In horror movies, the final girls are the ones left standing when the credits roll. They made it through the worst night of their lives…but what happens after? Like his bestselling novel The Southern Book Club’s Guide to Slaying Vampires, Grady Hendrix’s latest is a fast-paced, frightening, and wickedly humorous thriller. From chain saws to summer camp slayers, The Final Girl Support Group pays tribute to and slyly subverts our most popular horror films—movies like The Texas Chainsaw Massacre , A Nightmare on Elm Street , and Scream. Lynnette Tarkington is a real-life final girl who survived a massacre. For more than a decade, she’s been meeting with five other final girls and their therapist in a support group for those who survived the unthinkable, working to put their lives back together. Then one woman misses a meeting, and their worst fears are realized—someone knows about the group and is determined to rip their lives apart again, piece by piece.   But the thing about final girls is that no matter how bad the odds, how dark the night, how sharp the knife, they will never, ever give up.

Surging out of the sea, the Bass Rock has for centuries watched over the lives that pass under its shadow on the Scottish mainland. And across the centuries the fates of three women are linked: to this place, to each other. In the early 1700s, Sarah, accused of being a witch, flees for her life. In the aftermath of the Second World War, Ruth navigates a new house, a new husband and the strange waters of the local community. Six decades later, the house stands empty. Viv, mourning the death of her father, catalogues Ruth’s belongings and discovers her place in the past – and perhaps a way forward. Each woman’s choices are circumscribed, in ways big and small, by the men in their lives. But in sisterhood there is the hope of survival and new life. Intricately crafted and compulsively readable, The Bass Rock burns bright with anger and love.

From the award-winning author of Our Wives Under the Sea, a speculative reimagining of King Lear, centering three sisters navigating queer love and loss in a drowning world It’s been raining for a long time now, so long that the land has reshaped itself and arcane rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father dies. An architect as cruel as he was revered, his death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will. More estranged than ever, the sisters’ lives spin out of control: Irene’s relationship is straining at the seams; Isla’s ex-wife keeps calling; and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.

You're Wade, a schlubby middle-aged computer repairman, sent to fix a computer in a vacant, nondescript office building. When you get inside the door locks behind you, and you can't get out. Now the adventure begins! You have to explore this building and try to find your way home. The building is huge on the inside with a lot of sprawling hallways and empty rooms, and your only hope is to uncover clues and try to work out the mystery this whole experience hangs on. Presented as a blend of classic 'choose your own adventure' stories and point-and-click escape games, 2120 offers readers the chance to explore these liminal spaces and, at the same time, take an existential journey of discovery.

‘’He looked up at the picture rail, and there was the hand holding on to a hook with three fingers, and slowly scratching the head of the parrot with the fourth.’’ In 1919, W. F. Harvey published ‘The Beast with Five Fingers’, his quintessential tale of the disembodied hand with a murderous mind of its own, and its position as one of weird fiction’s true classics was cemented by the 1946 film adaptation. Seeking to trace the origins of the haunted hand story back into the nineteenth century, and to showcase its influence on writers of weird fiction from the 1920s to the modern day, horror expert Brian J. Showers presents a new collection of classics from the well-thumbed oeuvres of Sheridan Le Fanu and Guy de Maupassant through to miniature masterpieces from the hands of Jean Ray, Mark Valentine and many more. Featuring ghostly hands, hands possessed by demons and unexplained hands where no hands should be, prepare to enter a world of nightmares run amok as the vice-grip of terror takes hold.

“Much more than a ghost story… One might say that Fox is haunted by the spirit of the place and time of which she writes, and she is able to reproduce in a remarkable way that sense of foreboding and mystery that all of us have experienced.” – The Argus Where once a Romano-British settlement sprawled across the hills in the north of England, there lies a modern town. Caught in a tense struggle between the growth of the university and industrial expansion, its fate veers towards the uncanny when a discovery is made beneath the old town hall. Into the possession of the university comes the skeleton of a woman, found buried along with a mysterious tablet bearing a cryptic message, and as the ratcheting tension between the townspeople is compounded by an unseasonal heat and sightings of a shadowlike figure haunting the streets, the vengeful grip of a long-buried curse pushes the town towards a night of flames and carnage.