Lara Lington has always had an overactive imagination, but suddenly that imagination seems to be in overdrive. Normal professional twenty-something young women don’t get visited by ghosts. Or do they? When the spirit of Lara’s great-aunt Sadie—a feisty, demanding girl with firm ideas about fashion, love, and the right way to dance—mysteriously appears, she has one request: Lara must find a missing necklace that had been in Sadie’s possession for more than seventy-five years, because Sadie cannot rest without it. Lara and Sadie make a hilarious sparring duo, and at first it seems as though they have nothing in common. But as the mission to find Sadie’s necklace leads to intrigue and a new romance for Lara, these very different “twenties” girls learn some surprising truths from and about each other. Written with all the irrepressible charm and humor that have made Sophie Kinsella’s books beloved by millions, Twenties Girl is also a deeply moving testament to the transcendent bonds of friendship and family.

A Today Show #ReadwithJenna Book Club Pick A propulsive and uncommonly wise novel about one unexpected wedding guest and the surprising people who help us start anew. It's a beautiful day in Newport, Rhode Island, when Phoebe Stone arrives at the grand Cornwall Inn wearing a green dress and gold heels, not a bag in sight, alone. She's immediately mistaken by everyone in the lobby for one of the wedding people, but she’s actually the only guest at the Cornwall who isn’t here for the big event. Phoebe is here because she’s dreamt of coming for years―she hoped to shuck oysters and take sunset sails with her husband, only now she's here without him. Meanwhile, the bride has accounted for every detail and every possible disaster the weekend might yield except for, well, Phoebe―which makes it that much more surprising when the women can’t stop confiding in each other. In turns uproariously, absurdly funny and devastatingly tender, Alison Espach's The Wedding People is a look at the winding paths we can take to places we never imagined―and the chance encounters it sometimes takes to reroute us.

Make no mistakes about it. I know what I look like to others. Young, government-aided, pregnant mom. They see Lucy on my hip, and they see a mistake. I mean, why else would someone have a child so young, right? They couldn’t be more wrong. I’m too busy most days between parenting, work, and finishing up my last year of nursing school to let their judging gaze tear me down until he moves in the vacant house next to the apartments I live in. His cold, blunt observation of us doesn’t differ from any other stranger. He doesn’t know me, but he’s already painting a picture of who he thinks I am in his mind. He judges my very round belly, Lucy’s inability to leave him alone, the bags under my eyes, and the fact that I could not care less what I look like anymore. He’s a rude guy. Stays that way for months too. Then something happens, I’m not even sure what. Judgmental Guy decides Lucy and me — as well as baby Eli — are worth his friendship. Turns out, Judgmental Guy isn’t too mean — okay, he kind of still is. But he graduates to Elijah. I build an unlikely friendship with him which deems it necessary for him to start smiling around me and my kids. I’m wrong again. Elijah isn’t rude. He’s terrifying. His strange acts of kindness are unraveling me. Elijah is only my friend. Right? Oh, fudge. I think I’m wrong. Again.

A fabulously off-beat collection of short stories about love—the best and worst thing in the universe—written by the creator of BoJack Horseman with his hallmark scathing dark humor “Transcendent tragicomedy.... Prepare to be devastated and made whole again.” —The A.V. Club Featuring: • A young engaged couple forced to deal with interfering relatives dictating the appropriate number of ritual goat sacrifices for their wedding. • A pair of lonely commuters who ride the subway in silence, forever, eternally failing to make that longed-for contact. • A struggling employee at a theme park of U.S. presidents who discovers that love can’t be genetically modified. And fifteen more tales of humor, romance, whimsy, cultural commentary, and crushing emotional vulnerability.

Make no mistakes about it. I know what I look like to others. Young, government-aided, pregnant mom. They see Lucy on my hip, and they see a mistake. I mean, why else would someone have a child so young, right? They couldn’t be more wrong. I’m too busy most days between parenting, work, and finishing up my last year of nursing school to let their judging gaze tear me down until he moves in the vacant house next to the apartments I live in. His cold, blunt observation of us doesn’t differ from any other stranger. He doesn’t know me, but he’s already painting a picture of who he thinks I am in his mind. He judges my very round belly, Lucy’s inability to leave him alone, the bags under my eyes, and the fact that I could not care less what I look like anymore. He’s a rude guy. Stays that way for months too. Then something happens, I’m not even sure what. Judgmental Guy decides Lucy and me — as well as baby Eli — are worth his friendship. Turns out, Judgmental Guy isn’t too mean — okay, he kind of still is. But he graduates to Elijah. I build an unlikely friendship with him which deems it necessary for him to start smiling around me and my kids. I’m wrong again. Elijah isn’t rude. He’s terrifying. His strange acts of kindness are unraveling me. Elijah is only my friend. Right? Oh, fudge. I think I’m wrong. Again.

Step into the past. Rush headlong at the future. The Age of Calamities is here.Henry VIII wants Anne Boleyn dead, but there's just one small problem - she's alive again by morning, sipping tea at the breakfast table. In the gilded hush of the Winter Palace, the Romanov sisters slip through time and waltz aboard a star-bound spaceship. A woman on the run strikes a sinister bargain with the ghost of Joan of Arc, but can she reclaim her body in time for sunrise?Fiercely inventive and darkly playful, these stories unfold on history's fault lines, where women take their revenge against ill-fated times. With sly wit and piercing poignancy, The Age of Calamities exhumes the past to haunt the present, charting the tragicomic yet hopeful act of living.

This novel is about a woman called Martha. She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going. Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it. By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

Alethea Lopez is about to turn 40. Fashionable, feisty and fiercely independent, she manages a boutique in Port of Spain, but behind closed doors she’s covering up bruises from her abusive partner and seeking solace in an affair with her boss. When she witnesses a woman murdered by a jealous lover, the reality of her own future comes a little too close to home. Bringing us her truth in an arresting, unsparing Trinidadian voice, Alethea unravels memories repressed since childhood and begins to understand the person she has become. Her next step is to decide the woman she wants to be. This is an engrossing and atmospheric novel with a strong feminist message at the heart of its page-turning plot. It explores an abusive love-affair with searing honesty, and skilfully tackles the issue of gender violence and racism against the lush and heady backdrop of the national festival, and the music that feeds it. It’s impossible not to root for Alethea – she is an unforgettable heroine, trapped in ways she is only just beginning to understand but shining with strength, resolve and, ultimately, self-determination.

Lanie Coates’s life is spinning out of control. She’s piled everything she owns into a U-Haul and driven with her husband, Peter, and their three little boys from their cozy Texas home to a multiflight walkup in the Northeast. She’s left behind family, friends, and a comfortable life–all so her husband can realize his dream of becoming a professional musician. But somewhere in the eye of her personal hurricane, it hits Lanie that she once had dreams too. If only she could remember what they were.These days, Lanie always seems to rank herself dead last–and when another mom accidentally criticizes her appearance, it’s the final straw. Fifteen years, three babies, and more pounds than she’s willing to count since the day she said “I do,” Lanie longs desperately to feel like her old self again. It’s time to rise up, fish her moxie out of the diaper pail, and find the woman she was before motherhood capsized her entire existence.Lanie sets change in motion–joining a gym, signing up for photography classes, and finding a new best friend. But she also creates waves that come to threaten her whole life. In the end, Lanie must figure out once and for all how to find herself without losing everything else in the process.Katherine Center’s Everyone Is Beautiful is a hugely entertaining, poignant, and charming new novel about what happens after happily ever after: how a woman learns to fall in love with her husband–and her entire life–all over again.

A young royal from the far north is sent south for a political marriage in an empire reminiscent of imperial China. Her brothers are dead, her armies and their war mammoths long defeated and caged behind their borders. Alone and sometimes reviled, she must choose her allies carefully. Rabbit, a handmaiden, sold by her parents to the palace for the lack of five baskets of dye, befriends the emperor's lonely new wife and gets more than she bargained for. At once feminist high fantasy and an indictment of monarchy, this evocative debut follows the rise of the empress In-yo, who has few resources and fewer friends. She's a northern daughter in a mage-made summer exile, but she will bend history to her will and bring down her enemies, piece by piece.

Sam Beckbessinger's FEMME FERAL, a feminist Jekyll and Hyde comedy-horror pitched as NIGHTBITCH meets Grady Hendrix, about middle-age female rage, following a hyper-competent tech CEO who thinks she's going through perimenopause, but is actually turning into a werewolf.