A landmark collection: the first anthology of short fiction by Afghan women that are "powerful, profound, and deeply moving" (Elif Shafak, author of The Island of Missing Trees, a Reese's Book Club pick)"My pen is the wing of a bird; it will tell you those thoughts we are not allowed to think, those dreams we are not allowed to dream."Eighteen Afghan women living in, speaking about, and writing from the country itself tell stories that are powerful and illuminating, unique and universal - stories of family, work, childhood, friendship, war, gender identity, and cultural traditions. A woman's fortitude saves her village from disaster. A  teenager explores their identity in a moment of quiet.  A  tormented girl tries to find love through a horrific act. A headmaster makes his way to work, treading the fine line between life and death.These and more original, vital, and unexpected stories hail from extraordinary voices rooted in Afghanistan's two main linguistic groups (Pashto and Dari), and were developed over two years through the writer development program Untold's Write Aghanistan Project.  My Pen Is the Wing of a Bird comes at a pivotal moment in Afghanistan's history, when these voices must be heard.With an Introduction by [to come] and Afterword by Lucy Hannah, Founder and Director of Untold 

The nineteenth daughter of a local village leader in rural Afghanistan, Fawzia Koofi was left to die in the sun after birth by her mother. But she survived, and perseverance in the face of extreme hardship has defined her life ever since. Despite the abuse of her family, the exploitative Russian and Taliban regimes, the murders of her father, brother, and husband, and numerous attempts on her life, she rose to become the first Afghani woman Parliament speaker. Here, she shares her amazing story, punctuated by a series of poignant letters she wrote to her two daughters before each political trip―letters describing the future and freedoms she dreamed of for them and for all the women of Afghanistan. Her story movingly captures the political and cultural moment in Afghanistan, a country caught between the hope of progress and the bitter truth of history.

As a young girl growing up in 1970s Afghanistan, Nelofer Pazira seems destined for a bright future. The daughter of liberal-minded professionals, she enjoys a safe, loving and privileged life. Some of her early memories include convivial family picnics and New Years’ celebrations overlooking the thousands of red flowers that carpet the hills of Mazar. But Nelofer’s world is shattered when she is just five and her father is imprisoned for refusing to support the communist party. This episode plants a “seed of anger” in her, which is given plenty of opportunity to grow as the years unfold. In 1979, the Soviets invade Afghanistan beginning a ten-year occupation. The country becomes an armed camp with Russians fighting U.S.-backed mujahidin fighters while trying to impose military rule. For Nelofer, daily life includes an endless succession of tanks, rockets screaming overhead and explosions in the street. During this time, she and her best friend, Dyana, seek refuge in their love of poetry. At eleven, the two girls throw stones at Soviet tanks and plot other acts of rebellion at the local school. As Nelofer gets older, she joins the resistance movement, distributes contraband books, studies guerilla warfare and hides a gun in her parent’s mint garden. When Nelofer’s younger brother comes home from school in military garb, the family finally decides to flee Afghanistan. What follows is a perilous, clandestine journey across rugged mountains into Pakistan. But the life of a refugee is not what Nelofer expects. Though she once idealized the mujahidin as freedom fighters, she is shocked, as a woman, to find herself stripped of her personal freedom in their midst. In 1990, Nelofer and her family are offered refugee status in Canada. Here she corresponds with her friend Dyana, whose letters reveal the increasing oppression of life under the Taliban. Fearing that her friend will kill herself, Pazira returns to Afghanistan to rescue her. This search becomes the basis for the acclaimed film Kandahar . Her journey to discover Dyana’s tragedy leads her finally to Russia, the land of her enemy, where she confronts the legacy of the Soviet invasion of her homeland first-hand. A Bed of Red Flowers is a gripping, heart-rending story about a country caught in a struggle of the superpowers – and of the real people behind the politics. Universally acclaimed for its astute insights and extraordinary humanity, Pazira’s memoir won the Drainie-Taylor Biography Prize for 2005. The Winnipeg Free Press “Powerfully written, A Bed of Red Flowers is a rare account of a misunderstood country and its intrepid people, trying to live ordinary lives under extraordinary circumstances.” The Gazette (Montreal) describes the book as “an outpouring of passionate non-fiction that captivates like the tales of Sheherazade.… It’s a remarkable journey. An inspiring read.”