From the author of The Immortal King Rao, finalist for the Pulitzer Prize, a personal and provocative exploration of how technology companies have reshaped human language, and, if we let them, could steal it from usWhen it was released to the public in November 2022, ChatGPT awakened the world to a secretive teaching A.I.-powered machines to write and talk like human beings. Its creators had a sweeping ambition—to get machines to communicate for us. But if this came to pass, would it be liberation or subjugation? Vauhini Vara, an award-winning tech journalist and editor, had long been grappling with this question. In 2021, she used a predecessor of ChatGPT to write about her sister’s death, resulting in an essay that was both more moving and more disturbing than she could have imagined. It quickly went viral.The experience, revealing both the appeal and the danger of corporate-owned language machines, forced Vara to interrogate how technology has changed how she uses language, from discovering online chat rooms as a preteen, to using social media as the Wall Street Journal’s first Facebook reporter, to testing early versions of ChatGPT—all while adding to the trove of human-created material that Big Tech exploits. Interspersed throughout this investigation are her own Google searches, Amazon reviews, and the other raw material of internet life—including the viral A.I. experiment that started it all. Searches illuminates Big Tech’s incursion into our lives, while proposing that by harnessing the collective imagination that taught us to communicate in the first place, we might invent a nobler, freer relationship with our machines and, ultimately, with one another.

A young girl discovers a portal to a land filled with centaurs and unicorns in Seanan McGuire's Across the Green Grass Fields, a standalone tale in the Hugo and Nebula Award-wining Wayward Children series. “Welcome to the Hooflands. We’re happy to have you, even if you being here means something’s coming.” Regan loves, and is loved, though her school-friend situation has become complicated, of late. When she suddenly finds herself thrust through a doorway that asks her to "Be Sure" before swallowing her whole, Regan must learn to live in a world filled with centaurs, kelpies, and other magical equines―a world that expects its human visitors to step up and be heroes. But after embracing her time with the herd, Regan discovers that not all forms of heroism are equal, and not all quests are as they seem…

When Jack left Eleanor West's School for Wayward Children she was carrying the body of her deliciously deranged sister—whom she had recently murdered in a fit of righteous justice—back to their home on the Moors. But death in their adopted world isn't always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome. Eleanor West's "No Quests" rule is about to be broken. Again.

In the course of every great adventure there are multiple side-quests. All too often these go unreported—perhaps because the adventurers in question fail to return to the main narrative due to death or other distractions, and sometimes because the chronicler of the events decide to edit out that part of that particular history for reasons of their own (historians are never infallible)—but occasionally we get another window into our heroes' world. In Juice Like Wounds we once again get to meet Lundy, and some of her companions. Lundy's main adventure is detailed in In an Absent Dream (which is nominated for a Hugo Award, this year!) and you should definitely read that. Before or after this tale is up to you. Remember: side quests are fun. For the reader, at least...

When Jack left Eleanor West's School for Wayward Children she was carrying the body of her deliciously deranged sister—whom she had recently murdered in a fit of righteous justice—back to their home on the Moors. But death in their adopted world isn't always as permanent as it is here, and when Jack is herself carried back into the school, it becomes clear that something has happened to her. Something terrible. Something of which only the maddest of scientists could conceive. Something only her friends are equipped to help her overcome. Eleanor West's "No Quests" rule is about to be broken. Again.

This fourth entry and prequel tells the story of Lundy, a very serious young girl who would rather study and dream than become a respectable housewife and live up to the expectations of the world around her. As well she should. When she finds a doorway to a world founded on logic and reason, riddles and lies, she thinks she's found her paradise. Alas, everything costs at the goblin market, and when her time there is drawing to a close, she makes the kind of bargain that never plays out well.

This fourth entry and prequel tells the story of Lundy, a very serious young girl who would rather study and dream than become a respectable housewife and live up to the expectations of the world around her. As well she should. When she finds a doorway to a world founded on logic and reason, riddles and lies, she thinks she's found her paradise. Alas, everything costs at the goblin market, and when her time there is drawing to a close, she makes the kind of bargain that never plays out well.