The death of Edward I in 1307 marked the beginning of a period of intense turmoil and change in England. The fourteenth century ushered in the beginning of the bloody Hundred Years’ War with France, an epic conflict with Scotland that would last into the sixteenth century, famine in Northern Europe and the largest human catastrophe in known history, the Black Death. Through the epic drama of regicide, war, the prolonged spectre of bubonic plague, religious antagonism, revolt and the end of a royal dynasty, this book tells the story of the fourteenth century via the lives of Edward II, Edward III and Richard II – three very different monarchs, each with their own egos and ambitions, each with their own ideas about England and what it meant to wield power. Alongside the lives of the last Plantagenets, it also uncovers lesser-known voices and untold stories to give a new portrait of a fractured monarchy, the birth of the struggle between Europeanism and nationalism, social rebellion and a global pandemic. Sceptred Isle is a thrilling narrative account of a century of revolution, shifting power and great change – social, political and cultural – shedding new light on a pivotal period of English history and the people who lived it.

Medea longs for a different life. Since childhood, she has been separated from her sister, shunned by her mother, and persecuted and tormented by her brother and father. All because of a unique and dangerous witchcraft. But when a dashing young hero, Jason, arrives to claim the famed Golden Fleece that her father fiercely protects, Medea sees her opportunity for escape. Her offer to help Jason overcome the trials set by her father sets in motion a journey that will test every ounce of her strength, magic and loyalty; a journey that will see her battle monsters, dethrone kings and fall in love. But when faced with the ultimate betrayal, Medea is driven to an act of desperation so brutal it rips apart the lives of everyone involved...

Through nine emotionally vivid stories, all narrated from animal perspectives, Talia Lakshmi Kolluri’s debut collection explores themes of environmentalism, conservation, identity, belonging, loss, and family with resounding heart and deep tenderness. In Kolluri’s pages, a faithful hound mourns the loss of the endangered rhino he swore to protect. Vultures seek meaning as they attend to the antelope that perished in Central Asia. A beloved donkey’s loyalty to a zookeeper in Gaza is put to the ultimate test. And a wounded pigeon in Delhi finds an unlikely friend. In striking, immersive detail against the backdrop of an ever-changing international landscape, What We Fed to the Manticore speaks to the fears and joys of the creatures we share our world with, and ultimately places the reader under the rich canopy of the tree of life.

A woman’s mysterious death puts her husband and son on a collision course with her demonic family. A young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality. For Gaspar, the son, this maniacal cult is his destiny. As the Order tries to pull him into their evil, he and his father take flight, attempting to outrun a powerful clan that will do anything to ensure its own survival. But how far will Gaspar’s father go to protect his child? And can anyone escape their fate? Moving back and forth in time, from London in the swinging 1960s to the brutal years of Argentina’s military dictatorship and its turbulent aftermath, Our Share of Night is a novel like no other: a family story, a ghost story, a story of the occult and the supernatural, a book about the complexities of love and longing with queer subplots and themes. This is the masterwork of one of Latin America’s most original novelists, “a mesmerizing writer,” says Dave Eggers, “who demands to be read.”

There are an infinite number of possible futures that lie ahead of us—like threads stretching out into the distance. Rob Hopkins, cofounder of the international Transition Network movement, invites us to travel to future worlds we would actually want to live in. In 2020, when the COVID-19 pandemic disrupted every aspect of daily life, climate activist and Transition Network cofounder Rob Hopkins responded the way a lot of people by starting a podcast. But it wasn’t any ordinary podcast. In each episode, Hopkins and his guests would “time travel” together to the year 2030—walking down imagined future streets, talking with imagined future neighbors, visiting imagined future local businesses. While Hopkins’s guests came from all walks of life—economists, politicians, bakers, comedians, novelists and more—they all shared a willingness to suspend their worries about the future long enough to mentally inhabit and then describe a world they were thrilled to be a part of. What Hopkins discovered was no less this simple exercise of visiting a positive future forced him to rethink the work he’d been doing as a climate activist for decades. How to Fall in Love with the Future is the result of that radical disruption—and Hopkins’s deep dive into the people and movements throughout history who have used visions of the future to inspire positive change on a large and dramatic scale. From the life and writings of musician Sun Ra and the history of Black utopian movements to the latest neuroscience on what goes on in our minds—and hearts—when we “time travel,” Hopkins brings essential new thinking to anyone overwhelmed with dread and anxiety for the future. He asks us to what would the world look like if we all got to work imagining—and then building—a world we were deeply in love with? “Rob Hopkins puts imagination back at the heart of future-dreaming, offering us an irresistible invitation to dream bigger and then make those dreams a reality.”—Kate Raworth, author of Doughnut Economics

Like Dylan Thomas’ "Under Milk Wood" and Sherwood Anderson’s "Winesburg, Ohio," Brian Doyle’s stunning fiction debut brings a town to life through the jumbled lives and braided stories of its people. In a small town on the Oregon coast there are love affairs and almost-love-affairs, mystery and hilarity, bears and tears, brawls and boats, a garrulous logger and a silent doctor, rain and pain, Irish immigrants and Salish stories, mud and laughter. There’s a Department of Public Works that gives haircuts and counts insects, a policeman addicted to Puccini, a philosophizing crow, beer and berries. An expedition is mounted, a crime committed, and there’s an unbelievably huge picnic on the football field. Babies are born. A car is cut in half with a saw. A river confesses what it’s thinking… It’s the tale of a town, written in a distinct and lyrical voice, and readers will close the book more than a little sad to leave the village of Neawanaka, on the wet coast of Oregon, beneath the hills that used to boast the biggest trees in the history of the world.

The best-selling author of the million-copy classic House of Leaves returns with a magisterial, page-turning epic, about two friends determined to rescue a pair of horses set for slaughter. While folks still like to focus on the crimes that shocked the small city of Orvop, Utah, back in the fall of 1982, not to mention the trials that followed, far more remember the adventure that took place beyond municipal lines in mountains ready to shrug even the bravest from their backs, as one Orvop local would put, with another characterizing the astonishing journey as crazy as it was foolish as it still is just plain beyond imaginin. But them kids went for it anyway. Not that such daring was entirely unexpected considering how some of those involved included the likes of young Tom Gatestone, already a bit of an Orvop legend, and his friend Kalin March, new to the area, the two of them takin it upon themselves to rescue a couple of neglected horses from the Porch paddocks on Willow and Oak. Who knows what would have happened if they hadn’t? For sure no one expected the dead to rise but they did. For sure no one expected the mountain to fall but it did. For sure no one expected an act of courage so great, and likewise so appalling, that it still staggers the heart and mind of anyone who knows anything about the Katanogos massif to say nothing of Pillars Meadow. As one Orvop high-school teacher would describe that extraordinary feat days before she died: Fer sure, no one expected Kalin March to tell Old Porch: You get what you deserve when you ride with cowards. In this sweeping tale of mythic proportions, populated by extraordinary characters, the ghosts of the American West, and bursting with unexpected humor, Danielewski tells a masterful story of determination, perseverance, and humanity in the face of long odds and adverse fate.

Like Dylan Thomas’ "Under Milk Wood" and Sherwood Anderson’s "Winesburg, Ohio," Brian Doyle’s stunning fiction debut brings a town to life through the jumbled lives and braided stories of its people. In a small town on the Oregon coast there are love affairs and almost-love-affairs, mystery and hilarity, bears and tears, brawls and boats, a garrulous logger and a silent doctor, rain and pain, Irish immigrants and Salish stories, mud and laughter. There’s a Department of Public Works that gives haircuts and counts insects, a policeman addicted to Puccini, a philosophizing crow, beer and berries. An expedition is mounted, a crime committed, and there’s an unbelievably huge picnic on the football field. Babies are born. A car is cut in half with a saw. A river confesses what it’s thinking… It’s the tale of a town, written in a distinct and lyrical voice, and readers will close the book more than a little sad to leave the village of Neawanaka, on the wet coast of Oregon, beneath the hills that used to boast the biggest trees in the history of the world.

Louise Erdrich paints a startling portrait of a young woman fighting for her life and her unborn child against oppressive forces that manifest in the wake of a cataclysmic event in this dystopian novel. Twenty-six-year-old Cedar Hawk Songmaker, adopted daughter of a pair of Minneapolis liberals, is as disturbed and uncertain as the rest of America around her. But for Cedar, this change is profound and deeply personal. She is four months pregnant. Though she wants to tell the adoptive parents who raised her from infancy, Cedar first feels compelled to find her birth mother, Mary Potts, an Ojibwe to understand both her and her baby’s origins. As Cedar goes back to her own biological beginnings, society around her begins to disintegrate, fueled by a swelling panic about the end of humanity.