Brooklynite Eva Mercy is a single mom and bestselling erotica writer, who is feeling pressed from all sides. Shane Hall is a reclusive, enigmatic, award-winning literary author who, to everyone's surprise, shows up in New York. When Shane and Eva meet unexpectedly at a literary event, sparks fly, raising not only their past buried traumas, but the eyebrows of New York's Black literati. What no one knows is that twenty years earlier, teenage Eva and Shane spent one crazy, torrid week madly in love. They may be pretending that everything is fine now, but they can't deny their chemistry - or the fact that they've been secretly writing to each other in their books ever since. Over the next seven days in the middle of a steamy Brooklyn summer, Eva and Shane reconnect, but Eva's not sure how she can trust the man who broke her heart, and she needs to get him out of New York so that her life can return to normal. But before Shane disappears again, there are a few questions she needs answered... With its keen observations of Black life and the condition of modern motherhood, as well as the consequences of motherless-ness, Seven Days in June is by turns humorous, warm and deeply sensual. Alternate cover edition of ISBN 9781538719107.

*WINNER OF THE INAUGURAL PFD QUEER FICTION PRIZE**SHORTLISTED FOR THE WOMEN'S PRIZE DISCOVERIES AWARD*An arresting, unmissable debut novel shortlisted for the Women's Prize Discoveries award - an exploration of family, grief, queer identity, and the legacy of the Catholic Church in Ireland.Can you imagine it? I'd say to them. Can you imagine me there in the front row in Saint Peter's Square? The lesbian sister of a literal saint.Brought up in a devout household in Ireland, Jay is now living in London with her girlfriend, determined to live day to day and not think too much about either the future or the past. But when she learns that her beloved older brother, who died in a terrible accident, may be made into a Catholic saint, she realises she must at last confront her family, her childhood and herself . . .Inspired by the author's own devout upbringing, Ordinary Saints is a brilliant debut novel from a fresh, exciting new voice which asks - who gets to decide how we are remembered - and who we will become?Praise for Ordinary Saints:'The best debut novel I've read in a long time. Niamh Ní Mhaoileoin is a writer of immense delicacy, perception and heart, drilling deep into questions of faith, family and love. A beautiful novel and a huge talent' Jessica Moor'Ní Mhaoileoin's writing has a real magic to it that hits you right from the first sentence'Okechukwu Nzelu'I both learnt - and felt - a lot reading Ordinary Saints. An intriguing, compelling and deeply original debut'Roxy Dunn, author of As Young As This

When Rin aced the Keju — the Empire-wide test to find the most talented youth to learn at the Academies — it was a shock to everyone: to the test officials, who couldn’t believe a war orphan from Rooster Province could pass without cheating; to Rin’s guardians, who believed they’d finally be able to marry her off and further their criminal enterprise; and to Rin herself, who realized she was finally free of the servitude and despair that had made up her daily existence. That she got into Sinegard — the most elite military school in Nikan — was even more surprising. But surprises aren’t always good. Because being a dark-skinned peasant girl from the south is not an easy thing at Sinegard. Targeted from the outset by rival classmates for her color, poverty, and gender, Rin discovers she possesses a lethal, unearthly power — an aptitude for the nearly-mythical art of shamanism. Exploring the depths of her gift with the help of a seemingly insane teacher and psychoactive substances, Rin learns that gods long thought dead are very much alive — and that mastering control over those powers could mean more than just surviving school. For while the Nikara Empire is at peace, the Federation of Mugen still lurks across a narrow sea. The militarily advanced Federation occupied Nikan for decades after the First Poppy War, and only barely lost the continent in the Second. And while most of the people are complacent to go about their lives, a few are aware that a Third Poppy War is just a spark away. Rin’s shamanic powers may be the only way to save her people. But as she finds out more about the god that has chosen her, the vengeful Phoenix, she fears that winning the war may cost her humanity ... and that it may already be too late.

For fans of Everything I Never Told You and The Mothers, a deeply moving and unflinching debut following a young Vietnamese-Australian woman who returns home to her family in the wake of her brother’s shocking murder, determined to discover what happened—a dramatic exploration of the intricate bonds and obligations of friendship, family, and community. Just let him go. These are the words Ky Tran will forever regret. The words she spoke when her parents called to ask if they should let her younger brother Denny out to celebrate his high school graduation with friends. That night, Denny—optimistic, guileless, brilliant Denny—is brutally murdered inside a busy restaurant in the Sydney suburb of Cabramatta, a refugee enclave facing violent crime, an indifferent police force, and the worst heroin epidemic in Australian history. Returning home to Cabramatta for the funeral, Ky learns that the police are stumped by Denny’s case: a dozen people were at Lucky 8 restaurant when Denny died, but each of the bystanders claim to have seen nothing. Desperately hoping that understanding what happened might ease her suffocating guilt, Ky sets aside her grief and determines to track down the witnesses herself. With each encounter, she peels back another layer of the place that shaped her and Denny, exposing trauma and seeds of violence that were planted well before that fateful celebration dinner: by colonialism, by the war in Vietnam, and by the choices they’ve all made to survive. Alternating between Ky’s voice and the perspectives of the witnesses, Tracey Lien’s extraordinary debut is at once heart-pounding and heart-rending as it probes the intricate bonds of friendship, family, and community through an unforgettable cast of characters, all connected by a devastating crime. Combining evocative family drama and gripping suspense, All That’s Left Unsaid is a profound and moving page turner, perfect for readers of Liz Moore, Brit Bennett, and Celeste Ng.

I am a Weyward, and wild inside. 2019: Under cover of darkness, Kate flees London for ramshackle Weyward Cottage, inherited from a great aunt she barely remembers. With its tumbling ivy and overgrown garden, the cottage is worlds away from the abusive partner who tormented Kate. But she begins to suspect that her great aunt had a secret. One that lurks in the bones of the cottage, hidden ever since the witch-hunts of the 17th century. 1619: Altha is awaiting trial for the murder of a local farmer who was stampeded to death by his herd. As a girl, Altha’s mother taught her their magic, a kind not rooted in spell casting but in a deep knowledge of the natural world. But unusual women have always been deemed dangerous, and as the evidence for witchcraft is set out against Altha, she knows it will take all of her powers to maintain her freedom. 1942: As World War II rages, Violet is trapped in her family's grand, crumbling estate. Straitjacketed by societal convention, she longs for the robust education her brother receives––and for her mother, long deceased, who was rumored to have gone mad before her death. The only traces Violet has of her are a locket bearing the initial W and the word weyward scratched into the baseboard of her bedroom. Weaving together the stories of three extraordinary women across five centuries, Emilia Hart's Weyward is an enthralling novel of female resilience and the transformative power of the natural world.