With her mom's new boyfriend, her best friend's new crush, and her dad's interest in her gym teacher, Berry vows to never catch a crush—and to show everyone how much better things would be without theirs—in this stand-alone contemporary middle grade from Tanita S. Davis, author of The Science of Friendship and Partly Cloudy. Every year, Berry’s mom, Ivy, visits for a three-week “August Invasion.” And every summer Berry hopes will be the one when Ivy will stay—forever. Which is why Ivy’s surprise return visit is amazing—until Berry realizes her mom didn’t come for her. Ivy’s back to pack the last of her things, and she’s brought her new “friend,” Mr. Cole to help. When Berry discovers that Mr. Cole is taking a job in England, she’s convinced that Ivy wants to move all the way across the ocean with him, to where an August Invasion can’t reach. Even at school, messy feelings are ruining everything. Berry’s best friend, Lia, rearranges her schedule to have classes with her crush, leaving Berry alone all day. Even Berry’s normally boring dad is making excuses to talk to her gym teacher. All these crushes are crushing the life out of Berry. Weren’t things better before these extra people came along? Why do things have to change?

First published in 1949, A Sand County Almanac combines some of the finest nature writing since Thoreau with an outspoken and highly ethical regard for America's relationship to the land. Written with an unparalleled understanding of the ways of nature, the book includes a section on the monthly changes of the Wisconsin countryside; another part that gathers informal pieces written by Leopold over a forty-year period as he traveled through the woodlands of Wisconsin, Iowa, Arizona, Sonora, Oregon, Manitoba, and elsewhere; and a final section in which Leopold addresses the philosophical issues involved in wildlife conservation. As the forerunner of such important books as Annie Dillard's Pilgrim at Tinker Creek, Edward Abbey's Desert Solitaire, and Robert Finch's The Primal Place, this classic work remains as relevant today as it was sixty-five years ago.

The author of the Walter Award-winning Man Made Monsters and the Caldecott Medal-winning Chooch Helped delivers a thriller that reads like Holes for a new generation—a murder mystery interwoven with Cherokee history and culture. Diane and her family have moved onto their grandfather's ranch in the hills of Oklahoma. There's any number of problems she can see with her new situation, but the main one is Grandfather Wilson is not a good man. But with her sisters and her parents—and the opportunity to reconnect with her Cherokee heritage—it's at least manageable. Until a strange girl shows up on the ranch and Diane’s life is changed forever. For she soon realizes that death lurks within the beautiful prairie grass around them... and a terrible secret that will tear their family apart if she lets it.

The author of the Walter Award-winning Man Made Monsters and the Caldecott Medal-winning Chooch Helped delivers a thriller that reads like Holes for a new generation—a murder mystery interwoven with Cherokee history and culture. Diane and her family have moved onto their grandfather's ranch in the hills of Oklahoma. There's any number of problems she can see with her new situation, but the main one is Grandfather Wilson is not a good man. But with her sisters and her parents—and the opportunity to reconnect with her Cherokee heritage—it's at least manageable. Until a strange girl shows up on the ranch and Diane’s life is changed forever. For she soon realizes that death lurks within the beautiful prairie grass around them... and a terrible secret that will tear their family apart if she lets it.

With her mom's new boyfriend, her best friend's new crush, and her dad's interest in her gym teacher, Berry vows to never catch a crush—and to show everyone how much better things would be without theirs—in this stand-alone contemporary middle grade from Tanita S. Davis, author of The Science of Friendship and Partly Cloudy. Every year, Berry’s mom, Ivy, visits for a three-week “August Invasion.” And every summer Berry hopes will be the one when Ivy will stay—forever. Which is why Ivy’s surprise return visit is amazing—until Berry realizes her mom didn’t come for her. Ivy’s back to pack the last of her things, and she’s brought her new “friend,” Mr. Cole to help. When Berry discovers that Mr. Cole is taking a job in England, she’s convinced that Ivy wants to move all the way across the ocean with him, to where an August Invasion can’t reach. Even at school, messy feelings are ruining everything. Berry’s best friend, Lia, rearranges her schedule to have classes with her crush, leaving Berry alone all day. Even Berry’s normally boring dad is making excuses to talk to her gym teacher. All these crushes are crushing the life out of Berry. Weren’t things better before these extra people came along? Why do things have to change?

From the award-winning author of Fiebre Tropical, an electric, highly anticipated novel set in Colombia’s underground queer scene. Isolated in a dreary Bogotá apartment, Ignacio’s light has dimmed, leaving his teenage daughter Valentina to raise herself in the wake of her mother’s death. Valentina longs to discover the details of her mother’s drowning and for Ignacio to snap out of his depression—his listless afternoons spent smoking cigarettes in long blonde wigs, telenovelas humming in the background, haunted by memories of the young man he loved and betrayed. From Ignacio’s dark past emerges the luminous Mamadora Eléctrica, the wise travesti who introduced Ignacio to the city’s queer scene years prior. Stepping into a maternal role for Valentina, Mamadora fears the that Ignacio’s self-loathing may have unleashed a curse on them all. A profound and irreverent story about coming undone, Pretend You’re Dead and I Carry You affirms Julián Delgado Lopera as a brilliant and singular voice—“a writer who is grinding their own colors” (Dwight Garner, The New York Times).

Award-winning author Elana K. Arnold returns with a boldly visionary, deeply felt story that crosses space and time to examine loss and love in a world on the brink. It is the late summer of 2021, and a girl named Nora is on the Paris Metro. Nora, whose mother loved her, even though Nora was broken. Nora, who couldn’t help her mother when her mother needed her most. Nora, from whom the pandemic has taken nearly everything, save the object she clings a cylinder containing her mother’s ashes. With no family left, no friends to speak of, and no way to turn back time, Nora has come to France to keep a promise she never got to to spread the ashes in a place her mother never got to see. But instead, Nora finds herself on the run through a forest in the night, taking refuge in a dark holloway. And when she wakes, and tries to make her way back to something she recognizes, she realizes that is impossible.  Because it is no longer 2021. Questioning everything—including her own sanity—Nora sets out on a journey through a time and place completely foreign to her, and yet one that, much like the time and place she came from, is defined by death, loss, fear, and uncertainty. A journey in which she must find a way to honor her mother—and heal herself—in a world that feels irrevocably broken.

A horror-tinged speculative thriller pitched as Jennifer's Body meets “I choose the bear,” in which the lives of three girls who share a name (and a secret) go up in flames when a grizzly starts picking off abusers in their secluded mountain town.

Award-winning author Elana K. Arnold returns with a boldly visionary, deeply felt story that crosses space and time to examine loss and love in a world on the brink. It is the late summer of 2021, and a girl named Nora is on the Paris Metro. Nora, whose mother loved her, even though Nora was broken. Nora, who couldn’t help her mother when her mother needed her most. Nora, from whom the pandemic has taken nearly everything, save the object she clings a cylinder containing her mother’s ashes. With no family left, no friends to speak of, and no way to turn back time, Nora has come to France to keep a promise she never got to to spread the ashes in a place her mother never got to see. But instead, Nora finds herself on the run through a forest in the night, taking refuge in a dark holloway. And when she wakes, and tries to make her way back to something she recognizes, she realizes that is impossible.  Because it is no longer 2021. Questioning everything—including her own sanity—Nora sets out on a journey through a time and place completely foreign to her, and yet one that, much like the time and place she came from, is defined by death, loss, fear, and uncertainty. A journey in which she must find a way to honor her mother—and heal herself—in a world that feels irrevocably broken.

A transgender teen’s post-op recovery is derailed when he is bitten by a werewolf and his body begins to change. A thought-provoking page-turner that will haunt you for days! Hunter’s life is at a turning point: After years of fighting his father for it, he’s gotten top surgery. He’s finally starting to feel comfortable in his own skin . . . only to be attacked by a strange creature in his backyard. The encounter should kill him, but his best friend Gabe intervenes, and Hunter is able to walk away from the incident with his life—and new body—mostly intact. Still, something isn’t right. First, his wounds are healing quickly—too quickly. Then there are the feverish nightmares, the sudden return of his period, and his teeth . . . they’re falling out of his head. Enter Mars, Hunter’s other best friend. A horror movie devotee, Mars points out the obvious: That mysterious creature was a werewolf, and Hunter is becoming one too—unless they can figure out a cure, which basically means they have to kill the creature that bit him. Now, Hunter, Gabe, and Mars are in a race against time. A voice that could only belong to the creature itself is worming its way into Hunter’s head, and as the days pass, it’s only getting louder. It promises revenge on Hunter’s transphobic peers if he succumbs to his lycanthropic transformation. Or he can reject the monster and fight alongside his friends before the body—and life—he’s fought so hard for slips away for good. The choice is Hunter’s.