In this deeply researched and fast-moving narrative, Kendi chronicles the entire story of anti-Black racist ideas and their staggering power over the course of American history. Stamped from the Beginning uses the lives of five major American intellectuals to offer a window into the contentious debates between assimilationists and segregationists and between racists and anti-racists. From Puritan minister Cotton Mather to Thomas Jefferson, from fiery abolitionist William Lloyd Garrison to brilliant scholar W. E. B. Du Bois to legendary anti-prison activist Angela Davis, Kendi shows how and why some of our leading pro-slavery and pro–civil rights thinkers have challenged or helped cement racist ideas in America. As Kendi illustrates, racist thinking did not arise from ignorance or hatred. Racist ideas were created and popularized in an effort to defend deeply entrenched discriminatory policies and to rationalize the nation’s racial inequities in everything from wealth to health. While racist ideas are easily produced and easily consumed, they can also be discredited. In shedding much-needed light on the murky history of racist ideas, Stamped from the Beginning offers tools to expose them—and in the process, reason to hope.

This explosive book of history and cultural criticism argues that white feminism has been a weapon of white supremacy and patriarchy deployed against Black and Indigenous women and all colonized women. It offers a long-overdue validation of the experiences of women of color. Taking us from the slave era—when white women fought in court to keep "ownership" of their slaves—through the centuries of colonialism—when they offered a soft face for brutal tactics—to the modern workplace, White Tears/Brown Scars</i< tells the story of white women's active participation in campaigns of oppression. Examining subjects as varied as The Hunger Games, Alexandria Ocasio-Cortez, the viral BBQ Becky video, and nineteenth-century lynchings of Mexicans in the American Southwest, Ruby Hamad builds a powerful argument about the entrenched systems of white supremacy that we are socialized within, a reality that we must apprehend in order to fight.

A searing, postapocalyptic novel destined to become Cormac McCarthy’s masterpiece. A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other. The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

What if a mystifying revolt precluded the Civil War and changed history as we know it? The vampire origin story is brilliantly reimagined in this terrifying novel of ancient lore, startling revenge, and immortal emancipation in eighteenth-century America. In the Province of Carolina, 1710, freedom seems unattainable for Willie, for his beloved Gertie, and for their unborn child. They live, suffer, and toil under their brutal master, James “Big Jim” Barrow, whose grand plantation was built by the blood, sweat, and tears of the enslaved. To flee this hell on earth is be hunted and killed. Until one strange night Willie is offered a dark hope by Rafazi, an enigmatic slave with an irresistible and blood-chilling path to liberation. Hailing from the Kingdom of Ghana, Rafazi is the lone survivor of the Ramanga, an African vampire tribe rendered nearly extinct by plague. Rafazi has roamed the world for centuries with an undying desire to replenish the power that once defined his heritage. In Willie, Rafazi has found his first biddable subject to be turned and to help in a hungry revolt. And Willie desires nothing more than to free his people from malicious bondage. Whatever it takes. One by one, as an army of blood slaves thirsting for revenge is gathered, the headstrong Gertie fears that no good can come from the vampiric legacy that courses through Rafazi’s veins. Willie knows that only evil can fight evil. And when the woman he loves stands between the reemergence of the Ramanga and the justified slaughter of the oppressors, Willie must make an irreversible decision. Only one thing is certain: on the Barrow plantation, and beyond, blood will spill. Part historical drama, part supernatural horror, and part alternate history, Blood Slaves is an ingenuous and defiant new creation myth of the vampire, one rooted in both justice and the sometimes-violent means necessary to achieve it.

This explosive book of history and cultural criticism argues that white feminism has been a weapon of white supremacy and patriarchy deployed against Black and Indigenous women and all colonized women. It offers a long-overdue validation of the experiences of women of color. Taking us from the slave era—when white women fought in court to keep "ownership" of their slaves—through the centuries of colonialism—when they offered a soft face for brutal tactics—to the modern workplace, White Tears/Brown Scars</i< tells the story of white women's active participation in campaigns of oppression. Examining subjects as varied as The Hunger Games, Alexandria Ocasio-Cortez, the viral BBQ Becky video, and nineteenth-century lynchings of Mexicans in the American Southwest, Ruby Hamad builds a powerful argument about the entrenched systems of white supremacy that we are socialized within, a reality that we must apprehend in order to fight.

Three long stories that draw the reader into the lives of three women, all past their first youth, all facing unexpected crises.

Shannon Chakraborty, the bestselling author of The City of Brass, spins a new trilogy of magic and mayhem on the high seas in this tale of pirates and sorcerers, forbidden artifacts and ancient mysteries, in one woman’s determined quest to seize a final chance at glory—and write her own legend. Amina al-Sirafi should be content. After a storied and scandalous career as one of the Indian Ocean’s most notorious pirates, she’s survived backstabbing rogues, vengeful merchant princes, several husbands, and one actual demon to retire peacefully with her family to a life of piety, motherhood, and absolutely nothing that hints of the supernatural. But when she’s tracked down by the obscenely wealthy mother of a former crewman, she’s offered a job no bandit could refuse: retrieve her comrade’s kidnapped daughter for a kingly sum. The chance to have one last adventure with her crew, do right by an old friend, and win a fortune that will secure her family’s future forever? It seems like such an obvious choice that it must be God’s will. Yet the deeper Amina dives, the more it becomes alarmingly clear there’s more to this job, and the girl’s disappearance, than she was led to believe. For there’s always risk in wanting to become a legend, to seize one last chance at glory, to savor just a bit more power…and the price might be your very soul.

"The moment I decided to leave him, the moment I thought, enough, we were thirty-five thousand feet above the ocean, hurtling forward but giving the illusion of stillness and tranquility. Just like our marriage." So opens Meg Wolitzer's compelling and provocative novel The Wife, as Joan Castleman sits beside her husband on their flight to Helsinki. Joan's husband, Joseph Castleman, is "one of those men who own the world...who has no idea how to take care of himself or anyone else, and who derives much of his style from the Dylan Thomas Handbook of Personal Hygiene and Etiquette." He is also one of America's preeminent novelists, about to receive a prestigious international award to honor his accomplishments, and Joan, who has spent forty years subjugating her own literary talents to fan the flames of his career, has finally decided to stop. From this gripping opening, Wolitzer flashes back fifty years to 1950s Smith College and Greenwich Village -- the beginning of the Castleman relationship -- and follows the course of the famous marriage that has brought them to this breaking point, culminating in a shocking ending that outs a carefully kept secret. Wolitzer's most important and ambitious book to date, The Wife is a wise, sharp-eyed, compulsively readable story about a woman forced to confront the sacrifices she's made in order to achieve the life she thought she wanted. But it's also an unusually candid look at the choices all men and women make for themselves, in marriage, work, and life. With her skillful storytelling and pitch-perfect observations, Wolitzer invites intriguing questions about the nature of partnership and the precarious position of an ambitious woman in a man's world.

A national bestseller when it first appeared in 1963, The Fire Next Time galvanized the nation and gave passionate voice to the emerging civil rights movement. At once a powerful evocation of James Baldwin’s early life in Harlem and a disturbing examination of the consequences of racial injustice, the book is an intensely personal and provocative document. It consists of two “letters,” written on the occasion of the centennial of the Emancipation Proclamation, that exhort Americans, both black and white, to attack the terrible legacy of racism. Described by The New York Times Book Review as “sermon, ultimatum, confession, deposition, testament, and chronicle…all presented in searing, brilliant prose,” The Fire Next Time stands as a classic of our literature.