THE UNMISSABLE GOTHIC HORROR EVENT OF 2026A LIFE IN LIMBO. A SIN SO SWEET. AN IMMACULATE DECEPTION.I feel the bond that has been created between me and him - this one made of shadows, the one who pulses in my depths and who promises to fulfil my yearning...Pernambuco, Brazil, 1877. Raised in a deeply religious household, Madalena knows Dante's Inferno by heart and fears her mother's reaction as much as she fears God. When she falls pregnant with a child conceived in sin, her mother issues a marry or surrender the baby.Confident that the father, the dashing Leandro Neves, will propose, Madalena sets off to his sprawling estate. After a storm wrecks her carriage, she awakens in Leandro's crumbling mansion, tended to by the magnetic Doctor Lobo. Leandro is there... but he is no longer the charming poet she knew. He's silent. Obsessed. Always watching. Strange perfume haunts a locked room. Pages vanish from books. Jewels lie untouched in a forgotten wardrobe. And mirrors begin disappearing after Madalena sees something - or someone - ghastly in the reflection. Leandro is unravelling. Doctor Lobo may be hiding something even darker. Trapped in a decaying house of secrets, Madalena must uncover the truth before the men around her destroy her, and before the hell she fears becomes the one she's living in...

Akutagawa’s magical final work is a short novel with a magic spell all its own—poignant, fantastical, wry, melancholic, and witty The Kappa is a creature from Japanese folklore known for dragging unwary toddlers to their deaths in a scaly, child-sized creature, looking something like a frog, but with a sharp, pointed beak and an oval-shaped saucer on top of its head, which hardens with age.Akutagawa’s Kappa is narrated by Patient No. 23, a madman in a lunatic he recounts how, while out hiking in Kamikochi, he spots a Kappa. He decides to chase it and, like Alice pursuing the White Rabbit, he tumbles down a hole, out of the human world and into the realm of the Kappas. There he is well looked after, in fact almost made a pet as a human, he is a novelty. He makes friends and spends his time learning about their world, exploring the seemingly ridiculous ways of the Kappa, but noting many—not always flattering—parallels to Japanese mores regarding morality, legal justice, economics, and sex. Alas, when the patient eventually returns to the human world, he becomes disgusted by humanity and, like Gulliver missing the Houyhnhnms, he begins to pine for his old friends the Kappas, rather as if he has been forced to take leave of Toad of Toad Hall…

Akutagawa’s magical final work is a short novel with a magic spell all its own—poignant, fantastical, wry, melancholic, and witty The Kappa is a creature from Japanese folklore known for dragging unwary toddlers to their deaths in a scaly, child-sized creature, looking something like a frog, but with a sharp, pointed beak and an oval-shaped saucer on top of its head, which hardens with age.Akutagawa’s Kappa is narrated by Patient No. 23, a madman in a lunatic he recounts how, while out hiking in Kamikochi, he spots a Kappa. He decides to chase it and, like Alice pursuing the White Rabbit, he tumbles down a hole, out of the human world and into the realm of the Kappas. There he is well looked after, in fact almost made a pet as a human, he is a novelty. He makes friends and spends his time learning about their world, exploring the seemingly ridiculous ways of the Kappa, but noting many—not always flattering—parallels to Japanese mores regarding morality, legal justice, economics, and sex. Alas, when the patient eventually returns to the human world, he becomes disgusted by humanity and, like Gulliver missing the Houyhnhnms, he begins to pine for his old friends the Kappas, rather as if he has been forced to take leave of Toad of Toad Hall…

'Our new house was waiting for us, eager, expectant, and empty' Shirley Jackson skewered the trials of domestic life in 1950s America with wry wit and uncanny precision. In this sequel to Life Among the Savages , her four offspring have now grown into fully-fledged demons. As their house starts to burst at the seams, the Jackson clan somehow manage (without really planning it) to move into a larger home, only to take the chaos - absent furniture, vanishing children, misbehaving refrigerators, an avalanche of books - right along with them.

Shirley Jackson, author of the classic short story "The Lottery", was known for her terse, haunting prose. But the writer possessed another side, one which is delightfully exposed in this hilariously charming memoir of her family's life in rural Vermont. Fans of Please Don't Eat the Daisies, Cheaper by the Dozen, and anything Erma Bombeck ever wrote will find much to recognize in Shirley Jackson's home and neighborhood: children who won't behave, cars that won't start, furnaces that break down, a pugnacious corner bully, household help that never stays, and a patient, capable husband who remains lovingly oblivious to the many thousands of things mothers and wives accomplish every single day. "Our house," writes Jackson, "is old, noisy, and full. When we moved into it we had two children and about five thousand books; I expect that when we finally overflow and move out again we will have perhaps twenty children and easily half a million books." Jackson's literary talents are in evidence everywhere, as is her trenchant, unsentimental wit. Yet there is no mistaking the happiness and love in these pages, which are crowded with the raucous voices of an extraordinary family living a wonderfully ordinary life.

Hangsaman is Miss Jackson's second novel. The story is a simple one but the overtones are immediately present. "Natalie Waite who was seventeen years old but who felt that she had been truly conscious only since she was about fifteen lived in an odd corner of a world of sound and sight, past the daily voices of her father and mother and their incomprehensible actions." In a few graphic pages, the family is before us—Arnold Waite, a writer, egotistical and embittered; his wife, the complaining martyr; Bud, the younger brother who has not yet felt the need to establish his independence; and Natalie, in the nightmare of being seventeen. The Sunday afternoon cocktail party, to which Arnold Waite has invited his literary friends and neighbors, serves to etch in the details of this family's life, and to draw Natalie into the vortex. The story concentrates on the next few critical months in Natalie's life, away at college, where each experience reproduces on a larger scale the crucial failure of her emotional life at home. With a mounting tension rising from character and situation as well as the particular magic of which Miss Jackson is master, the novel proceeds inexorably to the stinging melodrama of its conclusion. The bitter cruelty of the passage from adolescence to womanhood, of a sensitive and lonely girl caught in a world not of her own devising, is a theme well suited to Miss Jackson's brilliant talent.

Dive into the chilling depths of Latiné horror with Something Followed Us Home, edited by Bram Stoker Award–winner Cynthia Pelayo, a groundbreaking anthology where each story reimagines immigration, colonization, faith, and folklore as the fears we inherit and carry across borders and generations. Something followed us home. It crawled in with our prayers, slipped into our beds, watched from mirrors, waited in water, and learned our names. In these stories, horror does not announce itself. It possesses, feeds, whispers, and waits. Gathering chilling work from some of today’s most acclaimed Latiné voices, this anthology moves through haunted households, brutal landscapes, sacred spaces turned dangerous, and bodies claimed by forces both ancient and intimate. The dead murmur behind locked doors. Bones rebuild themselves under merciless suns. Love becomes a doorway for demonic hunger. Prayers summon answers that arrive too late…or too fully. Blood, devotion, and memory intertwine as the past presses back with teeth. Something Followed Us Home is a landmark anthology of Latiné horror. These stories remind us that the past is never gone, the dead are never silent, and the places we come from will always find their way back to us. Featuring stories Agustina Bazterrica, Ann Dávila Cardinal, Cynthia Pelayo, Isabel Cañas, Gerardo Sámano Córdova, Zoraida Córdova, Mariana Enriquez, Carolina Flórez-Cerchiaro, Ananda Lima, Xochitl Gonzalez, Leopoldo Goût, Juan Martinez, Mónica Ojeda, Daniel Jóse Older, Lilliam Rivera, Alex Segura, Diana Rodriguez Wallach

From the award-winning author of Bestiary, three cousins are forced to complete an impossible and violent task set by a vengeful demon. Cousins Cindy, Yangyang, and Mandy’s hot, tedious summer unfolds in their grandmother’s hauntingly familiar house. Mandy, the eldest, seeks connection online and exchanges emails with a stranger. Yangyang, the youngest, retreats into her own imagination in search of meaning. But every morning Cindy wakes with strange objects in her mouth: a button, a berry, a coin. One night, a starved figure with a mouth the size of a needle-tip appears at Cindy’s bedside. She is hunger-afflicted, a demon with no descendants to feed from: she is Needlemouth. Part vampire, part hungry ghost, Needlemouth forces the girls into a grim task to end a man’s life. Cindy, Yangyang, and Mindy are plunged in and out of the demon realm, where they are called to break out of the indifference and numbness of their claustrophobic worlds, and where they are met with the most rageful and resistant parts of themselves. In a quest to satisfy the demon’s hunger, they unravel their shared grief and reckon with the cyclical violence that shaped their family. For readers of Akwaeke Emezi and Carmen Maria Machado, K-Ming Chang has crafted a reimagined coming of age novel that asks: what does it mean to become the monster instead of slaying it?

THE UNMISSABLE GOTHIC HORROR EVENT OF 2026A LIFE IN LIMBO. A SIN SO SWEET. AN IMMACULATE DECEPTION.I feel the bond that has been created between me and him - this one made of shadows, the one who pulses in my depths and who promises to fulfil my yearning...Pernambuco, Brazil, 1877. Raised in a deeply religious household, Madalena knows Dante's Inferno by heart and fears her mother's reaction as much as she fears God. When she falls pregnant with a child conceived in sin, her mother issues a marry or surrender the baby.Confident that the father, the dashing Leandro Neves, will propose, Madalena sets off to his sprawling estate. After a storm wrecks her carriage, she awakens in Leandro's crumbling mansion, tended to by the magnetic Doctor Lobo. Leandro is there... but he is no longer the charming poet she knew. He's silent. Obsessed. Always watching. Strange perfume haunts a locked room. Pages vanish from books. Jewels lie untouched in a forgotten wardrobe. And mirrors begin disappearing after Madalena sees something - or someone - ghastly in the reflection. Leandro is unravelling. Doctor Lobo may be hiding something even darker. Trapped in a decaying house of secrets, Madalena must uncover the truth before the men around her destroy her, and before the hell she fears becomes the one she's living in...