The Holy Mountain meets Ratatouille in this X-rated fable by French provocateur Copi.. When pet rat Gouri finds himself locked out of his owner’s apartment, he has no choice but to strike out alone onto the pavements of Paris.But what begins as a strange and marvellous bedtime story - Gouri and his new friend Raka selling flour-coated worms to pigeons for spare change - soon spirals into an exhilarating whirlwind of murder, sex, unionised hamsters, courtroom drama, and, finally, Armageddon.Told through a series of letters from Gouri to Argentinian playwright Copi, City of Rats channels Copi’s lifelong fascination with society’s outcasts—queer people, immigrants, the homeless, and criminals—into a fiercely imaginative, unflinchingly provocative tale of a world hurtling into madness.

Seven-year-old Wen and her parents, Eric and Andrew, are vacationing at a remote cabin on a quiet New Hampshire lake. Their closest neighbors are more than two miles in either direction along a rutted dirt road. One afternoon, as Wen catches grasshoppers in the front yard, a stranger unexpectedly appears in the driveway. Leonard is the largest man Wen has ever seen but he is young, friendly, and he wins her over almost instantly. Leonard and Wen talk and play until Leonard abruptly apologizes and tells Wen, "None of what’s going to happen is your fault". Three more strangers then arrive at the cabin carrying unidentifiable, menacing objects. As Wen sprints inside to warn her parents, Leonard calls out: "Your dads won’t want to let us in, Wen. But they have to. We need your help to save the world."

Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. A breakout, genre-blurring novel from one of the most exciting new voices of Latin America’s feminist Gothic. It is the twilight of Europe’s bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women—and they cross a threshold from which there’s no turning back. With echoes of Mary Shelley’s Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.

The ultimate visual journey into the beautiful and complex world of wasps Wasps are far more diverse than the familiar yellowjackets and hornets that harass picnickers and build nests under the eaves of our homes. These amazing, mostly solitary creatures thrive in nearly every habitat on Earth, and their influence on our lives is overwhelmingly beneficial. Wasps are agents of pest control in agriculture and gardens. They are subjects of study in medicine, engineering, and other important fields. Wasps pollinate flowers, engage in symbiotic relationships with other organisms, and create architectural masterpieces in the form of their nests. This richly illustrated book introduces you to some of the most spectacular members of the wasp realm, colorful in both appearance and lifestyle. From minute fairyflies to gargantuan tarantula hawks, wasps exploit almost every niche on the planet. So successful are they at survival that other organisms emulate their appearance and behavior. The sting is the least reason to respect wasps and, as you will see, no reason to loathe them, either. Written by a leading authority on these remarkable insects, Wasps reveals a world of staggering variety and endless fascination.

From New York Times bestselling author Hampton Sides, an epic account of the most momentous voyage of the Age of Exploration, which culminated in Captain James Cook’s death in Hawaii, and left a complex and controversial legacy still debated to this day On July 12th, 1776, Captain James Cook, already lionized as the greatest explorer in British history, set off on his third voyage in his ship the HMS Resolution . Two-and-a-half years later, on a beach on the island of Hawaii, Cook was killed in a conflict with native Hawaiians. How did Cook, who was unique among captains for his respect for Indigenous peoples and cultures, come to that fatal moment? Hampton Sides’ bravura account of Cook’s last journey both wrestles with Cook’s legacy and provides a thrilling narrative of the titanic efforts and continual danger that characterized exploration in the 1700s. Cook was renowned for his peerless seamanship, his humane leadership, and his dedication to science-–the famed naturalist Joseph Banks accompanied him on his first voyage, and Cook has been called one of the most important figures of the Age of Enlightenment. He was also deeply interested in the native people he encountered. In fact, his stated mission was to return a Tahitian man, Mai, who had become the toast of London, to his home islands. On previous expeditions, Cook mapped huge swaths of the Pacific, including the east coast of Australia, and initiated first European contact with numerous peoples. He treated his crew well, and endeavored to learn about the societies he encountered with curiosity and without judgment. Yet something was different on this last voyage. Cook became mercurial, resorting to the lash to enforce discipline, and led his two vessels into danger time and again. Uncharacteristically, he ordered violent retaliation for perceived theft on the part of native peoples. This may have had something to do with his secret orders, which were to chart and claim lands before Britain’s imperial rivals could, and to discover the fabled Northwest Passage. Whatever Cook’s intentions, his scientific efforts were the sharp edge of the colonial sword, and the ultimate effects of first contact were catastrophic for Indigenous people around the world. The tensions between Cook’s overt and covert missions came to a head on the shores of Hawaii. His first landing there was harmonious, but when Cook returned after mapping the coast of the Pacific Northwest and Alaska, his exploitative treatment of the Hawaiians led to the fatal encounter. At once a ferociously-paced story of adventure on the high seas and a searching examination of the complexities and consequences of the Age of Exploration, THE WIDE WIDE SEA is a major work from one of our finest narrative nonfiction writers.

NEW YORK TIMES BESTSELLER • The “exquisitely researched and deeply engrossing” ( The New York Times ) true survival story of an early polar expedition that went terribly awry—with the ship frozen in ice and the crew trapped inside for the entire sunless, Antarctic winter “The energy of the narrative never flags. . . . Sancton has produced a thriller.”— The Wall Street Journal In August 1897, the young Belgian commandant Adrien de Gerlache set sail for a three-year expedition aboard the good ship Belgica with dreams of glory. His destination was the uncharted end of the the icy continent of Antarctica. But de Gerlache’s plans to be first to the magnetic South Pole would swiftly go awry. After a series of costly setbacks, the commandant faced two bad turn back in defeat and spare his men the devastating Antarctic winter, or recklessly chase fame by sailing deeper into the freezing waters. De Gerlache sailed on, and soon the Belgica was stuck fast in the icy hold of the Bellingshausen Sea. When the sun set on the magnificent polar landscape one last time, the ship’s occupants were condemned to months of endless night. In the darkness, plagued by a mysterious illness and besieged by monotony, they descended into madness. In Madhouse at the End of the Earth, Julian Sancton unfolds an epic story of adventure and horror for the ages. As the Belgica’s men teetered on the brink, de Gerlache relied increasingly on two young officers whose friendship had blossomed in the expedition’s lone American, Dr. Frederick Cook—half genius, half con man—whose later infamy would overshadow his brilliance on the Belgica; and the ship’s first mate, soon-to-be legendary Roald Amundsen, even in his youth the storybook picture of a sailor. Together, they would plan a last-ditch, nearly certain-to-fail escape from the ice—one that would either etch their names in history or doom them to a terrible fate at the ocean’s bottom. Drawing on the diaries and journals of the Belgica’s crew and with exclusive access to the ship’s logbook, Sancton brings novelistic flair to a story of human extremes, one so remarkable that even today NASA studies it for research on isolation for future missions to Mars. Equal parts maritime thriller and gothic horror, Madhouse at the End of the Earth is an unforgettable journey into the deep.

Who invented reality TV, the world’s most dangerous pop-culture genre, and why can’t we look away from it? In this revelatory, deeply reported account of the rise of “dirty documentary,” Emily Nussbaum unearths the surprising origin story of the genre that ate the world, as told through the lively voices of the people who created it. At once gimlet-eyed and empathetic, Cue The Sun! explores the morally charged, funny, and sometimes tragic consequences of the hunt for something real inside something fake. Nussbaum traces four paths of reality innovation—game shows, prank shows, soap operas, and clip shows—that united in the Survivor format, sparking a tumultuous Hollywood gold-rush. Along the way, we meet tricksters and innovators—from the icy Allen Funt to the shambolic Chuck Barris; Cops auteur John Langley; Bachelor mastermind Mike Fleiss; and Jon Murray, the visionary behind The Real World—along with dozens of crew members and ordinary people whose lives became fodder for the reality revolution. We learn about the tools of the trade—like Candid Camera’s brilliant “reveal” and the notorious Frankenbite, a deceptive editor’s best friend—and the moral outrage that reality shows provoked. But Cue The Sun! also celebrates what made the genre so powerful: a jolt of authentic emotion. Through broad-ranging reporting, Nussbaum examines seven tumultuous decades, exploring the celebreality boom, reality TV as a strike-breaker, the queer roots of Bravo, and the dark truth behind The Apprentice. A shrewd observer who cares about television, she is the ideal voice for the first substantive cultural history of the genre that has, for better or worse, made America what it is today.

In an isolated castle deep in the Austrian forest, Laura leads a solitary life with only her ailing father for company. Until one moonlit night, a horse-drawn carriage crashes into view, carrying an unexpected guest – the beautiful Carmilla. So begins a feverish friendship between Laura and her mysterious, entrancing companion. But as Carmilla becomes increasingly strange and volatile, prone to eerie nocturnal wanderings, Laura finds herself tormented by nightmares and growing weaker by the day… Pre-dating Dracula by twenty-six years, Carmilla is the original vampire story, steeped in sexual tension and gothic romance.

From the award-winning film director and New York Times bestselling author of If Cats Disappeared from the World, a surreal novelization of his hit film Exit 8, adapting the indie horror game of the same name. A path with no beginning, no end. A man with a life-changing decision to make finds himself trapped in a seemingly infinite corridor in a Tokyo subway station. Each time he passes through the sterile, quiet hallway, he discovers himself back at its beginning, walking past the same doors, the same posters, and disturbingly, the same people, as he did the previous time. He soon discovers that in order to reach the elusive "Exit 8", he must look more closely at his surroundings, and notice the tunnel's bizarre anomalies. Spot one, and he must turn back. Spot none, and he can proceed. Make it to eight, and he'll be free. Make a mistake, and he must start over again. As he stumbles through an endless loop of conformity, confronting the strange, new possibilities of his own life, he begins to wonder if anomalies are not things to be feared but to be embraced. Maybe, he thinks, the only way out is through.