

This Immortal Heart
Jennifer Saint

Maynificient commented...
13w
I see you all finished it. I agree with so much of this! I got occupied with something and couldn't read as much as I wanted, but I'm hoping to finish it in my next sitting. Ares definitely felt underdeveloped, especially for someone positioned as Aphrodite's love interest.
3.25 🌟
Saint’s Aphrodite takes centre stage as she navigates Olympus dynamics and her heart. A slower pace novel and at times, felt like different Greek mythologies thrown in together to match the emotional beats of Aphrodite’s journey. Some side characters seemed underdeveloped (e.g. Ares) and even though Aphrodite was the main protagonist, her character still didn’t seem fully fleshed out. I did enjoy the inclusion of Galetta and Hesphetsus but overall, the novel lacked urgency and investment.
The prose is good. It's lyrical, immersive, and full of evocative descriptions. I genuinely appreciated the effort to give Aphrodite more depth than the shallow, vain goddess we usually see.
But it still ended up only being a 3.5 🌟 read for me.
What I liked-
Saint's Aphrodite is thoughtful, caring, and genuinely invested in her followers. She actually feels the weight of her domain. Hephaestus also stood out as a refreshing take by being more sympathetic and human than the usual bitter, vengeful figure. The episodic structure, moving across different myths and time periods, was ambitious and kept things from feeling stale.
Where I feel it lacked-
Aphrodite spends most of the book reacting rather than shaping. She feels passive in her own story, which undercuts the authority and agency the narrative keeps promising. By the time she becomes more active, the pacing issues have already taken their toll. It's not a plot-driven novel but it's more like a portrait of her life told in fragments and this left me wanting a tighter narrative.
Ares felt underdeveloped and emotionally shallow. Their connection doesn't feel earned. There's not enough build-up to make their relationship compelling, which weakens what should be one of the most dynamic pairings in Greek myth.
Another problem where the book lost me the most. Saint takes a lot of creative liberties like Galatea fleeing to Artemis's forests and becoming her lover, Eros already being born with no father, Aphrodite's marriage to Hephaestus significantly altered. And that's fine if the changes serve a purpose. But here, they often feel arbitrary. Why make these changes if you're not going to explore the consequences? The story picks and chooses which myths to honour based on convenience, rather than building a coherent internal logic. The gods feel so human that they lose their divine weight and this could have been written about regular people and I'd have believed it.
If you're going to market this as a romance and fantasy, I need the romance to feel earned and the fantasy to feel immersive. I went in expecting a slow-burn enemies-to-lovers dynamic, which is what I'd expect from a romance-fantasy about Aphrodite and Ares. The book is more of a character portrait, so that expectation didn't quite match what was delivered. Maybe I wanted something the book wasn't trying to be but I also think the genre/marketing set up that expectation I wanted to see why Aphrodite and Ares, love and war, two opposing forces would be drawn to each other despite everything. Instead, the romance felt rushed and surface-level, and the mythological world lacked the weight and consequence that makes Greek retellings so compelling.
Finally, it's a beautiful book to read. Saint's prose is undeniable, but it's frustrating because it could have been so much more. If you're looking for a cozy, character-focused mythological read, you might enjoy this. But if you're expecting a gripping, plot-driven romance with meaningful mythological stakes, this one might leave you wanting.

Maynificient commented...
13w
I was so behind on this one. There was a point where I really thought you'd all kick me out 😂 Thank you for putting up with me! So, when are we doing the next buddy read? 👀
The prose is good. It's lyrical, immersive, and full of evocative descriptions. I genuinely appreciated the effort to give Aphrodite more depth than the shallow, vain goddess we usually see.
But it still ended up only being a 3.5 🌟 read for me.
What I liked-
Saint's Aphrodite is thoughtful, caring, and genuinely invested in her followers. She actually feels the weight of her domain. Hephaestus also stood out as a refreshing take by being more sympathetic and human than the usual bitter, vengeful figure. The episodic structure, moving across different myths and time periods, was ambitious and kept things from feeling stale.
Where I feel it lacked-
Aphrodite spends most of the book reacting rather than shaping. She feels passive in her own story, which undercuts the authority and agency the narrative keeps promising. By the time she becomes more active, the pacing issues have already taken their toll. It's not a plot-driven novel but it's more like a portrait of her life told in fragments and this left me wanting a tighter narrative.
Ares felt underdeveloped and emotionally shallow. Their connection doesn't feel earned. There's not enough build-up to make their relationship compelling, which weakens what should be one of the most dynamic pairings in Greek myth.
Another problem where the book lost me the most. Saint takes a lot of creative liberties like Galatea fleeing to Artemis's forests and becoming her lover, Eros already being born with no father, Aphrodite's marriage to Hephaestus significantly altered. And that's fine if the changes serve a purpose. But here, they often feel arbitrary. Why make these changes if you're not going to explore the consequences? The story picks and chooses which myths to honour based on convenience, rather than building a coherent internal logic. The gods feel so human that they lose their divine weight and this could have been written about regular people and I'd have believed it.
If you're going to market this as a romance and fantasy, I need the romance to feel earned and the fantasy to feel immersive. I went in expecting a slow-burn enemies-to-lovers dynamic, which is what I'd expect from a romance-fantasy about Aphrodite and Ares. The book is more of a character portrait, so that expectation didn't quite match what was delivered. Maybe I wanted something the book wasn't trying to be but I also think the genre/marketing set up that expectation I wanted to see why Aphrodite and Ares, love and war, two opposing forces would be drawn to each other despite everything. Instead, the romance felt rushed and surface-level, and the mythological world lacked the weight and consequence that makes Greek retellings so compelling.
Finally, it's a beautiful book to read. Saint's prose is undeniable, but it's frustrating because it could have been so much more. If you're looking for a cozy, character-focused mythological read, you might enjoy this. But if you're expecting a gripping, plot-driven romance with meaningful mythological stakes, this one might leave you wanting.

Maynificient commented...
12w
I'd love to join <3 I'll be there in October. 😄
The prose is good. It's lyrical, immersive, and full of evocative descriptions. I genuinely appreciated the effort to give Aphrodite more depth than the shallow, vain goddess we usually see.
But it still ended up only being a 3.5 🌟 read for me.
What I liked-
Saint's Aphrodite is thoughtful, caring, and genuinely invested in her followers. She actually feels the weight of her domain. Hephaestus also stood out as a refreshing take by being more sympathetic and human than the usual bitter, vengeful figure. The episodic structure, moving across different myths and time periods, was ambitious and kept things from feeling stale.
Where I feel it lacked-
Aphrodite spends most of the book reacting rather than shaping. She feels passive in her own story, which undercuts the authority and agency the narrative keeps promising. By the time she becomes more active, the pacing issues have already taken their toll. It's not a plot-driven novel but it's more like a portrait of her life told in fragments and this left me wanting a tighter narrative.
Ares felt underdeveloped and emotionally shallow. Their connection doesn't feel earned. There's not enough build-up to make their relationship compelling, which weakens what should be one of the most dynamic pairings in Greek myth.
Another problem where the book lost me the most. Saint takes a lot of creative liberties like Galatea fleeing to Artemis's forests and becoming her lover, Eros already being born with no father, Aphrodite's marriage to Hephaestus significantly altered. And that's fine if the changes serve a purpose. But here, they often feel arbitrary. Why make these changes if you're not going to explore the consequences? The story picks and chooses which myths to honour based on convenience, rather than building a coherent internal logic. The gods feel so human that they lose their divine weight and this could have been written about regular people and I'd have believed it.
If you're going to market this as a romance and fantasy, I need the romance to feel earned and the fantasy to feel immersive. I went in expecting a slow-burn enemies-to-lovers dynamic, which is what I'd expect from a romance-fantasy about Aphrodite and Ares. The book is more of a character portrait, so that expectation didn't quite match what was delivered. Maybe I wanted something the book wasn't trying to be but I also think the genre/marketing set up that expectation I wanted to see why Aphrodite and Ares, love and war, two opposing forces would be drawn to each other despite everything. Instead, the romance felt rushed and surface-level, and the mythological world lacked the weight and consequence that makes Greek retellings so compelling.
Finally, it's a beautiful book to read. Saint's prose is undeniable, but it's frustrating because it could have been so much more. If you're looking for a cozy, character-focused mythological read, you might enjoy this. But if you're expecting a gripping, plot-driven romance with meaningful mythological stakes, this one might leave you wanting.
Maynificient commented...
14w
I haven't actually read the book you mentioned but i read that in an interview Saint actually called Pygmalion 'the original incel' because he hated real women and built a silent, perfect one he could control. Knowing that, it makes Aphrodite's regret in this chapter so much better. It's like she suddenly realizes she didn't perform a beautiful miracle rather she just enabled a creep. It completely changes how I read her reaction here!