Murder at the Vicarage marks the debut of Agatha Christie’s unflappable and much beloved female detective, Miss Jane Marple. With her gift for sniffing out the malevolent side of human nature, Miss Marple is led on her first case to a crime scene at the local vicarage. Colonel Protheroe, the magistrate whom everyone in town hates, has been shot through the head. No one heard the shot. There are no leads. Yet, everyone surrounding the vicarage seems to have a reason to want the Colonel dead. It is a race against the clock as Miss Marple sets out on the twisted trail of the mysterious killer without so much as a bit of help from the local police.

An elderly stroke victim dies without having arranged a will… Beautiful young Elinor Carlisle stood serenely in the dock, accused of the murder of Mary Gerrard, her rival in love. The evidence was damning: only Elinor had the motive, the opportunity and the means to administer the fatal poison. Yet, inside the hostile courtroom, only one man still presumed Elinor was innocent until proven guilty: Hercule Poirot was all that stood between Elinor and the gallows…

Sheila Webb, typist-for-hire, has arrived at 19 Wilbraham Crescent in the seaside town of Crowdean to accept a new job. What she finds is a well-dressed corpse surrounded by six clocks. Mrs. Pebmarsh, the blind owner of No. 19, denies all knowledge of ringing Sheila's secretarial agency and asking for her by name -- yet someone did. Nor does she own that many clocks. And neither woman seems to know the victim. Colin Lamb, a young intelligence specialist working a case of his own at the nearby naval yard, happens to be on the scene at the time of Sheila Webb's ghastly discovery. Lamb knows of only one man who can properly investigate a crime as bizarre and baffling as what happened inside No. 19 -- his friend and mentor, Hercule Poirot.

While visiting Tommy's Aunt Ada at Sunny Ridge Nursing Home, Tuppence encounters some odd residents including Mrs. Lancaster who mystifies her with talk about "your poor child" and "something behind the fireplace". When Aunt Ada dies a few weeks later, she leaves Tommy and Tuppence a painting featuring a house, which Tuppence is sure she has seen before. This realization leads her on a dangerous adventure involving a missing tombstone, diamond smuggling and a horrible discovery of what Mrs. Lancaster was talking about.

Tommy and Tuppence Beresford return in Agatha Christie’s classic Postern of Fate, to investigate a deadly poisoning sixty years after the fact. Tommy and Tuppence Beresford have just become the proud owners of an old house in an English village. Along with the property, they have inherited some worthless bric-a-brac, including a collection of antique books. While rustling through a copy of The Black Arrow, Tuppence comes upon a series of apparently random underlinings. However, when she writes down the letters, they spell out a very disturbing message: "Mary Jordan did not die naturally." And sixty years after their first murder, Mary Jordan's enemies are still ready to kill. . . .

Tante Poldi ist sauer: Zuerst wird ihr das Wasser abgestellt, dann auch noch der Hund ihrer Freundin um die Ecke gebracht. Kreizsacklzement! Erste Ermittlungen führen sie zum Winzer Avola. Und der ist auch noch so hammer-attraktiv, dass die Poldi nach einer heißen Nacht prompt ihre Ermittlungen vergisst. Bis am nächsten Morgen die Polizei vor Avolas Tür steht. Denn zwischen seinen Reben wurde eine Leiche gefunden, und Commissario Montana ist alles andere als erfreut, dass ausgerechnet Poldi Avola ein Alibi geben kann. Außerdem bleibt die Frage: Wer hat Giuliana getötet - und warum?

A mysterious woman, a legendary cursed jewel, and a night train from London to the French Riviera -- ingredients for the perfect romance or the perfect crime? When the train stops, the jewel is missing, and the woman is found dead in her compartment. It's the perfect mystery, filled with passion, greed, deceit, and confusion. Is Hercule Poirot the perfect detective to solve it?