Alternate cover edition of ISBN 9780525520375. Tommy Orange's wondrous and shattering novel follows twelve characters from Native communities: all traveling to the Big Oakland Powwow, all connected to one another in ways they may not yet realize. Among them is Jacquie Red Feather, newly sober and trying to make it back to the family she left behind. Dene Oxendene, pulling his life together after his uncle's death and working at the powwow to honor his memory. Fourteen-year-old Orvil, coming to perform traditional dance for the very first time. Together, this chorus of voices tells of the plight of the urban Native American--grappling with a complex and painful history, with an inheritance of beauty and spirituality, with communion and sacrifice and heroism. Hailed as an instant classic, There There is at once poignant and unflinching, utterly contemporary and truly unforgettable.

Alternate cover edition of ISBN 9780525520375. Tommy Orange's wondrous and shattering novel follows twelve characters from Native communities: all traveling to the Big Oakland Powwow, all connected to one another in ways they may not yet realize. Among them is Jacquie Red Feather, newly sober and trying to make it back to the family she left behind. Dene Oxendene, pulling his life together after his uncle's death and working at the powwow to honor his memory. Fourteen-year-old Orvil, coming to perform traditional dance for the very first time. Together, this chorus of voices tells of the plight of the urban Native American--grappling with a complex and painful history, with an inheritance of beauty and spirituality, with communion and sacrifice and heroism. Hailed as an instant classic, There There is at once poignant and unflinching, utterly contemporary and truly unforgettable.

From one of the greatest foreign correspondents of our time, whose essential and profound on the ground reporting from Afghanistan for The New Yorker from before 9/11 to the return of the Taliban to power in 2021 has definitively shaped our understanding of the country and its fate, comes the complete accounting of that era, combining previously published dispatches and new reporting into a narrative of great impact and lasting value.Jon Lee Anderson first reported from Afghanistan in the late 1980’s, covering the US-backed mujahedin’s insurrection against the Soviet-backed regime in Kabul. Within days of the 9/11 attacks, he was back on the ground as an early eyewitness to the new war launched by the US against the Taliban and their Al Qaeda allies. His reportage from the first year of the war won a number of awards, and was published in book form as The Lion’s Dispatches from Afghanistan. At the time, the American military had prevailed on the battlefield, and the newfound peace seemed to offer a precious space for Afghan society to restore itself and to forge a democratic future. But all was not Osama bin Laden was still in hiding, the Taliban were stealthily reorganizing for a comeback, and the United States was about to make the epochal blunder of turning its attention to Iraq.To Lose a War collects all of Anderson’s writing from Afghanistan over a near quarter-century span. Containing the stories from The Lion’s Grave and all of those he published since as well as important writing appearing here for the first time, the book offers a chronological account of a monumental tragedy as it unfolds in real time. The colossal waste, missed signals, and wishful thinking that characterized the twenty-year arc of the US-led war in Afghanistan have consecrated it as one of the greatest foreign policy failures of modern times, and a bellwether of a larger American imperial decline.Jon Lee Anderson’s chronicling of the Afghan war for The New Yorker earned him comparisons to Michael Herr and Ryzard Kapuscinski. Just as The Lion’s Grave offered a highly original, intimate glimpse of the war in its still-hopeful first year, To Lose a War provides today’s readers with an unparalleled narrative history of the entire arc of the American misadventure in Afghanistan.

Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is now a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries.

Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Constantinople, awakes to find that he is now a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries.

I don't know exactly what a prayer is.I do know how to pay attention, how to fall downinto the grass, how to kneel down in the grass,how to be idle and blessed, how to stroll through the fields,which is what I have been doing all day.Tell me, what else should I have done?Few modern poets are as beloved or as quoted as Mary Oliver. Spanning the major decades of her long career, this collection showcases Oliver’s remarkable lyrical powers and her reverential attention to the natural world. Her poetry sees life everywhere and asks what to do with it ­– how can we find our place among such beauty, such pain?Populated by wading birds, early snowfalls, and swaying cornfields, her reflections are the record of a life spent walking alone in the wild. These timeless poems meet and touch their reader in any season of life, brightened by Oliver’s gift for amazement, shadowed by her constant awareness of harshness and death. Her words teach us to live with our eyes open wider.

In 1903, a student at a military academy sent some of his verses to a well-known Austrian poet, requesting an assessment of their value. The older artist, Rainer Maria Rilke (1875–1926), replied to the novice in this series of letters—an amazing archive of remarkable insights into the ideas behind Rilke's greatest poetry. The ten letters reproduced here were written during an important stage in Rilke's artistic development, and they contain many of the themes that later appeared in his best works. The poet himself afterwards stated that his letters contained part of his creative genius, making this volume essential reading for scholars, poetry lovers, and anyone with an interest in Rilke, German poetry, or the creative impulse.

In 1903, a student at a military academy sent some of his verses to a well-known Austrian poet, requesting an assessment of their value. The older artist, Rainer Maria Rilke (1875–1926), replied to the novice in this series of letters—an amazing archive of remarkable insights into the ideas behind Rilke's greatest poetry. The ten letters reproduced here were written during an important stage in Rilke's artistic development, and they contain many of the themes that later appeared in his best works. The poet himself afterwards stated that his letters contained part of his creative genius, making this volume essential reading for scholars, poetry lovers, and anyone with an interest in Rilke, German poetry, or the creative impulse.

Acclaimed by many as the world's greatest novel, Anna Karenina provides a vast panorama of contemporary life in Russia and of humanity in general. In it Tolstoy uses his intense imaginative insight to create some of the most memorable characters in all of literature. Anna is a sophisticated woman who abandons her empty existence as the wife of Karenin and turns to Count Vronsky to fulfil her passionate nature - with tragic consequences. Levin is a reflection of Tolstoy himself, often expressing the author's own views and convictions. Throughout, Tolstoy points no moral, merely inviting us not to judge but to watch. As Rosemary Edmonds comments, 'He leaves the shifting patterns of the kaleidoscope to bring home the meaning of the brooding words following the title, 'Vengeance is mine, and I will repay.

Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies; but no book-length portrait has appeared until now. Through his own lively and eloquent reminiscences, "Stepping Stones" retraces the poet's steps from his early works, through to his receipt of the 1995 Nobel Prize for Literature and his post-Nobel life. It is supplemented with a large number of photographs, many from the Heaney family album and published here for the first time. In response to firm but subtle questioning from Dennis O'Driscoll, Seamus Heaney sheds a personal light on his work (poems, essays, translations, plays) and on the artistic and ethical challenges he faced, providing an original, diverting and absorbing store of reflections, opinions and recollections.