‘I mean who cares about opinions, gossip, whatever, when bodies are so vulnerable, in search only of love and breath.’ The body frequently escapes her, but is always very much present in these compellingly vivid, clear-eyed essays on an embodied self in flight through the world, from the brilliant young writer Ellena Savage. In Portuguese police stations and Portland college campuses, in suburban Melbourne libraries and wintry Berlin apartments, Savage shows bodies in pain and in love, bodies at work and at rest. She circles back to scenes of crimes or near-crimes, to lovers or near-lovers, to turn over the stones, reread the paperwork, check the deeds, approach from another angle altogether. These essays traverse cities and spaces, bodies and histories, moving through forms and modes to find a closer kind of truth. Blueberries is ripe with acid, promise, and sweetness.

The future of storytelling is here. Life has thrown Zelu some curveballs over the years, but when she's suddenly dropped from her university job and her latest novel is rejected, all in the middle of her sister's wedding, her life is upended. Disabled, unemployed and from a nosy, high-achieving, judgmental family, she's not sure what comes next. In her hotel room that night, she takes the risk that will define her life - she decides to write a book VERY unlike her others. A science fiction drama about androids and AI after the extinction of humanity. And everything changes. What follows is a tale of love and loss, fame and infamy, of extraordinary events in one world, and another. And as Zelu's life evolves, the lines between fiction and reality begin to blur. Because sometimes a story really does have the power to reshape the world.

Rival ornithologists hunt through England for a rare magical bird in this historical-fantasy rom-com reminiscent of Indiana Jones but with manners, tea, and helicopter parasols. Beth Pickering is on the verge of finally capturing the rare deathwhistler bird when Professor Devon Lockley swoops in, capturing both her bird and her imagination like a villain. Albeit a handsome and charming villain, but that's beside the point. As someone highly educated in the ruthless discipline of ornithology, Beth knows trouble when she sees it, and she is determined to keep her distance from Devon.  For his part, Devon has never been more smitten than when he first set eyes on Professor Beth Pickering. She's so pretty, so polite, so capable of bringing down a fiery, deadly bird using only her wits. In other words, an angel. Devon understands he must not get close to her, however, since they're professional rivals.  When a competition to become Birder of the Year by capturing an endangered caladrius bird is announced, Beth and Devon are forced to team up to have any chance of winning. Now keeping their distance becomes a question of one bed or two. But they must take the risk, because fowl play is afoot, and they can't trust anyone else—for all may be fair in love and war, but this is ornithology.

A stunning, exquisite novel from an award-winning writer about a minister dispatched to a remote island off of Scotland to “clear” the last remaining inhabitant, who has no intention of leaving—an unforgettable tale of resilience, change, and hope. John, an impoverished Scottish minister, has accepted a job evicting the lone remaining occupant of an island north of Scotland—Ivar, who has been living alone for decades, with only the animals and the sea for company. Though his wife, Mary, has serious misgivings about the errand, he decides to go anyway, setting in motion a chain of events that neither he nor Mary could have predicted. Shortly after John reaches the island, he falls down a cliff and is found, unconscious and badly injured, by Ivar who takes him home and tends to his wounds. The two men do not speak a common language, but as John builds a dictionary of Ivar’s world, they learn to communicate and, as Ivar sees himself for the first time in decades reflected through the eyes of another person, they build a fragile, unusual connection. Unfolding in the 1840s in the final stages of the infamous Scottish Clearances—which saw whole communities of the rural poor driven off the land in a relentless program of forced evictions—this singular, beautiful, deeply surprising novel explores the differences and connections between us, the way history shapes our deepest convictions, and how the human spirit can survive despite all odds. Moving and unpredictable, sensitive and spellbinding, Clear is a profound and pleasurable read.

Enola Holmes, the much younger sister of Sherlock, is now living independently in London and working as a scientific perditorian (a finder of persons and things). But that is not the normal lot of young women in Victorian England. They are under the near absolute control of their nearest male relative until adulthood. Such is the case of Enola's friend, Lady Cecily Alastair. Twice before Enola has rescued Lady Cecily from unpleasant designs of her caddish father, Sir Eustace Alastair, Baronet. And when Enola is brusquely turned away at the door of the Alastair home it soons becomes apparent that Lady Cecily once again needs her help. Affecting a bold escape, Enola takes Lady Cecily to her secret office only to be quickly found by the person hired by Lady Cecily's mother to find the missing girl—Sherlock Holmes himself. But the girl has already disappeared again, now loose on her own in the unforgiving city of London. Even worse, Lady Cecily has a secret that few know. She has dual personalities—one, which is left-handed, is independent and competent; the other, which is right-handed is meek and mild. Now Enola must find Lady Cecily again—before one of her personalities gets her into more trouble than she can handle and before Sherlock can find her and return her to her father. Once again, for Enola, the game is afoot.

Enola Holmes, the much younger sister of Sherlock, is now living independently in London and working as a scientific perditorian (a finder of persons and things). But that is not the normal lot of young women in Victorian England. They are under the near absolute control of their nearest male relative until adulthood. Such is the case of Enola's friend, Lady Cecily Alastair. Twice before Enola has rescued Lady Cecily from unpleasant designs of her caddish father, Sir Eustace Alastair, Baronet. And when Enola is brusquely turned away at the door of the Alastair home it soons becomes apparent that Lady Cecily once again needs her help. Affecting a bold escape, Enola takes Lady Cecily to her secret office only to be quickly found by the person hired by Lady Cecily's mother to find the missing girl—Sherlock Holmes himself. But the girl has already disappeared again, now loose on her own in the unforgiving city of London. Even worse, Lady Cecily has a secret that few know. She has dual personalities—one, which is left-handed, is independent and competent; the other, which is right-handed is meek and mild. Now Enola must find Lady Cecily again—before one of her personalities gets her into more trouble than she can handle and before Sherlock can find her and return her to her father. Once again, for Enola, the game is afoot.

‘I mean who cares about opinions, gossip, whatever, when bodies are so vulnerable, in search only of love and breath.’ The body frequently escapes her, but is always very much present in these compellingly vivid, clear-eyed essays on an embodied self in flight through the world, from the brilliant young writer Ellena Savage. In Portuguese police stations and Portland college campuses, in suburban Melbourne libraries and wintry Berlin apartments, Savage shows bodies in pain and in love, bodies at work and at rest. She circles back to scenes of crimes or near-crimes, to lovers or near-lovers, to turn over the stones, reread the paperwork, check the deeds, approach from another angle altogether. These essays traverse cities and spaces, bodies and histories, moving through forms and modes to find a closer kind of truth. Blueberries is ripe with acid, promise, and sweetness.