Cora Zeng is a crime scene cleaner, washing away the remains of brutal murders and suicides in Chinatown. The bloody messes don't bother her, not when she's already witnessed the most horrific thing possible: her sister being pushed in front of a train. Before fleeing the scene, the murderer whispered two words: bat eater. Months pass, the killer is never caught, and Cora can barely keep herself together. She pushes away all feelings, disregards the bite marks that appear on her coffee table, and won't take her aunt's advice to prepare for the Hungry Ghost Festival, when the gates of hell open. Cora tries to ignore the rising dread in her stomach, even when she and her weird co-workers begin finding bat carcasses at their crime scene clean-ups. But Cora can't ignore the fact that all their recent clean-ups have been the bodies of East Asian women. Soon Cora will learn: you can't just ignore hungry ghosts.

From the Sunday Times bestselling author of Starling House, Alix E. Harrow, comes a moving and genre-defying adventure through time – as a reluctant lady knight and a not-so-heroic-historian will fight through time and space to rewrite their tragic fates . . . and finally reveal the truths hidden beneath the greatest legend ever told. It begins where it ends: beneath the yew tree – a girl not yet a knight, and a boy without a story. It is where she pulls a sword from the heartwood and becomes a legend. And it is where, more than a thousand years later, he will find her – and lose her – and find her – and lose her again. It is where a new story will be written – but whose will it be?

Ninth House meets A Deadly Education in this gorgeous dark academia fantasy following a teen mage who must unravel the truth behind the secret society that may have been involved in her classmates’ deaths. Emory might be a student at the prestigious Aldryn College for Lunar Magics, but her healing abilities have always been mediocre at best—until a treacherous night in the Dovermere sea caves leaves a group of her classmates dead and her as the only survivor. Now Emory is plagued by strange, impossible powers that no healer should possess. Powers that would ruin her life if the wrong person were to discover them. To gain control of these new abilities, Emory enlists the help of the school’s most reclusive student, Baz—a boy already well-versed in the deadly nature of darker magic, whose sister happened to be one of the drowned students and Emory’s best friend. Determined to find the truth behind the drownings and the cult-like secret society she’s convinced her classmates were involved in, Emory is faced with even more questions when the supposedly drowned students start washing ashore— alive —only for them each immediately to die horrible, magical deaths. And Emory is not the only one seeking answers. When her new magic captures the society’s attention, she finds herself drawn into their world of privilege and power, all while wondering if the truth she’s searching for might lead her right back to Dovermere…to face the fate she was never meant to escape.

Abolishing State Violence provides brilliant and accessible insights and analysis about some of the key structures of violence in our world today, as well as the ongoing activism for their abolition. The chapters of this book connect various movements for social justice, providing ideas for how activists can support and build on each other's analysis and strategy. It shows that there are many, mutually supportive, abolition movements, each enhanced by a shared understanding of the relationships among various structures of violence and a shared framework for challenging them on the basis of their roots in patriarchy, racism, militarism, settler colonialism, and capitalism. The book argues that abolition is transformative. It is about defunding, demilitarizing, disbanding, and divesting from current structures of violence, but also about imagining new ways to organize and care for each other and our planet, and about building new systems and cultures to sustain ourselves in a more equitable, free, and peaceful way. It shows that change is possible.