to champion ice dancers, captivating the world with their scorching chemistry, rebellious style, and rollercoaster relationship. Until a shocking incident at the Olympic Games brings their partnership to a sudden end. As the ten-year anniversary of their final skate approaches, an unauthorized documentary reignites the public obsession with Shaw and Rocha, claiming to uncover the "real story" through interviews with their closest friends and fiercest rivals. Kat wants nothing to do with the documentary. But she can't stand the thought of someone else defining her legacy either. So, after a decade of silence, she's telling her story: from the childhood tragedies that created her all-consuming bond with Heath to the clash of desires that tore them apart. Sensational rumors have haunted their every step for years, but the truth may be even more shocking than the headlines. Inspired by the powerful love and hate that fuel Emily Bronte’s classic, Wuthering Heights, The Favorites is an exhilarating dance between passion, ambition, and what it truly means to win.

In his long-awaited first novel, American master George Saunders delivers his most original, transcendent, and moving work yet. Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other—for no one but Saunders could conceive it. February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln's beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. "My poor boy, he was too good for this earth," the president says at the time. "God has called him home." Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy's body. From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie's soul. Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction's ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?