« L'air du square Cabot ne dégage aucune senteur. Pourtant, le vent l'a porté sur des milliers de kilomètres à travers Nitassinan. Il a traversé des forêts et des centaines de lacs et de rivières, mais il n'en a rien gardé. » Élie Mestenapeo sort de prison après avoir purgé sa peine pour le meurtre de son père, un homme alcoolique et violent. Sa communauté innue de Nutashkuan l'a banni. Il débarque à Montréal et se retrouve très vite dans la rue. Il y croisera des personnes d'autres nations, Inuit, Cris, Atikamekw, venues comme lui s'échouer dans la métropole, et il fera des rencontres déterminantes, qui l'aideront à se reconstruire. Tiohtiá:ke, c'est aussi la réalité de tous ces Autochtones qui se regroupent dans les villes pour reformer la communauté qu'ils ont perdue. La seule chance de s'en sortir réside parfois dans l'attachement à des valeurs plus grandes que soi.

When an ageing mother allows her thirty-something daughter to move into her apartment, she wants for her what many mothers might say they want for their child: a steady income, and, even better, a good husband with a good job with whom to start a family. But when Green turns up with her girlfriend, Lane, in tow, her mother is unprepared and unwilling to welcome Lane into her home. In fact, she can barely bring herself to be civil. Having centred her life on her husband and child, her daughter’s definition of family is not one she can accept. Her daughter’s involvement in a case of unfair dismissal involving gay colleagues from the university where she works is similarly strange to her. And yet when the care home where she works insists that she lower her standard of care for an elderly dementia patient who has no family, who travelled the world as a successful diplomat, who chose not to have children, Green’s mother cannot accept it. Why should not having chosen a traditional life mean that your life is worth nothing at all?

From the New York Times -bestselling author of Exit West , a story of love, loss, and rediscovery in a time of unsettling change. One morning, a man wakes up to find himself transformed. Overnight, Anders’s skin has turned dark, and the reflection in the mirror seems a stranger to him. At first he shares his secret only with Oona, an old friend turned new lover. Soon, reports of similar events begin to surface. Across the land, people are awakening in new incarnations, uncertain how their neighbors, friends, and family will greet them. Some see the transformations as the long-dreaded overturning of the established order that must be resisted to a bitter end. In many, like Anders’s father and Oona’s mother, a sense of profound loss and unease wars with profound love. As the bond between Anders and Oona deepens, change takes on a different a chance at a kind of rebirth--an opportunity to see ourselves, face to face, anew.   In Mohsin Hamid’s lyrical and urgent prose, The Last White Man powerfully uplifts our capacity for empathy and the transcendence over bigotry, fear, and anger it can achieve.

A brilliant and imaginative debut graphic novel that brings to life a fantastical Cairo where wishes are real. Author, illustrator, and translator Deena Mohamed presents a literary, feminist, Arab-centric graphic novel that marries magic and the socio-political realities of contemporary Egypt. Shubeik Lubeik--a fairytale rhyme meaning "Your Wish is My Command" in Arabic--is the story of three characters navigating a world where wishes are literally for sale; mired in bureaucracy and the familiar prejudices of our world, the more expensive the wish, the more powerful and therefore the more likely to work as intended. The novel's three distinct parts tell the story of three first class wishes as used by Aziza, Nour, and Shokry, each grappling with the challenge inherent in trying to make your most deeply held desire come true. Deena's mix of calligraphy and contemporary styles, brings to life a vibrant Cairene neighborhood, and a cast of characters whose struggles and triumphs are deeply resonant. Shubeik Lubeik heralds the arrival of a huge new talent and a brave, literary, political, and feminist new voice in comics.

It’s the summer of 1984 in Swaffham, Massachusetts, when Mel (short for Melanie) encounters Sylvia, a tough-as-nails trans woman whose shameless swagger catalyzes Mel’s dawning trans self-awareness. But it also sparks the fury of townie Swaffham and throws Mel into conflict with her mother and best friend. Decades later, Max (formerly Mel) is on probation from his teaching job for (ironically) defying speech codes around trans identity. Back in Swaffham, he must face his own role in the disasters of the past. With the charged teenage emotion of Claire Messud’s The Burning Girl and the propulsive social interrogation of Rebecca Makkai’s I Have Some Questions for You, Hansbury reckons with gender and class as he delivers a timely and captivating narrative of self-realization amid the everyday violence of small-town intolerance. As the story builds to its explosive conclusion, Some Strange Music Draws Me In illuminates the unexpected ways that queerness can provide a ticket to liberation.