Welcome to the dark world of The Hunted Kingdom where the daughters of modern-day mob families are reimagined fairytale princesses like you’ve never seen before. In Huntsman, family is power... and power is everything. Nine years ago, my aunt took everything from me. My world. My throne. My mother. I’ve bided my time since then, serving under her in the Mwuaji crime family, but she’s crossed another line. She put a price on my head, sending the legendary assassin the Huntsman, Malachi Bowden, after me. The Huntsman’s never failed a contract before, but I know everything there is to know about him. It’s finally time for me to take my revenge and finish the war my aunt started. The Huntsman might be my death. But Malachi Bowden? He’s my weakness.

From holy cup comes holy light; The faithful hand sets world aright. And in the Seven Martyrs’ sight, Mere man shall end this endless night. It has been twenty-seven long years since the last sunrise. For nearly three decades, vampires have waged war against humanity; building their eternal empire even as they tear down our own. Now, only a few tiny sparks of light endure in a sea of darkness.Gabriel de León is a silversaint: a member of a holy brotherhood dedicated to defending realm and church from the creatures of the night. But even the Silver Order could not stem the tide once daylight failed us, and now, only Gabriel remains.Imprisoned by the very monsters he vowed to destroy, the last silversaint is forced to tell his story. A story of legendary battles and forbidden love, of faith lost and friendships won, of the Wars of the Blood and the Forever King and the quest for humanity’s last remaining hope: The Holy Grail. From author Jay Kristoff comes Empire of the Vampire, the first illustrated volume of an astonishing new dark fantasy saga.

The greatest games in Godsgrave’s history have ended with the most audacious murders in the history of the Itreyan Republic. Mia Corvere, gladiatii, escaped slave and infamous assassin, is on the run. Pursued by Blades of the Red Church and soldiers of the Luminatii legion, she may never escape the City of Bridges and Bones alive. Her mentor Mercurio is now in the clutches of her enemies. Her own family wishes her dead. And her nemesis, Consul Julius Scaeva, stands but a breath from total dominance over the Republic. But beneath the city, a dark secret awaits. Together with her lover Ashlinn, brother Jonnen and a mysterious benefactor returned from beyond the veil of death, she must undertake a perilous journey across the Republic, seeking the final answer to the riddle of her life. Truedark approaches. Night is falling on the Republic for perhaps the final time. Can Mia survive in a world where even daylight must die?

Welcome to the dark world of The Hunted Kingdom where the daughters of modern-day mob families are reimagined fairytale princesses like you’ve never seen before. In Huntsman, family is power... and power is everything. Nine years ago, my aunt took everything from me. My world. My throne. My mother. I’ve bided my time since then, serving under her in the Mwuaji crime family, but she’s crossed another line. She put a price on my head, sending the legendary assassin the Huntsman, Malachi Bowden, after me. The Huntsman’s never failed a contract before, but I know everything there is to know about him. It’s finally time for me to take my revenge and finish the war my aunt started. The Huntsman might be my death. But Malachi Bowden? He’s my weakness.

Gumbo Ya Ya, Aurielle Marie’s stunning debut, is a cauldron of hearty poems exploring race, gender, desire, and violence in the lives of Black gxrls, soaring against the backdrop of a contemporary South. These poems are loud, risky, and unapologetically rooted in the glory of Black gxrlhood. The collection opens with a heartrending indictment of injustice. What follows is a striking reimagination of the world, one where no Black gxrl dies “by the barrel of the law” or “for loving another Black gxrl.” Part familial archival, part map of Black resistance, Gumbo Ya Ya catalogs the wide gamut of Black life at its intersections, with punching cultural commentary and a poetic voice that holds tenderness and sharpness in tandem. It asks us to chew upon both the rich meat and the tough gristle, and in doing so we walk away more whole than we began and thoroughly satisfied.

The greatest games in Godsgrave’s history have ended with the most audacious murders in the history of the Itreyan Republic. Mia Corvere, gladiatii, escaped slave and infamous assassin, is on the run. Pursued by Blades of the Red Church and soldiers of the Luminatii legion, she may never escape the City of Bridges and Bones alive. Her mentor Mercurio is now in the clutches of her enemies. Her own family wishes her dead. And her nemesis, Consul Julius Scaeva, stands but a breath from total dominance over the Republic. But beneath the city, a dark secret awaits. Together with her lover Ashlinn, brother Jonnen and a mysterious benefactor returned from beyond the veil of death, she must undertake a perilous journey across the Republic, seeking the final answer to the riddle of her life. Truedark approaches. Night is falling on the Republic for perhaps the final time. Can Mia survive in a world where even daylight must die?

Gumbo Ya Ya, Aurielle Marie’s stunning debut, is a cauldron of hearty poems exploring race, gender, desire, and violence in the lives of Black gxrls, soaring against the backdrop of a contemporary South. These poems are loud, risky, and unapologetically rooted in the glory of Black gxrlhood. The collection opens with a heartrending indictment of injustice. What follows is a striking reimagination of the world, one where no Black gxrl dies “by the barrel of the law” or “for loving another Black gxrl.” Part familial archival, part map of Black resistance, Gumbo Ya Ya catalogs the wide gamut of Black life at its intersections, with punching cultural commentary and a poetic voice that holds tenderness and sharpness in tandem. It asks us to chew upon both the rich meat and the tough gristle, and in doing so we walk away more whole than we began and thoroughly satisfied.

A devastating love story. A bewitching twist on history. A blood-drenched hunt for purpose, power, and redemption. In 1785, Professor Sebastian Grave receives the news he fears most: the terrible Beast of Gévaudan has returned, and the French countryside runs red in its wake. Sebastian knows the Beast. A monster-slayer with centuries of experience, he joined the hunt for the creature twenty years ago and watched it slaughter its way through a long and bloody winter. Even with the help of his indwelling demon, Sarmodel – who takes payment in living hearts – it nearly cost him his life to bring the monster down. Now, two decades later, Sebastian has been recalled to the hunt by Antoine Avenel d’Ocerne, an estranged lover who shares a dark history with the Beast and a terrible secret with Sebastian. Drawn by both the chance to finish the Beast for good and the promise of a reconciliation with Antoine, Sebastian cannot refuse. But Gévaudan is not as he remembers it, and Sebastian’s unfinished business is everywhere he looks. Years of misery have driven the people to desperation, and France teeters on the edge of revolution. Sebastian’s arcane activities – not to mention his demonic counterpart – have also attracted the inquisitorial eye of the French clergy. And the Beast is poised to close his jaws around them all and plunge the continent into war. Debut author Cameron Sullivan tears the heart out of history with this darkly entertaining retelling of the hunt for the Beast of Gévaudan. Lifting the veil on the hidden world behind our own, it reimagines the story of Europe, from Imperial Rome to Saint Jehanne d’Arc, the madness of Gilles de Rais and the first flickers of the French Revolution.

Black Boy is a classic of American autobiography, a subtly crafted narrative of Richard Wright's journey from innocence to experience in the Jim Crow South. An enduring story of one young man's coming of age during a particular time and place, Black Boy remains a seminal text in our history about what it means to be a man, black, and Southern in America.

The Cruel Prince meets Ninth House in this dangerously romantic dark academia fantasy, where a lost heiress must infiltrate an arcane society and live with the vampire she suspects killed her family and kidnapped her sister. It began long before my time, but something has always hunted our family. Orphaned heiress Kidan Adane grew up far from the arcane society she was born into, where human bloodlines gain power through vampire companionship. When her sister, June, disappears, Kidan is convinced a vampire stole her—the very vampire bound to their family, the cruel yet captivating Susenyos Sagad. To find June, Kidan must infiltrate the elite Uxlay University—where students study to ensure peaceful coexistence between humans and vampires and inherit their family legacies. Kidan must survive living with Susenyos—even as he does everything he can to drive her away. It doesn’t matter that Susenyos’s wickedness speaks to Kidan’s own violent nature and tempts her to surrender to a life of darkness. She must find her sister and kill Susenyos at all costs. When a murder mirroring June’s disappearance shakes Uxlay, Kidan sinks further into the ruthless underworld of vampires, risking her very soul. There she discovers a centuries-old threat—and June could be at the center of it. To save her sister, Kidan must bring Uxlay to its knees and either break free from the horrors of her own actions or embrace the dark entanglements of love—and the blood it requires.

Authors June Hayward and Athena Liu were supposed to be twin rising stars: same year at Yale, same debut year in publishing. But Athena's a cross-genre literary darling, and June didn't even get a paperback release. Nobody wants stories about basic white girls, June thinks. So when June witnesses Athena's death in a freak accident, she acts on impulse: she steals Athena's just-finished masterpiece, an experimental novel about the unsung contributions of Chinese laborers to the British and French war efforts during World War I. So what if June edits Athena's novel and sends it to her agent as her own work? So what if she lets her new publisher rebrand her as Juniper Song--complete with an ambiguously ethnic author photo? Doesn't this piece of history deserve to be told, whoever the teller? That's what June claims, and the New York Times bestseller list seems to agree. But June can't get away from Athena's shadow, and emerging evidence threatens to bring June's (stolen) success down around her. As June races to protect her secret, she discovers exactly how far she will go to keep what she thinks she deserves. With its totally immersive first-person voice, Yellowface takes on questions of diversity, racism, and cultural appropriation not only in the publishing industry but the persistent erasure of Asian-American voices and history by Western white society. R. F. Kuang's novel is timely, razor-sharp, and eminently readable.